La noche de la fiera

Somehow PCP gets into the water supply that ends up driving the animals to attack people in this mid 80s eurotrash creature feature. Although the movie is never as fun as its concept promises. It still manages to be so utterly absurd especially when it concerns killer ballet dancer kids it's just fun and wild. What's really impressive is the real animals they used and I wonder how it all came together. The training must have been insane and I'm sure the film had some fatalities.

3.25/5

This is only okay but it has a very good start and if it had only gone a little bit further could have ad a sensational finish. The rats (mice?) and the lovemaking couple in the car is really well done to get things off to a scary, horrible and ultimately very gory beginning but although there is some fun to be had with elephants breaking out of the zoo and a cheetah chases a car down a high street (Frankfurt?) ir is not too horrific. Elephant foot on the face is not too pretty, I must say, though. Most interesting thing here is that the director is he of the Mondo Cane films and aside from the documentary style, Uncle Tom is his first dramatic feature. There is also quite an Umberto Lenzi feel here both with those constant zoomed close-ups of gory detail and the presence of Lorraine De Salle who also stared in cannibal Ferox and Ugo Bologna, here the police chief but also featured in Nightmare City. Interesting rather than gripping film and I can only imagine that to end when the children have begun to appear so menacing might have been in hope of a follow-up.

Franco Prosperi must really get off on killing animals, between this and all the shockumentaries he's done. This one's got some great sequences (shot in Frankfurt-am-Main) but never lives up to its great premise. Filmed entirely at night, the direction is clumsy and only rarely suspenseful. It's never boring or predictable but not terribly exciting or original, either. Though if you've waited all your life to see a naked woman get eaten by rats, here's your chance.

WILD BEASTS is the tender, joy-filled tale of what happens when PCP is introduced to the drinking water of zoo animals, driving them berserk. Cuddly critters make their escape, dining on unwary human snacks, after an elephant destroys the cage locking system.

From the infamous "rat attack" and "elephant car stomping" scenes, to the all-out shred-a-thon of the big cats' feeding frenzy, this movie makes other such films appear timid by comparison!

Unfortunately, as with many Italian gore films of the era, animal cruelty is included, sending several real animals to their premature, unnecessary doom. Still, in spite of all of its ludicrous elements, WB does manage to be entertaining throughout. Some of the more memorable scenes show a cheetah, a polar bear, cattle, etc., on the move down city streets or school hallways!

Stars exploitation movie regular, Lorraine De Selle as Laura.

Warning: Nothing can prepare you for the "shock" finale!...

Gloriously insane "Nature Strikes Back" cinema from director Franco Prosperi, the "Godfather of Mondo", who delivers action and violence in very high doses, and has a body count...well, to die for. Much like many entries in this genre, the animal rampage is the result of human screw up. High levels of PCP contaminate the water supply of a zoo in a major European city. As a result, all the animals - including tigers, bears, and elephants - go crazy, bust out of the zoo, and terrorize the unlucky citizens of this city. The hero on the case is zoo employee Rupert "Rip" Berner (John Aldrich, in his only feature film appearance), and his leading lady is journalist Laura Schwarz (French beauty Lorraine De Selle, "Cannibal Ferox").

Prosperi decides early on, to Hell with good taste and common sense, and gives us a messed up horror film to cherish. Among our colorful characters are a daughter (Louisa Lloyd) who mocks and disrespects her mother, and a police inspector (Ugo Bologna, "Nightmare City") who obviously really likes to snack. The animal action is definitely first rate, and the various set pieces are comprised of actual animal attacks choreographed and supervised by circus trainers, and special effects. The delightful highlights include a cheetah attempting to run down a potential victim who's driving away, and elephants suffocating one person with a trunk, and stomping another chumps' head flat. (There really is some first rate gore here, as witness the after effects of a massacre by rats.) Prosperi wastes very little time in getting to the good stuff, and there's an amusing subplot late in the game involving that contaminated water.

Aldrich is a cheesy looking but entertaining guy, De Selle makes for a pretty decent heroine, young Lloyd is a definite hoot, and Bologna is a treat to watch.

If you love this genre, and haven't seen this one yet, I recommend you see it as soon as possible.

Eight out of 10.