Donnie Brasco

On one level, "Donnie Brasco" might just look like another mafia movie. But it's not. It tells the story of FBI agent Joe Pistone (Johnny Depp), who in the late 1970s was hired to infiltrate the mafia. So, he got acquainted with hit-man Benjamin "Lefty" Ruggiero (Al Pacino). But lo and behold, Joe got too much into the mafia lifestyle, to the point where it dominated his life and kept him from his family. And no one ended up with a very good reward at the end.

Both Depp and Pacino are about as intense as we expect them to be, with good support from Michael Madsen, Bruno Kirby, James Russo, Anne Heche and Zeljko Ivanek. With his hair all greased back, Depp looks like the ultimate mafioso. I should identify that there are two scenes that will probably make your skin crawl: the leg scene, and what they do to the Japanese waiter.

But don't get me wrong. This is a really good movie. It's certainly a less glamorized view of mafia life than most of Al Pacino's movies, and Johnny Depp was certainly showing the same flair for acting that he has brought to the screen for the past 16 years. Very well done.

Mike Newell is the weirdest choice for director of a Mafia drama, but he actually makes a terrific fist of it, delivering one of the very best gangster movies ever made. Johnny Depp, Al Pacino, Anne Heche and Michael Madsen are all in top form in front of the camera, too.

Depp plays undercover FBI agent Joseph Pistone in this intriguing true story. Pistone is trying to infiltrate his way into a mob family in order to gather evidence against them. He assumes the identity of "Donnie Brasco" and slowly but surely earns the love and trust of an old-pro hit-man named Lefty Ruggiero (Pacino). As the months go by, Pistone's marriage begins to fall apart as he is away from his wife (Heche) pretty much all the time. The line between his real life and his undercover life blurs together and he finds himself dangerously close to being seduced by the violent Mob lifestyle.

Donnie Brasco is an extraordinary film in many ways. As already mentioned, the performances are note-perfect. But there's so much more to it than that. The late 70s period details are impeccably captured; the dialogue is extraordinarily raw and realistic; the moral dilemma facing Depp is achingly, agonisingly conveyed. It's such a powerful picture, completely involving, that by the end you find yourself wrapped up in Pistone's predicament, asking yourself what decisions you would make in the same circumstances. Very few movies genuinely inspire you to debate the whats, whys and wherefores of the main character and his actions... but with Donnie Brasco, that's just what you'll find yourself doing.

With only one real scene of violence and mayhem in the film, Donnie Brasco relies far more on character development in a story of two men and the planned betrayal of one by another in the line of duty.

Johnny Depp plays real life FBI undercover agent Joe Pistone who infiltrates the Bonano crime family through the good offices of Lefty Ruggiero, a small time Mafia button man played by Al Pacino. During the five years undercover, Pistone who used the alias of Donnie Brasco was responsible for about 200 federal indictments because of the work he did. It took a terrible strain on him and his family as the film so aptly demonstrates.

It must have been like old home week for Johnny Depp who made his acting bones playing a youthful undercover cop in the television series 21 Jump Street. But the difference between Officer Tom Hanson going undercover for a couple of weeks at some high school and agent Pistone living and working with the wise guys for five years afraid of being found out is the difference between Donald Duck and Donald Trump.

Depp's performance as Pistone/Brasco is conveyed as much by body language and closeups as with dialog. He'd like very much to return to his wife and three daughters and live a normal life, but the demands of the job make it impossible. According to Wikipedia's article on Pistone he was uniquely qualified for his undercover assignment having lived and grown up among wise guys in New Jersey. He was familiar with all the Mafia culture and could blend in easily. The strain shows on him in his scenes with wife Anne Heche, only someone with a real gift for acting could make those scenes so real.

Depp is matched by Al Pacino as the luckless Lefty Ruggiero. In the Mafia code he vouches for Depp and if Depp betrays trust in any way, Pacino's marked for death.

Lefty Ruggiero is a hired killer with as he boasts 27 contract kills to his credit. Yet he's also a family man with a lot of problems as is Depp. Even though the man is in fact evil, Pacino does make him a likable sort. It's why Depp is dreading the day he's out from undercover because it means certain death for a man who's grown to be his friend.

Except when the crew that Depp and Pacino are part of do ambush a rival group before in fact they do it to them, Donnie Brasco is a fairly non violent film for a gangster story. Donnie Brasco emphasizes character development and a good script as opposed to bloody mayhem.

