The Darling Buds of May

I love this series, it's such a feelgood programme. I really wish life could always turn out Perfick, like it does for the Larkins! What I love about them, especially Pop, is their irrepressible joy in life and ability to see the best in every situation. Pop can turn a wet miserable weekend into a joyous romp by sheer force of personality. Wonderful.

(Someone from USA said this on this comments page; "We saw an episode on TV the other day and Peter Jackson got a director credit, but I don't see him listed here or this series listed on Jackson's page. The credits show several directors and it seems to be common practice to have guest directors." I think they're thinking of a different Peter Jackson, the well-known director. The cinematography on this series was done by a Peter Jackson, which is a pretty common name I suppose.)

Just viewed the DVDs. If ever one wants to see a series that makes one feel good at the end, hire these.

I wish I could own the series.

Catherine Zita Jones is absolutely one of the most beautiful British actresses out of UK, and also a good actress also.

I loved the context of the series. And Pop and Mum were great, never got married etc., and Mum a little heavy after giving birth to what 'seven kids' was a great cook etc.

I challenge anyone who watches this series not to feel hungry watching them all enjoy eating, even if they have to kill the goose etc.

A great British produced series, wish there were more!

This is a reply to Annoymous-007 who considered the film better than the TV Series. Does this person know that the the film relocated the original setting from Kent to the United States of America. The TV Series was based on the actual books and filmed where they were set. Annonymous-007 has missed the point - the theme of novels is the rejection of control and the concept of Romanticism and the free individual. That is why HE Bates alluded to the idea of Marriette being pregnant at the start of the first story (which she is not). There is a great connection to Jane Austen and the Brontes in the opening episodes, based on the first book: this is indeed a love story worthy of mention alongside Pride and Prejudice and Jane Eyre.

If there was ever a television family that I would want to be a member of, the Larkin Clan would be it. Led by Pop Larkin (David Jason), a man of unquenchable good nature who does not believe in paying taxes but is more than generous with his money (which he seems to fall backward into), they make Kent seem like the modern day garden of eden. Half of the scenes in any particular episode involve either eating or food preparation. The family liquor cabinet resembles a shrine and plays "What do you do with a drunken sailor?" each time it is opened (a frequent event).

The luckiest character of all is the tax man who is sent to find out why Pop has never paid taxes and ends up never leaving. If you knew why, you'd probably be as jealous as I am. In the frequent words of Pop Larkin...Perrrrfec!

Big relief here that Bates's modern classic has not only survived its transition to the big screen but has actually been enhanced by it. It's difficult to find anything in this made-for-television adaptation that is at odds with the book of the same name. The characters are well cast, in particular David Jason as Pop Larkin and Pam Ferris as Ma, who live life with abandonment and cavalier disregard for society's expectations. The conversion of Charlie, a most challenging task in story and film, is accomplished with care and precision, Catherine Zeta Jones as Mariette providing the required enticement. This is a highly entertaining and deeply satisfying adaptation, and richly captures the life of post-war Britain. Perfick!