Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 3 nominaciones en total
Brian Le Baron
- Parking Attendant
- (as Brian LeBaron)
Reseñas destacadas
When you start watching this movie, you'll decide if you like it or not. But if you don't want to wait, I'll tell you. This movie is so trippy, so gross, so insane, so bizarre, and so friggin' crazy! Now with that said, it's also brilliant, funny, surreal, dark, entertaining etc. The story goes like this; a Dr. Journalism, Raoul Duke (Johnny Depp), and his wolf man attorney, Dr. Gonzo (Benicio Del Toro), are sent to Las Vegas to cover a Mint 400 motorcycle race but end up abandoning that in search of the American Dream. The two characters are out of their minds on drugs the entire time which is where the surreal factor comes into play. The film is based the famous novel by Hunter S. Thompson, which was based on real life events he experienced. I'm not kidding when I say that five minutes into this movie and you'll feel that someone drugged your drink or something. This is more than just a movie, it's an experience, and an experience like no other. If you haven't read the book or don't know what your getting yourself into, then you're gonna have one hell of a ride. Johnny Depp (of course) nails the performance of the character that the book created. What director, Terry Gilliam, did is take the book and match the images that we thought of while reading it, perfectly. Throughout the film, watching the two characters wander witlessly around Las Vegas tripping on acid, I felt like I was part of the experience. Also, Depp's performance is so good, that I started to forget that he wasn't really Hunter S. Thompson. The characters are both psychotic but in different ways. Raoul Duke has one foot in reality and another foot in a pit of madness, Gonzo, however, is off his rocker. He's just a ticking atom bomb ready to go off, I'd be scared to stay in the same room as him. But what keeps this movie going strong is the narration by Depp. Some of it's recited from the book but other times it's whatever's on his mind. Without the narration, the movie would be just one wacky thing after another. Overall, watching this movie is like being hit by a car, sucked into a tornado, spat out into a trampoline factory, raped by a wild tiger, eaten by Godzilla, thrown off the face of the Earth, and plummeting right down on the TV. Any negative reviews you may have heard about this movie make no sense. They love the book while hate the film for being so crazy and shapeless (oh, you mean exactly like the book). This is a perfect adaptation of the book. So great performances, surreal scenery, flowing narration, and a clever cameo by Thompson himself. When I first saw this movie, I liked it just fine. I've seen a few more times and every time I see it, it gets better. Now it's gotten to the point where I think it's one of the best films ever made. So if you're a Johnny Depp fan, or a Terry Gilliam fan, or a Hunter S. Thompson fan, or just in the mood for something different and I mean REALLY different, definitely check it out.
This is far from your everyday movie, and only for those with a deep appreciation for the diversity of film-making, or fans of Hunter S. Thompson. This does not mean those mentioned will enjoy it, although definitely respect the attempt. I personally found it fascinating. To portray a permanently drug induced state to the big screen was done with creativity and subtle humour. You could expect nothing less from director Terry Gilliam who has played such a massive role in the brilliant and original Monty Python works.
Having never read any of Hunter S. Thompson's work, I get the impression that justice is done for the adaptation to the big screen. An absolutely quality cast must be credited for this, ensuring a natural performance is achieved. Las Vegas which features strongly throughout the movie seems to be so appropriate when dealing with this subject matter, they just seem to go hand in hand.
Having never read any of Hunter S. Thompson's work, I get the impression that justice is done for the adaptation to the big screen. An absolutely quality cast must be credited for this, ensuring a natural performance is achieved. Las Vegas which features strongly throughout the movie seems to be so appropriate when dealing with this subject matter, they just seem to go hand in hand.
In a sense, this is kind of like the movie Terry Gilliam was born to do.
Terry Gilliam is an awesome visual director in the same way that Tim Burton is an awesome visual director: every single frame bleeds its own distinct style of beauty, but sometimes the story just doesn't hold it up, or the stylistic elements get in the way. However, what could possibly be better to found Gilliam's surreal psychedelic imagery on than Hunter S. Thompson's story of his exploration into the American Dream? Still, it's a hard thing to pull off, translating Thompson to film, and while Gilliam does succeed, it's largely from the support of the incredible cast working under him to work out. Johnny Depp and Benecio Del Toro especially have to really work on exaggerating when needed, slowing down when necessary through what feels like hundreds of hallucinogenic scenes with just barely enough narrative structure to pull them together.
Of course, the outcome is pretty fantastic, but it sets this movie squarely in the "love it or hate it" section of the world's video library, which is pretty much Gilliam's career simplified anyways.
--PolarisDiB
Terry Gilliam is an awesome visual director in the same way that Tim Burton is an awesome visual director: every single frame bleeds its own distinct style of beauty, but sometimes the story just doesn't hold it up, or the stylistic elements get in the way. However, what could possibly be better to found Gilliam's surreal psychedelic imagery on than Hunter S. Thompson's story of his exploration into the American Dream? Still, it's a hard thing to pull off, translating Thompson to film, and while Gilliam does succeed, it's largely from the support of the incredible cast working under him to work out. Johnny Depp and Benecio Del Toro especially have to really work on exaggerating when needed, slowing down when necessary through what feels like hundreds of hallucinogenic scenes with just barely enough narrative structure to pull them together.
