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"Fit To Kill" follows the well-established by that point Andy Sidaris formula, which includes gorgeous female special agents in bikinis and other revealing outfits blowing away bad guys and having sex with their hunky male partners, beautiful exotic locations well-captured by the camera, and a tongue-in-cheek tone despite all the mayhem. However, Sidaris had achieved better balance between action and soft-core porn in previous films (like "Savage Beach"); here, the script is too meandering, and there are two dimwitted hit men that are meant to be funny but don't really succeed. What gives this movie an extra kick is definitely the presence of Julie Strain (as a smooth assassin), in her first of many collaborations with Sidaris. Her introduction, which has her flexing and stretching her Amazonian body, must be one of the most memorable scenes in the director's filmography - the lighting and music in that scene are incredible! Unfortunately, the movie doesn't have a climactic hand-to-hand fight between her and Dona Speir - IMO, an unforgivable mistake on Sidaris' part. (**1/2)

"Fit To Kill" is the sequel to "Hard Hunted" with the same villain Kane (R.J. Moore) who is this time trying to steal a priceless diamond. Agent Donna Hamilton (Dona Speir) is on his track, but she has to realize there are more parties interested in the jewel than just Kane...

Excellent story this time, to me one of the best from the Lethal Ladies series. Julie Strain is added to the familiar cast from "Hard Hunted". She gets a great introduction scene, working out on a balcony, whereas Dona Speir and R.J. Moore get a Bond dream scene and the best dialog they ever had. Sidaris' gadget obsession with remote control cars, boats and helicopters is taken to its all-time high with the duel of two heavily armed "baby helicopters". Two silly killers who blow up themselves in an attempted assassination turn the toy obsession into a comedy element which is the only possibility to top that. Regular actor Rodrigo Obregon plays a Russian diplomat - and he's a good guy, exceptionally. Note: this is the 8th out of my 12 reviews for the works of Andy Sidaris, in chronological order.

For a B movie, it comes pretty near to being almost like a what a normal movie would be if it had a lot more gratuitous nudity and violence, and in addition to that, it has Julie Strain in it. What more could you want?

When you consider that Sidaris is working almost exclusively with ex-playboy playmates and penthouse pets, it's actually quite a spectacular accomplishment.

If you only compare it with other straight to video type movies, you can see how uncommon this type of film making is.

Sidaris is to be congratulated for bringing actual talent to a segment of the film market that usually gets passed over.

Bottom line, the only reason people watch these is the tits and sex. The stories are grade Z bond episodes. No wait, at least bond is fun to watch, all these Andy Sidaris movies are is sex and more sex. Just watch one, you'll see some enormous cans, terrible acting, but, the nudity makes up for it. Wait a minute, why am I complaining, bring on the tits and beer.

The only reason these make money, flesh. I wonder where the director is, these movies were made in the 80's and 90's. I wish he would make another one with hot chicks who can act like Kate Beckinsale and Clara Peller.

I was unsure whether or not Andy Sidaris could repeat his success with the cinematic hit "Malibu Express." With his film Fit to Kill he has proved that Sidaris is a serious filmmaker and not just a one-shot director. The plot written by Sidaris, which was ungratefully passed up by the Academy, is a complex screenplay involving many unseen twists and turns. The main characters composed work for a sexually based radio station known as KSXY. Cleverly, KSXY is actually their secret headquarters. In "Fit to Kill" they confront their long-time nemesis Kane, who is trying to steal one of Russia's most prized diamonds. A well-written screenplay is not all, excellent acting by the cast helps to ensure this film as a cult classic. Panned by the critics and the box office, this film will be appreciated in years to come. It is now suffering the same fate as Clockwork Orange and Taxi Driver did, but in the future will undoubtly become recognized. I am disappointed no critic circles have recognized Andy Sidaris's trademark filmmaking. The costumes, the special effects, all help to compliment this already beautiful piece of filmmaking. It may do you best to ignore the dismal 3 rating on this film and go out and rent it for yourself. My personal rating is 10/10. The drama is as thick as the blockbuster Runaway Bride, and the action better or equal to the cinematic masterpiece Last Action Hero. Andy, keep up the good work.