La rebelión

Título original: Die Rebellion

Película de TV
1993
1h 30min

PUNTUACIÓN EN IMDb

TU PUNTUACIÓN

Añade un argumento en tu idiomaThe disabled ex-soldier Andreas Pum lost a leg for emperor and fatherland. After leaving the army he receives a license and a drehorgel. One day he gets into a controversy with a well-dresse... Leer todoThe disabled ex-soldier Andreas Pum lost a leg for emperor and fatherland. After leaving the army he receives a license and a drehorgel. One day he gets into a controversy with a well-dressed gentleman, disturbs the public order, and hits a policeman. Andreas Pum goes to jail, lo... Leer todoThe disabled ex-soldier Andreas Pum lost a leg for emperor and fatherland. After leaving the army he receives a license and a drehorgel. One day he gets into a controversy with a well-dressed gentleman, disturbs the public order, and hits a policeman. Andreas Pum goes to jail, loses his license, and becomes toilet guard in the Cafe Halali after his release. Only at th... Leer todo

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PUNTUACIÓN EN IMDb

7,1/10

257

TU PUNTUACIÓN

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10dizozza

Sparing use of color

It may be a low-budget video shot for TV broadcast. The director's command of the capabilities of cinema's visual language is what counts here. Every nuance adds to the experience, with constant payoffs of previous moments. All the cat has to have is a little bell to cause the slightest sound of bells to call it to mind. And the cat is the child and the child is the daughter of the widow who schemingly chose the fidelity of the complacent man, awarded a medal, and a hurdy gurdy license for losing a leg in the great war.

The execution of the material is great. The source material itself appears to also be great. The title stings like a slap in the face.

8dourface

The bitter waste of a life spent in duty to God and Empire

With its silent-era aesthetic of sepia tones and muted color tints, and its interweaving of realism and fantasy, Haneke's haunting adaptation of Joseph Roth's expressionistic 1924 novel is an homage to the great Weimar cinema of G. W. Pabst and F. W. Murnau. In a heartbreaking performance, Branko Samarovski plays Andreas Pum, a soldier who loses his leg during the Great War and becomes an organ grinder to earn a few coins a day. To this loyal citizen of the State, the veterans and firebrands who march in protest against society's neglect are lazy, insubordinate "heathens." But when an ugly tram incident condemns Pum to a life of penury and loneliness, his soul is awakened to the bitter waste of a life spent in duty to God and Empire.