Un joven piloto encuentra un prototipo de mochila propulsora que le permite convertirse en un héroe enmascarado de altos vuelos.Un joven piloto encuentra un prototipo de mochila propulsora que le permite convertirse en un héroe enmascarado de altos vuelos.Un joven piloto encuentra un prototipo de mochila propulsora que le permite convertirse en un héroe enmascarado de altos vuelos.
- Premios
- 1 premio y 6 nominaciones en total
- Cliff
- (as Bill Campbell)
- Spanish Johnny
- (as Robert Guy Miranda)
Argumento
¿Sabías que...?
- CuriosidadesDave Stevens, the writer/artist of the original graphic novel, gave the film's production designer Jim Bissell and his two art directors his entire reference library pertaining to the Rocketeer at that time period, including blueprints for hangars and bleachers, schematics for building the autogyro, photos and drawings of the Bulldog Cafe, the uniforms for the air circus staff, and contacts for locating the vintage aircraft that were to be used. Stevens remembers that they "literally just took the reference and built the sets".
- PifiasWhen the Nazi agent is yelling at Sinclair, he shouts, "Ich habe meine Bestellung, und du auch!" ("I have my order, and so do you!") The German word for a military order is "Befehl." "Bestellung" is the order you give to a waiter.
- Citas
Neville Sinclair: [on the road leading to the Griffith Observatory] C'mon, Eddie. I'm paying you well. Does it really matter where the money comes from?
[siding with the G-men to fight the Nazis]
Eddie Valentine: It matters to me. I may not make an honest buck, but I'm 100% American. I don't work for no two-bit Nazi. Let the girl go!
[Neville laughs, then calls out - in German - a group of hidden armed Sturmabteilung German soldiers who promptly hold everyone at gunpoint]
- ConexionesFeatured in Rocketeer: Excitement in the Air (1991)
- Banda sonoraDer Hoelle Rache
from Queen of the Night's "Aria" by Wolfgang Amadeus Mozart
Performed by Rundfunk-Sinfonieorchester Berlin
Courtesy of Laserlight Digital, by arrangement with Sounds of Film
It took eight years to get to the screen, with many rewrites, changes in personal, changes in setting and etc, the only thing consistent was Disney's inconsistency. Once out the film received generally positive reviews but posted only a small profit, in the wake of a Tim Burton inspired reinvention of the Super Hero genre, Rocketeer fell away into cultdom, sequels planned were shelved and its reputation remains to this day one of being a misfire. Unfair say I! Rocketeer is a lovingly crafted adventure film, nodding towards the serials of the 1930s, it's awash with period Hollywood delights, Art Deco imagery, has a damsel in distress, square jawed heroics, Nazi villains, wonderful effects and a blunderbuss Zeppelin finale. Backed by beautiful smooth tone photography and an evocative heart stirring music score, it's a family friendly blockbuster that ticks all the requisite boxes. The quality of the action sequences still hold up today, and Johnston, who wanted the job big time, directs with a knowing grasp of the setting, and crucially he never once loses a grip on tone and pacing. There's no self parody here, no deep Fruedian dissection of the main character, just a honest to goodness good against bad axis, with a romantic cause deftly wafted over proceedings.
The role of Cliff Secord (Rocketeer) proved hard to cast, where Vincent D'Onofrio turned it down and "name" actors such as Dennis Quaid, Emilio Estevez, Kurt Russell and Bill Paxton auditioned for the part. Paxton, it's believed, was very close to getting it as well. Disney wanted an A list man, Johnny Depp and Kevin Costner were mooted, but Johnston had a feel for unknown Billy Campbell and managed to convince nervous Disney heads that he was perfect. Much of the scorn that has flown towards Rocketeer has landed at Campbell's door, again, this is unfair. It's hard to tell if one of those A list actors could have made the character work better, for it helps in this instance to not have a familiar face propelling the adventure. There's an innocence, an awkwardness to Campbell's portrayal that just sits right for a guy stumbling upon a rocket pack and finding himself submerged in a chase and harry battle against bad. He also has the looks, a handsome dude who creates a homespun based chemistry with the sensuous Connelly. It's Dalton's movie, though, he's having a devil of a time as the chief villain. Modeled on Errol Flynn and the spurious notion that he was once a Nazi spy, Dalton has the looks, the gusto, the moustache twirling shiftiness and a voice perfect for such material. A roll call of great character actors fill out the support slots, with Terry O'Quinn, Paul Sorvino and Ed Lauter particularly striking the right chords.
A smashing piece of escapism, no pretensions or ideas above its station. The willingness to tap into the basic premise of a comic book actioner and entertain in grand Hollywood terms, to be applauded. And I do, and I do love it so. 8/10
- hitchcockthelegend
- 31 may 2012
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- The Rocketeer
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 35.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 46.704.056 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 9.600.754 US$
- 23 jun 1991
- Recaudación en todo el mundo
- 46.704.906 US$
- Duración1 hora 48 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1