El pueblo de los malditos

The movie is pretty well pasted with a clever script and some creepy scenes. We also get some good acting from the adult actors and one of the child actors (David), but when we consider the other children, they seem to be creepier when they're 3-years old. When the movie brings you to the part where they're somewhere around 8 or 9 years old, the movie starts to loose the creepy elements. Basically because the children's acting starts to loose its balance as they tend to act mature. I think those children are creepier when they're unable to speak than they are when they try to talk in the manner of adults (eg. the scene where they all lined up infront of the campus, they were muted and still, and that had a creepy effect along with the score!!!). But besides that, the movie does have powerful special effects and some really neat scenes. The movie did a great job on the visuals and the scores!

9.5/10 -0.5 for loosing the creepy effect, but later as the movie reaches its climax where we get the children lining up in front of the cops, from then, the acting didn't seem so weird anymore and they're "mature" way of talking didn't seem to mess up the eeriness.

I saw "Village of the Damned" in the theater (Fresh Meadows, NY) and several times since. It's an okay movie. I'm a big fan of most of the films of John Carpenter. This is not one of his best movies but it's not one of his worst either. It's a watchable movie. It has more than a couple worthwhile moments. It often feels like a weak Stephen King movie. The cast of B-listers do a nice job. John Carpenter makes this one worth a watch. In lesser hands it probably wouldn't be worth the trouble.

My mother turned on Village of the Damned one evening because Christopher Reeve was in it. I knew absolutely nothing about it beyond the fact that there was a movie by that title. After ten minutes I was completely hooked. After it was over I thought about it and realized there were some flaws, but still, while it lasted I was fascinated. I recommend it.

John Carpenter's ambitious remake of the 1960s horror thriller/chiller about demonic children with extra-sensory perception powers who raise Hell in their home town. As with "The Thing", this remake of a horror classic is very creepy and atmospheric. Nothing less is to be expected of John Carpenter.

The late Christopher Reeve (1952-2004) gives a solid performance as the local doctor and all around nice guy protagonist Dr. Alan Chaffee, who unfortunately is the father of the ringleader of the evil hell-spawn children. Sadly, this was his last theatrical film before he was paralyzed below the neck in the notorious horse riding accident. Not to be overly sentimental with my praise, but he really was an underrated actor.

Interestingly, in addition to featuring Superman/Reeve, Mark Hamill, AKA: Voice of the Joker and also everyone's favorite Jedi Knight Luke Skywalker, also appears as an ill-fated priest along with former Vulcan vixen Kirstie Alley as an FBI agent keeping an eye on the evil little bastards.

Although this remake of the 1960 British horror classic doesn't quite look and feel its $22 million budget and also is somewhat bumpily edited, John Carpenter catches the essence of the story and transfers the eerie premise effectively to the screen thanks to fine casting and some well executed decisive segments. Christopher Reeve and Kirstie Alley play respectively the town doctor and the government researcher who realize a little too well what really happened to the small coastal town of Midwich, California when a strange "blackout" left the entire population temporarily unconscious and then ten random women pregnant with what turns out to be overly polite, bright and self-sufficient children. For a 1990s horror film, Village of the Damned is not particularly graphic; instead Carpenter creates real, timeless chills by putting the fascinating thematic concept from John Wyndham's novel to good use. The film's sociological and psychological aspects transcend the largely formulaic horror universe they are born out of. And the delightful performances by the children, particularly little Thomas Dekker as David, coupled with Carpenter's evocative music make this an effective chiller. It was Reeve's last performance before his accident.