Los líos de Caroline

When "Caroline In The City" first started, the ensemble cast was great, with Caroline, Richard, Del and Annie. They had good chemistry together and the way particularly Richard would trade barbs with Annie was hilarious. Even the minor characters like Remo and Johnny were great. Sometimes I would've like to have seen more of those two. They were a perfect fit for each other. Candy Azzara, who played Annie's mother was good as well.

Another one of my favorites, was "Shelly", played by Lauren Graham. Richard's ultra perky girlfriend. Lauren Graham played that role so well. My favorite memory of her came from the Christmas episode, "Caroline and the Christmas Break". Caroline couldn't get misseltoe, so she used oregano instead. Shelly asks what happens when you stand under oregano instead. Since Annie couldn't stand her, she said, "you say goodbye". After that, every time Shelly was under the oregano, in her perky way would say "goodbye". That was too much.

About midway through the first season, "tinkering" was done to the show. It started with the beginning theme and credits. Gone was the 10 second short of the animated "Caroline", which would give you an idea what was going to happen in the episode to a new beginning, showing different comic strips from "Peanuts" to "Beetle Bailey" and Remo's changing from a restaurant and bar to a small bistro. These were small changes; Although I liked the 10 second animated short; Without it, it changed the show somewhat. In addition, they added Andy Lauer as "Charlie", Del's delivery boy. He fit in the cast well, like he was there from the beginning.

One of my favorite episodes came from the first season, entitled "Caroline and the Watch". You got to see Maury Amsterdam and Rose Marie from "The Dick Van Dyke Show" teamed up one last time (About 8 months after that episode aired, Maury Amsterdam died).

The problems started in the second season, when they added a new love interest for Caroline; Joe DeStefano (Mark Fuerstein). He just didn't seem like he fit in well. I didn't watch too many episodes when he was on, but things really went downhill, when they introduced Richard's new wife, Julia. She was a "square peg" in the cast. I felt like she never fit in and I couldn't stand her. She was the reason why I quit watching the show, which was too bad because it was funny at a time.

This show is pretty good, I watch it whenever I can find the time. It's not really outstanding, and there are better sitcoms, but the characters are nice and especially Richad has some good lines. Compared to Suddenly Susan this show is, well, a million times better, mainly because the characters aren't as annoying (except Julia).

Caroline in the City was one of those shows that attracted a mixed reception: some loved it like me; some thought it was good but nothing special whilst the rest just slated it harshly. It's interesting to note that the show is more popular outside the US, although I'm sure there are a few Yanks who are keen on CITC as well.

The sitcom revolved around a Wisconsin native, Caroline who applies her trade as a cartoonist in Manhattan, New York. Her career and work life, couldn't be more perfect: her greeting cards and merchandise are selling, her comic strip is a hit in every major newspaper and she couldn't be any more happier as she is. Except she is also on the look out for love and thus after several attempts, by the fourth season she finds solace and love in the form of Richard- her assistant and colourist.

The casting of Lea Thompson, Malcolm Gets, Amy Pietz, Andy Lauer and Eric Lutes was spot-on and they all did a magnificent job as their characters, Caroline Duffy, Richard Karinsky, Annie Spadaro, Charlie and Del Cassidy. Lea is just great as the sweet, caring Caroline, whilst Malcolm is brilliant as the often dour- faced, miserable geek/struggling artist, Richard. The attraction involving the pair felt so real and they made such a convincing sitcom couple. Special mentions also go out to Amy, Eric,Andy and Tom. Most of the show's funniest moments revolved around either Richard's sarcastic banter or Richard and Annie mocking and insulting one another.

The first season was an instant hit in 1995-96 but by the time when Friends, Frasier were at their peak in the late 1990s, by 1998 onwards CITC was suddenly losing ground and ultimately the changes had put the nail in the coffin.

