Quienes pudieran conformar la primera colonia en la luna, descubren un secreto terrorífico y macabro escondido en su nuevo hogar lunar.Quienes pudieran conformar la primera colonia en la luna, descubren un secreto terrorífico y macabro escondido en su nuevo hogar lunar.Quienes pudieran conformar la primera colonia en la luna, descubren un secreto terrorífico y macabro escondido en su nuevo hogar lunar.
- Dirección
- Guión
- Reparto principal
- Masani's Mom
- (as Sheila-Sheila)
- Loomis
- (as Brian Teshera)
- Sanitation Engineer
- (as Rosey Brown)
Reseñas destacadas
It strikes me that rubbish low-budget sci-fi films often involve either desert planets or, like this movie, criminals escaping from penal colonies. Why this is I have no idea. But I can say with some certainty that such films are always diabolical. This one is really no exception. It begins reasonably well with a decent credit sequence and a half-way alright dance music soundtrack. It then degenerates into a boring sci-fi thriller. So little of consequence actually happens in this movie that I am literally struggling to write a helpful review, so if you're reading this I apologise for not being able to enlighten you to the film's subtleties and nuances. For the record, I recall a tedious bunch of baddies, a tedious bunch of goodies, some nuclear warheads and a hologram of a naked woman. Other than that, I'm struggling.
If you feel you could be interested in the activities of lunar dustbin men then I would not hesitate to recommend this film. I would also recommend it to those of you who wish to send their friends to sleep and steal their wallets.
In Paolo Mazzucato's direction (seemingly his only full-length feature in that capacity), and Jesse Weathington's cinematography, one can especially discern the lesser financing and or capabilities of 'Moonbase.' Yet none of this is to say that the film is bad; on the contrary, so long as one can engage with it on its level, I think this is pretty fun! The dialogue is sometimes a little tasteless in its humor, but suitable otherwise; characters are nothing special, but fine for what the picture needs. The narrative and scene writing are nothing remarkable, yet duly capable, and sufficient to keep the interest of anyone who approaches the movie honestly. There are welcome moments throughout that show glimmers of more significant wit. If anything, I think the writing team just tried to include too much, and the end result would have benefited from omitting at least one element and tightening the whole. Did we really need an aspect of personal conflict, and meager world-building and background, on top of a dangerous secret, and the primary plot point that propels the action? All these ideas are swell in and of themselves; put them together all in one work, and this comes across as a little imbalanced and overfull, and subsequently a smidgen scattered, and each constituent part maybe gets less attention than it fully deserves.
That's the real problem here, in my opinion, and even at that, I don't think it's so critical a fault as to dampen the overall value. Moreover, it's not something that hasn't also plagued much bigger productions. I take no issue with the cast or their acting; moments of action, violence, and stunts are executed well. Despite apparent limitations of one nature or another, I think this is ably made from a technical standpoint, and all those behind the scenes turned in good work as much as they were able to. The writing is rather solid, more than not, and in combination with the hard work of everyone else involved, built for plentiful entertainment. Truthfully, while there's no mistaking that 'Moonbase' is a step or two removed from major studio fare, I think it's much better and more worthy than it has gotten credit for in the past twenty-five years. Yes, there are some discrete faults in the writing - but in my estimation, none so severe as to override suspension of disbelief. When all is said and done I had a really great time watching this, and I'm genuinely unsure why it's otherwise seemingly been received so poorly. I'm not saying that it's something to go out of your way to see, but if you can get on board with relatively low-grade projects, then as far as I'm concerned 'Moonbase' is a sci-fi action romp that's plainly enjoyable, and well worth checking out.
Science fiction films that reflect quality are scarce indeed, largely because transposal of imaginative themes from the genre to the screen too often falls short of effective execution as a result of insufficient funding or inadequate invention, and unfortunately for its producers, this work is lacking on both counts, woefully so in the case of the latter. With essentially no budget with which to operate, it is a grave mistake to attempt the depiction of such a gamut of events as those within this scenario and, in particular, special effects of space opera warfare which appear only clownish, while seeds from the scriptors' imagination lie fallow due to some of the most fatuous misunderstanding of basic scientific principles to be found. Among these are frequent firing of weapons within a sealed environment, and a wayward law of gravity which enables freedom of movement of cast members while inanimate objects float weightlessly, but it is easier to accept these than it is to pretend that any of the episodes have a basis in plausibility. The plot involves an escape of life sentenced prisoners from a space station penal colony to a waste landfill upon our moon and their various attempts to obtain passage back to Earth, with some few capable players present who are execrably directed by first-timer Paolo Mazzucato, whose production team wastes effort upon such as holographic pornography while ignoring a pressing and basic requirement for the creation of states of suspense and of impetus.
¿Sabías que...?
- CuriosidadesThe space prison guards wear East German army uniforms and rank insignia.
- Citas
Murdoch: Well just settle down and relax, while I finish telling you the Armstrong story.
Lucas: OK
Murdoch: Well His first words were 'Congratulations Mr. Gorsky.'
Lucas: Right
Murdoch: Well a lot of theories popped up about what Armstrong meant, like maybe he saw something up here that proved the Russians made it first or that he was some kind of double agent sending a message to Moscow. Finally he got sick of hearing about it so he decides to set the record straight. Turns out when he was a kid, Armstrong lived next door to an older couple named Gorsky. So one day he went over to their yard to get a stray baseball, and he heard a noise. Then he looked in the window, and there were the Garcons going at it on the table. And suddenly Mr. Gorsky stopped and said to his wife, after 30 years of good loving he wanted to try something different. Well Mrs. Gorsky was shocked. How dare him ask her for such a thing. Dream on, she said to him, the day I put that thing in my mouth is the day that little Armstong boy next door walks on the moon.
- Banda sonoraChristian Woman
Written by Peter Steele
Performed by Type O Negative
Published by Roadblock Music, Inc./Pyromantic Publishing (ASCAP)
Courtesy of Roadrunner Records
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