Of course, the outcome is pretty fantastic, but it sets this movie squarely in the "love it or hate it" section of the world's video library, which is pretty much Gilliam's career simplified anyways.
--PolarisDiB
For all those of you who decry this movie for being pointless and lacking soul, that was the point! This is an excellent movie, a true adaptation of the book, nothing more and nothing less. It is an unflinching look at the sickening excesses of a consumption based culture of America during the early 1970's, who's vacuous heart resides in Las Vegas, a symbol of greed and debauchery. The pointlessness of the movie is a metaphor for the pointless pursuit of personal gratification and greed, the true heart of the "American Dream".
If you put aside the usual assumptions about a movie, i.e. that you are supposed to care about the characters, that their needs to conflict and resolution etc, then you will enjoy it much better. This movie is a magical ride and actually works on many levels, not only as testimony to the horrors of excessive drug use, and the tacky, ugly view of the worst parts of America, but also to the failed 60's generation, a generation that thought that "somebody somewhere is guarding the light at the end of the tunnel". Drug use is simply a way of escaping your present reality, and all the drugged out zeroes of the sixties were truly lost if they thought that enlightenment and peace could come from a hit of acid. This movie takes Timothy Leary's supposition of "freeing your mind" to it's ultimate conclusion and the conclusion is that you are not actually freeing your mind, but destroying it.
Of course this movie is also fun to watch the incredible performances by Johnny Depp and Benitio Del Torro, both of whom I barely even recognized in their roles (Depp with a shaven head and the bloated Del Torro who gained 40 pounds for his portrayal of "Dr. Gonzo"). Del Torro has one scene in particular (the bathtub scene) which is both disgusting and very disturbing. Apparently his performance was so convincing that he had a hard time getting work after this film because everyone was convinced that he was wasted on the set. The truth is that he's just a damn fine actor who didn't hold back for one second, which is exactly what the film called for. Also the scene of Johnny Depp squealing like a banshee after imbibing some adrenocrome and Del Torro freaking out behind him is unforgettable.
The directing itself is fast paced with offseting angles a lot of wide angle lenses. Gilliam has a style which is unmistakable, it's like walking around inside of a Dali painting, everything is distorted and stretched to create a strong sense of surrealism. Yet his approach is much less offensive than Oliver Stone, who desperately throws every single filming trick at you repeatedly until you are pummeled into submission. Wow, look he switch to 8 mm, then black and white, now it's slow mo all in 3 seconds!
Anyway, I digress. This is a fine movie, don't watch it stoned, you'll get more out of it, repeated viewings are recommended. I also recommend getting the criterion DVD version, which has commentary by Gilliam, Depp, del Torro and Hunter S. Thompson himself!
If you put aside the usual assumptions about a movie, i.e. that you are supposed to care about the characters, that their needs to conflict and resolution etc, then you will enjoy it much better. This movie is a magical ride and actually works on many levels, not only as testimony to the horrors of excessive drug use, and the tacky, ugly view of the worst parts of America, but also to the failed 60's generation, a generation that thought that "somebody somewhere is guarding the light at the end of the tunnel". Drug use is simply a way of escaping your present reality, and all the drugged out zeroes of the sixties were truly lost if they thought that enlightenment and peace could come from a hit of acid. This movie takes Timothy Leary's supposition of "freeing your mind" to it's ultimate conclusion and the conclusion is that you are not actually freeing your mind, but destroying it.
Of course this movie is also fun to watch the incredible performances by Johnny Depp and Benitio Del Torro, both of whom I barely even recognized in their roles (Depp with a shaven head and the bloated Del Torro who gained 40 pounds for his portrayal of "Dr. Gonzo"). Del Torro has one scene in particular (the bathtub scene) which is both disgusting and very disturbing. Apparently his performance was so convincing that he had a hard time getting work after this film because everyone was convinced that he was wasted on the set. The truth is that he's just a damn fine actor who didn't hold back for one second, which is exactly what the film called for. Also the scene of Johnny Depp squealing like a banshee after imbibing some adrenocrome and Del Torro freaking out behind him is unforgettable.
The directing itself is fast paced with offseting angles a lot of wide angle lenses. Gilliam has a style which is unmistakable, it's like walking around inside of a Dali painting, everything is distorted and stretched to create a strong sense of surrealism. Yet his approach is much less offensive than Oliver Stone, who desperately throws every single filming trick at you repeatedly until you are pummeled into submission. Wow, look he switch to 8 mm, then black and white, now it's slow mo all in 3 seconds!
