A toda marcha

Morgan Hiller (James Spader) is a new kid in high school. He makes enemies with the local gang...but the gang leader's girlfriend (Kim Richards) falls for him.

The plot is very predictable but this still is lots of fun to watch. I saw it in a theatre back on a freezing cold winters night in 1985. I was in college and just expected a stupid teen flick (that's what I was in the mood for). I was surprised to find myself really liking it. In terms of fashions, music and attitude it was great! It caught the 1980s head on. These kids talked and acted like high school kids (even though all of them were well over that age). It moved quickly, was well-directed and is full of energy. Most of the acting is very good especially by Richards and a then unknown Robert Downey Jr. Spader was a little bit too mannered for the role but he was OK.

This is no unsung masterpiece but I think it's a good strong 80s flick. I give it an 8.

Omg, Frankie, how hot is she.

I grew up watching the movie on vhs, loved it, and hated it, way to gansta for my farm life. But still, what a nice escape to realise my life was good.

The movie depicted a life style that scared me, along the way, learnt some good music!

Jim Carroll, thank u so so soooo much!

A good 30 years later ,till listen to u.

Anyone interested in seeing what kind of films James Spader started his career with should begin with Tuff Turf. The New Kids would show a darker side of Spader, but that film also covers the same territory. The story deals with a spoiled brat troublemaker (Spader) whose family is forced to move to a seedy area of L.A. from Connecticut after they somehow lose all their money. Back where he comes from, you can tell Spader was the toughest and coolest kid in school, but the tougher kids from his new school quickly have him on the run. After breaking up an attempted mugging by the school's toughest gang, Spader gets his butt kicked and his property destroyed numerous times. To make things worse of course, Spader falls in love with the gang leader's girlfriend (Richards), and she has feelings for him, too. Needless to say, you don't mess around with a gang leader's woman! Even if you are James Spader.

The film, though full of clichés as ancient as Romeo and Juliet, starts off with definite promise. The opening scene where Spader stops the mugging is exceptional. It's well-paced,well- filmed, and the action blocked perfectly. Every step the gang members take across the street as they pull out their weapons is well-choreographed. The film shifts gears somewhat as we see Spader adjust to his new school the following day. We are introduced to Robert Downey Jr.'s character, and he always livens things up in any film. His character is a bit of an enigma, to be certain. He quickly befriends Spader, yet he seems to know the gang well enough to borrow the gang leader's Camaro and things like that. He also plays drums for a pretty cool punk band we are introduced to a while later.

The tone of the film is wildly inconsistent. The second half hour is bewilderingly bad. Spader, Downey, Richards, and another chick take the gang leader's car for a joyride to some posh locations where presumably Spader feels more at home. The group invades a country club in an excruciatingly bad scene which culminates with Spader playing the piano for his new love interest while she sits atop the instrument and looks embarrassed. Spader's singing performance sounds a lot like the first out-take of a James Blunt recording session before he's warmed up. In other words, it sucks. Things get worse as the group moves to a trendy dance club and Richards does some kind of dirty dance while the entire venue stops to check her out. Simply put, the scene is horrible.

The acting is good enough. Spader and Downey just pretty much be themselves. Richards is certainly worth risking your life over. She's pretty, and she's cool enough to have Motley Crue pictures all over her bedroom walls! Paul Mones, who plays the gang leader is charismatic, but ultimately kind of wimpy. He really isn't too intimidating without his homies, and none of them look that tough, (excuse me...TUFF) either. Some of the music is a great example of the early 80s punk scene in L.A.. That Jack Mack and the Heart Attack band from the club is pretty lame, to say the least! No wonder some guy bombed the 1996 Olympics while they were playing a show! The Verdict: 5 of 10 stars. Basically for James Spader fans, only.

The Hound.

Robert Downey Jr. AND James Spader? This could be a total turkey and I'd still watch it.

The performance of both is excellent, but that's no surprise. You get to see the formation of some of their respective trademark mannerisms.

Overall: strange plot, seems to sit between genres, starts off as a sort of High School rom-com but quickly descends into a rough teen thriller, with two major and totally random music numbers in the first part, both of which are arse-numbingly boring and ludicrous.

Having said that - James Spader's singing is nice - he's got a good voice but nothing wow, which is why it's interesting that the filmmakers have included it, but it lends a touch of authenticity to a highly stylized 80s flick. The song is odd, unknown to me, but it served its plot purpose I suppose - I would have preferred something else but we can't have it all can we.

Side note: what a beautiful man (James Spader). As penetrating and mesmerizing as ever.

Moving onto the girl: she's good. Intriguing. Playing with the concept of the good/bad girl credibly. Her back story is convincing (and so is Spader's).

The "baddy" of the piece is suitably threatening - you do feel intimidated by the violence and his gang throughout, and I did hold my breath on a few occasions - in terms of the suspense and fight scenes - two thumbs up.

Interesting ending - they didn't go for any cheapshots but saw it through to the end.

All in all - I think it's a bit of a gem, if a bit of a mongrel one.

This one is a real relic of the '80s--the hair! The shoulder pads! The sweaters folded casually over the shoulders! The movie cheerfully steals from "Rebel Without a Cause" and winks at "The Warriors" and "Footloose" as well. Kim Richards is somewhat miscast as a "tough" girl but gives a very game performance and looks gorgeous as always. James Spader also gives a sincere performance, which couldn't have been easy with some of these scenes (he is forced to serenade Kim Richards on the piano). The best scenes, IMO, are the country club montage (Olivia Barash blithely asking the rich girls "You do swallow, right?"), and when Richards and Spader finally hit it off at a club. How do we know this? Because Richards breaks into a perfectly choreographed (albeit spontaneous) dance number! Truly enjoyable if you just let yourself do so.