I didn't have a problem with Season 3, as I thought it was very good. The first two were just downright funny and brilliant, but with the fourth whilst there were some wonderful moments involving the pair, I just felt that there was too much pain towards the end, which was totally unnecessary. I was bemused as to why Caroline and Richard argued as much as they did in the fourth season when they were a couple, which I thought was pretty stupid. Particularly as after the 'Big Night' episode where they finally consummated their 4- year relationship, the episodes which had followed afterwards had them arguing, such as the arrival of Caroline's former high school 'friend' Randy and thus, the cracks in their relationship had appeared. What didn't make sense was how could Caroline have feelings for Randy, whilst she was with Richard at the same time, and the guy she had always wanted to be with?

The way the writers had handled the writing was shameful: different writers for different seasons? Now that I don't get. No wonder there was no continuity, no consistency, and no genuine ending. CITC became a silly soap opera towards the end of the final season that the impression that I and many other fans got, based on the changes they made, was that none of the writers cared about the show, any more. They didn't know whether they wanted CITC to be a work place sitcom or a romantic sitcom, although I'd go for the latter. Although it seems to me that they had numerous ideas up their sleeves, in an attempt to keep Caroline and Richard apart for as long as possible and preventing them from getting married to one another. What they mistakenly didn't realise is that as soon as fans sense a sitcom is no longer a sitcom and the ideas become so OTT, then there will be signs indicating that the show is no longer what it stands for- and there were signs throughout that final season, which denoted that CITC no longer stood for what it originally was in the beginning.

For instance, getting rid of Remo and moving Caroline's work environment from the loft was a massive gamble, which was a terrible error and a decision of which backfired completely. In its place, we got a dull office, characters like Plum, Dave and Reg-, who I liked; hence, silly twists in the shape of Richard discovering he has a child by his horrible ex Julia, of him telling Caroline he doesn't want any more children and Randy's appearance also emerged. Eventually, CITC lost its sense of direction and it got canned, which led us fans to ponder how on earth the show started out so brilliantly and perfectly at the beginning… only to falter and go downhill in the end, all in the short space of 4 seasons.

I was disappointed and angry when I first read that the show had been cancelled- as much as the fourth season was bad, it was still okay. I still felt that CITC had some life in the series yet to be able to prolong its existence until the very end, as well as there would have been plenty of material for a fifth season. And even though, ratings were falling, I still felt they should have just gone ahead and produced it, rather than to just have an unresolved ending. I will never forgive the writers for concluding it on a cliff hanger. It wasn't the actors, of who were accountable for the show's demise, but the writers of the last season. Because of those errors, which weren't addressed throughout the series, Caroline In The City failed to fulfil its full potential as a show- so therefore despite the early promise, the constant chopping and changing, as well as the absurd ideas later on, had killed it completely.

Nonetheless, CITC is an amusing sitcom, which despite its faults, is a show that is worth watching and one that kept me interested up until the finale.

This show became an (undeserved) critical punching-bag during its too-brief run on NBC. It was similar to several shows which ran during the same period: female centered, urban, based in arts/media. All of them were lumped together and sniffed at by sour old critics. This was by far the best of the group, however. The degree to which the viewer identified with and appreciated "Caroline" depended on the degree to which one found Richard, and by extension Richard's budding romance with Caroline, appealing. I don't know if that was always the direction planned for the show's plot, but that had become the overarching direction it followed by the end of the first season. All the performances were excellent, though some of the characterizations were not designed to be warm and cuddly. Oddly, though I completely bought the Caroline/Richard relationship, the funniest episodes were often the ones which concentrated on other things (such as the one in which Caroline got in a public feud with JoAnn Worley over a deli sandwich). Unfortunately, the show was cancelled before the final cliffhanger was resolved, so we'll never know the outcome.

Caroline Duffy (Lea Thompson) is a cartoonist with a successful character. She hires grumpy starving-artist Richard Karinsky (Malcolm Gets) forced to lower himself as a colorist for her cartoon. Del Cassidy (Eric Lutes) is her ex. Annie Spadaro (Amy Pietz) is her next door neighbor best friend. For wacky physical humor, there is rollerskating deliveryboy Charlie (Andrew Lauer).

This works very well as a standard traditional Successful-Gal-who-Can't-Find-Love show. It lasted 4 seasons. It does ramble a bit with changing work and complications in the lead's relationships. Not all of it worked but Lea Thompson is always likable. It wasn't allowed a proper ending and it ended with a cliffhanger.