Anyway, I digress. This is a fine movie, don't watch it stoned, you'll get more out of it, repeated viewings are recommended. I also recommend getting the criterion DVD version, which has commentary by Gilliam, Depp, del Torro and Hunter S. Thompson himself!
The `unflimable' novel by Thompson is brought to the screen. Hunter S. Thompson gets a call to go to Las Vegas to cover a motorcross race. Using the advance money to purchase a load of drugs he sets out on a road trip with his crazed Samoan lawyer. However as their trip continues they encounter all manner of insanity and paranoia in their drug fuelled trip into the American dream
Never read the book, never been a big fan of this particular culture and ever felt inclined to read any of this sort of work however, really enjoyed the movie. The plot is, well, a trip rather than anything concrete or logical. There is a message tacked on somewhere near the end but really this is more of an experience than a story. To me the film mainly succeeded due to Terry Gilliam. His crazed sense of humour is fed through the whole piece, stopping it being indulgent or pretentious as it could easily have been.
Instead it manages to be a drug movie but also be very OTT and very. Gilliam's imagination really made Thompson's trips come to life. It must be hard to actually put something like that on film and I thought he did very well. This vision is well supported by a brilliantly pitched performance by Depp. He is on the very edge of ham with this one but gets it just right making Thompson funny and exaggerated. De Toro is as good but is very much playing second fiddle on this one. An all star list of cameos including Maguire, Barkin, Busey, Ricci, Harmon, Penn (of & Teller), Diaz and Lyle Lovett are all enjoyable and don't detract from the film in the way cameos sometimes can (`oh look it's etc').
The film may be very loose and aimless but what did you expect? Those wanting tightness of plot and a set narrative may be let down (though there is a car chase for the teens!). However this is well worth a look as it is a funny, very imaginative film that proved a lot of people wrong when they said that it could never be filmed. Certainly anyone who likes the films of Terry Gilliam will find much of his madness here to enjoy.
Never read the book, never been a big fan of this particular culture and ever felt inclined to read any of this sort of work however, really enjoyed the movie. The plot is, well, a trip rather than anything concrete or logical. There is a message tacked on somewhere near the end but really this is more of an experience than a story. To me the film mainly succeeded due to Terry Gilliam. His crazed sense of humour is fed through the whole piece, stopping it being indulgent or pretentious as it could easily have been.
Instead it manages to be a drug movie but also be very OTT and very. Gilliam's imagination really made Thompson's trips come to life. It must be hard to actually put something like that on film and I thought he did very well. This vision is well supported by a brilliantly pitched performance by Depp. He is on the very edge of ham with this one but gets it just right making Thompson funny and exaggerated. De Toro is as good but is very much playing second fiddle on this one. An all star list of cameos including Maguire, Barkin, Busey, Ricci, Harmon, Penn (of & Teller), Diaz and Lyle Lovett are all enjoyable and don't detract from the film in the way cameos sometimes can (`oh look it's etc').
The film may be very loose and aimless but what did you expect? Those wanting tightness of plot and a set narrative may be let down (though there is a car chase for the teens!). However this is well worth a look as it is a funny, very imaginative film that proved a lot of people wrong when they said that it could never be filmed. Certainly anyone who likes the films of Terry Gilliam will find much of his madness here to enjoy.
¿Sabías que...?
- CuriosidadesIn the book, Hunter S. Thompson listens to "Sympathy For The Devil" by The Rolling Stones. The rights to play it in the film were too expensive for the production's budget.
- PifiasDr. Gonzo spoofs the "Richard Nixon salute" when he gets on the plane at the end of the movie. Nixon didn't resign or do the classic "salute" until 1974.
- Citas
[watching Dr. Gonzo leave]
Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.
- Créditos adicionalesThe Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end.
- Versiones alternativasThe US-label Criterion ordered director Terry Gilliam and author Hunter S. Thompson to create a special Director's Cut. This cut contains a scene that otherwise was only to be seen in part and only in the cinematic trailer. It shows events in retrospect that the main character Raoul Duke remembers fragmentarily when listening to the recorded conversations on his cassette recorder. Furthermore there is a slightly longer version of another scene shortly before that. There is a bit more conversation going on between Raoul and Dr. Gonzo when they want to leave because of the trouble the kidnapped Lucy (Christina Ricci) is causing. Director's Cut's Pal running time is 144.1 seconds (2:24 minutes) longer because of two extended scenes.--Quoted from movie-censorship.com
- ConexionesEdited from Las Vegas (1978)
- Banda sonoraMy Favorite Things
Written by Richard Rodgers (as Richard Rogers) and Oscar Hammerstein II
Published by Williamson Music
Performed by The Lennon Sisters
Courtesy of Ranwood Records/ A Walk Music Group Co.
By arrangement with Warner Special Products
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Por i fàstic a Las Vegas
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 18.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 10.680.275 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.338.590 US$
- 24 may 1998
- Recaudación en todo el mundo
- 10.680.275 US$
- Duración1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the streaming release date of Miedo y asco en Las Vegas (1998) in Australia?
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