I think you'll like the story about a man who turned a friend into the biggest mutt in the history of the Mafia.

Yes, I am going to make the bold claim that this is his best work. "Are you talking about the same Al Pacino that did Scarface, Heat, AND the Godfather movies" you ask. Yes, yes, and let me explain myself. First of all, I want to add that I LOVE Pacino's work. He has such a commanding presence on screen and nobody in cinematic history can scream as well as him (though Gene Hackman is damn good). He can scare the hell out of you with just one crazed look in his eye and he never gives a flat performance (well, except in Revolution).

Having said that, I think Pacino is incredible in this flick because his character is so understated. While his work often consists of playing flamboyant, over-the-top, and almost cartoonish figures(especially in Scarface and The Devil's Advocate), this film is a change of pace for him. Sure, he's still playing a mobster, but he's not as psychotic as usual, and for once, you get to see the inner struggles of a crook who deep down has a heart of gold (despite all of the murders). Pacino is perfect as Lefty, an aging crimical who wants out of the mob lifestyle, but doesn't know how to do it. Though you see the fast and fun world of mobsters in flicks like Goodfellas, this film gives you a sense that the mob life isn't that glamorous.

Along with Pacino's acting, Johnny Depp is delectable as Joe Pistone (Donnie Brasco) because you can see his inner torment as well. He knows that he's been assigned to infiltrate the New York mob scene, but he develops such a close bond with Lefty that it's almost hard to bring him down. A very real, human relationship permeates between the two that is very moving. I like how the characters are always joking about being a "wise guy," as it provides some light chuckles, and it also shows that in order to live this lifestyle, you've gotta talk tough and act tough (as if I would know what that's like).

The supporting cast is particularly noteworthy. Bruno Kirby plays a great weasel, Anne Heche is wonderful as Pistone's neurotic wife (you can understand her suffering, what with being married to an FBI special agent) and Michael Madsen is reliable, once again, as a mobster (honestly, does this guy do anything besides gangster or sci-fi flicks?). Every time I watch this movie I am breathless afterwards. The acting is wonderful, the music is superb, and frankly, I can't believe this stuff actually happened. Then again, I haven't read the book, so I don't know how much of it is true.

Overall, this movie gets 10 out of 10. I'm shocked it doesn't get more recognition, especially with such prolific actors as Pacino and Depp leading the way. This is a different kind of mob movie, as it shows a more somber side to this way of life, and I recommend it unequivocally.

Having read the book, the story of Joseph Pistone easily could have been made into two films with creative leeway, and giving more in depth look on how he infiltrated la Cosa-Nostra to the point where Lefty approaches him. I feel the uncut version fills in certain aspects that clarify other scenes in the theatrical release. Two years prior to the Sopranos this gave you a real look into low level made guys, in terms of dress speech and personalities..Not some fantasized version as depicted in The Godfather, and not high earning mob associates who weren't "members" in Goodfellas. Per the book and documentaries his infiltration was key in understanding the mafia structure so that the Feds could optimize the way they'd utilize RICO statutes and wiretapping. The acting was phenomenal but didn't really get into some huge scams that as an associate Donnie met with high level capo regimes, a few bosses especially in Milwaukee and Florida, most notably the Heroin/Pizza ring, Vending machines, and truck hijacking and Union connections. Pacino deserved an Oscar as did Jony Depp for there performance. Ignoring the few scenes with scams and violence and a criminal montage the movie creates an internal conflict and what amounts to a bromance, while providing a look at the different levels of sociopathic behavior and presentation amongst mafia members in the late 70s when the Commission was running the entire Northeast. Knowing the story, and how well this movie was executed by the director of 3 weddings and a funeral...in the hands of Tarantino, or Scorsese this could have bin a trilogy or 2 part saga...while not leaving out what was emphasized in the movie. E.G. after a year of becoming acknowledged as a "legitimate" associate there were members of Colombo and Bonnano families that tried to recruit him. And we saw frustration and helplessness as an agent, but not the fear and paranoia he had to experience magnified more than any "legitimate" associate...a wrong question, talking to the wrong person, showing that he can be a psychotic by knowing the rules. I loved the film but it was again primarily focused on Donnie Brosco's juggling his wife, the FBI, and staying in character...it didn't go into his accomplishments things he saw and big people he came in touch with not just in the Bonnano Family. Kudos to Michael Madison as well.