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IMDbPro

Fantasía 2000

Título original: Fantasia 2000
  • 1999
  • A
  • 1h 15min
PUNTUACIÓN EN IMDb
7,1/10
43 mil
TU PUNTUACIÓN
Fantasía 2000 (1999)
CT#2
Reproducir trailer1:16
19 vídeos
99+ imágenes
Fairy TaleHand-Drawn AnimationAnimationFamilyFantasyMusic

Actualización de la película original con nuevas interpretaciones de grandes obras de la música clásica.Actualización de la película original con nuevas interpretaciones de grandes obras de la música clásica.Actualización de la película original con nuevas interpretaciones de grandes obras de la música clásica.

  • Dirección
    • James Algar
    • Gaëtan Brizzi
    • Paul Brizzi
  • Guión
    • Eric Goldberg
    • James Fujii
    • Joe Grant
  • Reparto principal
    • James Levine
    • Steve Martin
    • Itzhak Perlman
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,1/10
    43 mil
    TU PUNTUACIÓN
    • Dirección
      • James Algar
      • Gaëtan Brizzi
      • Paul Brizzi
    • Guión
      • Eric Goldberg
      • James Fujii
      • Joe Grant
    • Reparto principal
      • James Levine
      • Steve Martin
      • Itzhak Perlman
    • 226Reseñas de usuarios
    • 137Reseñas de críticos
    • 59Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 4 premios y 7 nominaciones en total

    Vídeos19

    Fantasia/Fantasia 2000 Combo: Special Edition
    Trailer 1:16
    Fantasia/Fantasia 2000 Combo: Special Edition
    Fantasia 2000: Special Edition
    Clip 0:57
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 0:57
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 1:14
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 1:23
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 1:07
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 0:49
    Fantasia 2000: Special Edition

    Imágenes112

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    + 107
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    Reparto principal29

    Editar
    James Levine
    • Self - Host (segment "Pomp and Circumstance"), Conductor (Chicago Symphony Orchestra)
    Steve Martin
    Steve Martin
    • Self - Introductory Host
    Itzhak Perlman
    Itzhak Perlman
    • Self - Host (segment "Pines of Rome")
    Quincy Jones
    Quincy Jones
    • Self - Host (segment "Rhapsody in Blue")
    Bette Midler
    Bette Midler
    • Self - Host (segment "Piano Concerto No. 2, Allegro, Opus 102")
    James Earl Jones
    James Earl Jones
    • Self - Host (segment "Carnival of the Animals")
    Penn Jillette
    Penn Jillette
    • Self - Host (segment "The Sorcerer's Apprentice")
    • (as Penn)
    Teller
    Teller
    • Self - Host (segment "The Sorcerer's Apprentice")
    Wayne Allwine
    Wayne Allwine
    • Mickey Mouse (segment "Pomp and Circumstance")
    • (voz)
    Angela Lansbury
    Angela Lansbury
    • Self - Host (segment "Firebird Suite - 1919 Version")
    Dennis Quaid
    Dennis Quaid
    • Self - Co-Host (segment "Pomp and Circumstance")
    Tony Anselmo
    Tony Anselmo
    • Donald Duck (segment "Pomp and Circumstance")
    • (voz)
    Russi Taylor
    Russi Taylor
    • Daisy Duck (segment "Pomp and Circumstance")
    • (voz)
    Chicago Symphony Orchestra
    • Themselves
    • (as The Chicago Symphony Orchestra)
    Kathleen Battle
    • Self - Featured Soprano (segment "Pomp and Circumstance")
    • (doblaje en canto)
    • (sin acreditar)
    Gaëtan Brizzi
    Gaëtan Brizzi
    • Self - Animator
    • (sin acreditar)
    Paul Brizzi
    • Self - Animator
    • (sin acreditar)
    Yefim Bronfman
    • Self - Pianist (segment "Piano Concerto No. 2, Allegro, Opus 102")
    • (sin acreditar)
    • Dirección
      • James Algar
      • Gaëtan Brizzi
      • Paul Brizzi
    • Guión
      • Eric Goldberg
      • James Fujii
      • Joe Grant
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios226

    7,143K
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    Reseñas destacadas

    7SnoopyStyle

    I love the Gershwin section

    It's a reworking and remaking of the classic Disney Fantasia. The first superior aspect of this one compared to the original is the shorter length. Not all of it works but it works well enough to be compelling throughout. I love the George Gershwin section. It is obviously NYC but I also love the 1930s era. I love the animation style. I couldn't stop smiling and it has some great laughs. There is the redo of Mickey Mouse in The Sorcerer's Apprentice. It looks a little brighter without taking away the animation style. Donald Duck in Noah's Ark is funny. Overall, there are some slower sections but I just love the Gershwin section so much.
    9Robin-58

    An Almost Flawless Masterpiece

    Although I was aware of the original plan to renew the Fantasia concept every so often, and that it was visualised as an ongoing project, I felt that going back after 60 years was too much, and that the original classic should be left alone. However, my initial scepticism was dispelled within seconds of the opening sequence. What we have here is a lush, vibrant fusion of animation and music, each fully complimenting the other to perfection. It's hard to pick a favorite sequence, but if really pressed, for personal taste alone, it would be the awesome sequence with the whales. Mickey's Sorcerer's Apprentice sequence is the only carry over from the original, and a worthy match for it in the 2000 lineup is the Donald "Noah".

