El joven Calisto se enamora de Melibea, la hija de un rico comerciante.El joven Calisto se enamora de Melibea, la hija de un rico comerciante.El joven Calisto se enamora de Melibea, la hija de un rico comerciante.
- Dirección
- Guión
- Reparto principal
- Premios
- 5 premios y 8 nominaciones en total
Penélope Cruz
- Melibea
- (as Penelope Cruz)
Terele Pávez
- Celestina
- (as Terele Pavez)
Maribel Verdú
- Areusa
- (as Maribel Verdu)
Jordi Mollà
- Pármeno
- (as Jordi Molla)
Anna Lizaran
- Alisa
- (as Ana Lizaran)
Ángel de Andrés López
- Centurio
- (as Angel de Andres Lopez)
Lluís Homar
- Pleberio
- (as Lluis Homar)
Rodrigo García
- Crito
- (as Rodrigo Garcia)
Amparo Gómez Ramos
- Ana
- (as Amparo Gomez Ramos)
Joaquín Notario
- Verdugo
- (as Joaquin Notario)
José Coromina
- Traso
- (as Jose Coromina)
Reseñas destacadas
Nothing stands out as particularly bad in this movie. The problem is, nothing is especially good, either. The story kept me mildly interested, but the entertainment value was usually kept to a minimum. The ending surprised me a little, but it certainly wasn't enough to cancel out the overall mediocrity. A decent way to kill some time, but nothing more.
Interesting movie to look at, but failed to make me really care about the characters. The dialogue and manner of speaking was rather artificial and overly-theatrical; as if it were trying to go for a Shakespeare-lite effect. The characters' actions sometimes seemed to be nonsensical and in service to the plot rather than being the way people in such a situation would really behave; they would often act against their own obvious best interests with little to gain. If there was any kind of theme here I'm not sure what it was: Greed is bad? Let love take a natural course, without resorting to supernatural means to advance it? And I'm not even sure that Celestina really did any "magic" to get the two lovers together; she was just more of a persuasive facilitator than potion-brewing sorceress. I myself didn't have any problem with the sex/nudity; there's nothing wrong with looking at beautiful bodies and people enjoying each other. In the DVD I saw, however, some of the full-frontal nudity was blurred out, and some--a scene of Mr. Botto arising out of a bathtub--was not, so I guess someone somewhere DID have a problem with it.
'La Celestina' is based on Fernando de Rojas 1499 novel but this translation on screen is truly dull. 'La Celestina' looks good. The costumes and sets look radiant. The score is pleasant to the ears until it gets too repetitive and intrusive. The screenplay is poor especially the awful dialogues. 'La Celestina' is more a soap opera than a movie. Perhaps the director was confused about whether he was making a movie or a 'telenovella'. The dialogue delivery is laughably bad. The soliloquys are most annoying. The acting is overtly theatrical. With actors like Jordi Molla and Penelope Cruz, one would have expected better. Maribel Verdu is the only one who turns in a decent performance. For a fairy tale, 'La Celestina' has a lot of sex which are tastefully shot. Anyway, the film doesn't otherwise live up to expectation. Yawn.
Based on the famous classics book of Spanish literature, La celestina is a tragic history of desperate love in the XIV Century in Spain. Calisto is in love to Melibea, hoping to seduce her, he contracts the services of Celestina, who will make all that is needed to make lovers meet. However, destiny will play a part, and the end will show us the consequences of loving too much. The movie has a great job of adapting to the time is set, moreover, the work of the actors is quite good and the directing is not bad. What's the problem? the story, it is boring and make the 2 hours a time too long to spend in this movie. In addition, the fact that most of the time characters are like saying a poem instead of speaking make it a little hard to follow because you have to be very aware of this boring movie to understand it completely. If the main book was better, the movie could have been quite good, but that's the problem, the plot is boring and empty, that spoils all the enormous job of the technicals.
This movie is part of the spanish cultural heritage. That is the play is that it is based on.
Written by Fernando Rojas in the beginning of the renaissance it was meant as a warning for the youth in his days. That is why this movie feel so staged all the time. For Penelope Cruz it was the beginning of her career and it must have been a huge honor to have been selected for this role.
The movie follows the play fairly truly from beginning to the end. All characters specialy la Celestina were done well and they didn't look all to professional. Remember it was a play meant to be performed at local gatherings. If you go to Salamanca in Spain you can find the parco Calisto y Melibea as a rememberance. Only open at times noboddy knows.
Written by Fernando Rojas in the beginning of the renaissance it was meant as a warning for the youth in his days. That is why this movie feel so staged all the time. For Penelope Cruz it was the beginning of her career and it must have been a huge honor to have been selected for this role.
The movie follows the play fairly truly from beginning to the end. All characters specialy la Celestina were done well and they didn't look all to professional. Remember it was a play meant to be performed at local gatherings. If you go to Salamanca in Spain you can find the parco Calisto y Melibea as a rememberance. Only open at times noboddy knows.
¿Sabías que...?
- CuriosidadesCarmen Maura was the first choice for the title role of Celestina
- ConexionesVersion of Teatro de siempre: La Celestina (1967)
- Banda sonoraFantasía para un gentilhombre
By Joaquín Rodrigo
(C) Ediciones Joaquín Rodrigo
Performed by John Williams with the The Philharmonia Orchestra
Conductor Louis Frémaux
Permission by Sony Classical
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- How long is La Celestina?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 250.000.000 ₧ (estimación)
- Duración1 hora 49 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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