    The only criticism I have of the film is the bridging sequences, featuring Steve Martin, Penn & Teller, Bette Midler and others. I would have preferred that they stuck to one presenter, preferably James Earl Jones or Angela Landsbury. They seemed to take the material and the project far more seriously than Martin and Penn & Teller who's humor detracted from the dignity of the movie as a whole.
    8LeRoyMarko

    Surprising

    We had two kids at home and I went to rent to one thinking it was a typical Disney movie. I was wrong, but the kids still liked it.

    I was surprise by the musical choice in this one. Great classical pieces. And the animation is very well done. Some segments better than others.

    I got to see this one on a regular tv-set, but I guess you should try to see it on an IMAX screen, or at least a cinema screen.

    Out of 100, I gave it 81. That's good for *** out of ****.

    Seen at home, in Toronto, on June 15th, 2002.
    9frigmeat

    Gorgeous!

    I can't stop watching it!!! Four of the seven new segments in this film are alone well worth the admission. Roy Disney Jr. sets the stage for a remarkable departure from the usual animated dreck that Disney has been bogged down by for the last half-decade (Toy Story aside). Disney have hereby restored my faith in them as leading the pack in animated cinema. I want more!!

    "Pines of Rome", a marvelous piece set to the "story" of whales leaving the water and eventually the planet, is worth viewing several times for it's symbolism and exquisite look. "Rhapsody in Blue", by Gershwin, is given perfect treatment by a day in the life of New York City. The pace is quick and manages to give each character studied enough depth to make a very satisfying and touching ending. "Pomp and Circumstance", the graduation standard, is humorous and sweet. Creating a love story involving Donald and Daisy Duck into the story of Noah's Ark worked surprisingly well. "Firebird Suite"- WOW. This is the most incredible segment of the film. It's a PERFECT marriage of music and animation and MUST be played loud. Very emotional and powerful indeed.

    I had to post another comment because I can't stress enough that it's a worthy successor to the original Fantasia, and Walt would be proud.
    7CuriosityKilledShawn

    Pretty good, but I wish it was longer.

    Top quality animation and a sense of humour make this sequel/add-on a formidable animated movie in its own right. The running time of 74 minutes is a bit of a let-down. I would have liked to have seen more pieces and more imagination. And be warned, The Sorcerer's Apprentice remains. As this was the original's ONLY real selling point they decided to stick it back in there, so you're really only get just over an hours worth of new footage. Which feels like a bit of a rip-off.

    But my favorite segment is the one with Donald Duck, in fact they were all cool, especially the one with the volcano. The music matches the story perfectly and it has some truly beautiful animation. Far superior to those ugly CGI crap we get these days. And the TV show style introductions were more watchable than the dubbed Deems Taylor segments in the original.

    This was the first animated movie to be made for IMAX screens and the digital picture is amazing. See this preferably on an IMAX screen or on DVD. Watching it on VHS would only insult the brilliant animation. It's sad that Disney has abandoned traditional hand-drawn animation for theatrical projects. It's what the studio was built on after all. But Disney is shadow of its former self, we all know that.

    Just as good as the original Fantasia, but loses points for not being longer and more ambitious.

    Más del estilo

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    7,1
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    Los rescatadores
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    El jorobado de Notre Dame
    7,0
    El jorobado de Notre Dame

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The Broadway ending sequence of "Rhapsody in Blue" contained so many different colors (over 200) that the CAPS system had trouble rendering it, causing delays in the production of Tarzán (1999).
    • Pifias
      In "Rhapsody in Blue", a sign inside Monica's cafe reads "2 EGGS ANY STYLE 25c". A sign outside the cafe reads "2 EGGS 10c".
    • Citas

      James Earl Jones: [introducing the Carnival of the Animals] These drawing boards have been the birthplace of some of the most beloved animal characters of all time. So it's no surprise that they choose for our next segment, "The Carnival of the Animals" by Camille Saint-Saëns. Here the sensitive strains of impressionistic music combine with the subtle artistry of the animator to finally answer that age old question: "What is man's relationship to nature?"

      [is handed a piece of paper]

      James Earl Jones: Oh, sorry... That age old question: "What would happen if you gave a yo-yo to a flock of flamingos?"

      [turns to look off-camera]

      James Earl Jones: Who wrote this?

    • Créditos adicionales
      Right after the final credits, you hear Steve Martin's voice, wondering out loud if he's still on camera, then realizes it's the end of the movie. He then asks the audience, 'Can I have a ride home?'
    • Versiones alternativas
      The Rat Scene from Piano Concerto No.2
    • Conexiones
      Edited from Fantasía (1940)
    • Banda sonora
      Symphony No. 5
      Written by Ludwig van Beethoven

      Performed by James Levine and the Chicago Symphony Orchestra

    Selecciones populares

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    Preguntas frecuentes19

    • How long is Fantasia 2000?Con tecnología de Alexa
    • How come many of the pieces do not follow a story?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 1 de enero de 2000 (España)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official site
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Fantasia 2000
    • Localizaciones del rodaje
      • Walt Disney Feature Animation - 500 S. Buena Vista Street, Burbank, California, Estados Unidos(Walt Disney's house)
    • Empresas productoras
      • Walt Disney Pictures
      • Walt Disney Animation Studios
      • Walt Disney Feature Animation
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 80.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 60.655.420 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 2.290.525 US$
      • 2 ene 2000
    • Recaudación en todo el mundo
      • 90.874.570 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 15 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
      • SDDS
      • IMAX 6-Track

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