El incidente

As always, I was impressed by Walter Matthau's performance in this movie. Matthau played Harmon Cobb, a small town lawyer during the Second World War who is assigned to defend a German prisoner of war (Peter Firth) accused of murdering the local town doctor (Barnard Hughes.) The case seems open and shut, and Cobb's basic role - as he is clearly told by the presiding judge (Harry Morgan) - isn't to mount a serious defense; it's merely to make the process look good. (In fact, the judge makes it clear that he assigned Cobb because he believed Cobb to be incompetent.)

Cobb has to deal with the antipathy of the townsfolk, who are convinced of Geiger's guilt, as well as his own anti-German feelings (as a World War I vet, and especially after he receives news that his son was killed in Europe.) But he ultimately settles into the role he's been given, and gradually uncovers an unsavoury cover-up taking place at the POW camp with the full knowledge of its commander (Joe Horvath.)

This is a surprisingly good story that does keep the viewer guessing most of the way through. Ultimately, I found it to be a little too far fetched to really be believable (which knocked it down a couple of notches in my estimation) but it was still a pretty good who-dun-it sort of mystery.

7/10

Harmon Cobb is a small town lawyer more at home in the local restaurant than he is in the courts. In the years after the war, Cobb's town is home to Camp Brennan – a prisoner of war camp for German soldiers. Doc Hansen is one of the few local people who gets into the camp and, although he can't tell anyone about it, something appears to have him shaken up. After seeing him drunk late at night, Cobb wakes the next day to learn Doc has been murdered in the camp and that it appears a clear-cut case of murder by one of the senior German prisoners – Geiger. Forced to act as Geiger's defence by Judge Bell, Cobb faces the wrath of the townsfolk as he tries to do his best with a difficult case.

A few weeks ago I watched the tvm Incident in a Small Town and I must admit that I was entirely unimpressed by it – in fact I thought it was poor. I found out after watching this film that it was one of a series of films involving the character of small town lawyer Harmon Cobb and I was surprised that, if this was the quality of the series, that more than one had been made. So when I saw this film in the schedules I decided to give it a try and see what justified a couple of films. Here we actually have a reasonably good story that deals with interesting conflicting emotions in the characters while a pretty good courtroom drama is delivered without too much fuss. Of course being a TVM it isn't that good but it does do the job. I would have liked the film to get to grips with the feelings of the characters a bit better, rather than just showing the town turn against Cobb in the obvious way they did or having to use a clumsy plot device to show how dedicated he is to truth and justice for all.

However it did do enough to make it interesting and provide more than the rather obvious main narrative to hold the film together. Matthau seems happier here than he did in the sequel I saw – there he just seemed bored with the character and the story. Here he has something to work with and, although it is essentially the same sort of character he usually plays, he is still interesting. The support are reasonably good without ever threatening him. Firth is solid as Geiger, Morgan is familiar as the judge and the rest fill in around the edges without anyone really giving a bad performance.

Overall this is an OK tvm that has an OK courtroom drama at its core while also doing enough with other ideas to be interesting. It isn't great but it is quite good if you are watching daytime TV in an undemanding mood. Matthau dominates it and makes it better than it probably deserved to be but generally it does all hang together well enough to be worth a look.

Top-notch acting, excellent research, and interesting characters punctuate this intriguing story. Deftly mixing humor with personal anguish and political intrigue, the plot twists it way towards a surprising conclusion. The production values are so good, It's hard to believe that this is a made-for-TV movie. Appropriate for the entire family.

This movie was interesting and unpredictable. Walter Matthau is ordered by a federal judge to defend a German POW accused of killing the town's doctor. He doesn't want the job and has no defense to present. The townfolks react badly at times to him having the case, but fortunately the reaction is mild and the movie doesn't dwell on that, as a million other movies have done. There is no real threat to him or his daughter-in-law or granddaughter.

William Schallert, the town cop and a family friend, ends up helping Mr. Matthau look for evidence of what happened the night the doctor was killed. They find out something shocking. Just as it's revealed the judge has a shocking agenda. But is the prosecuting attorney in on it, too? A well-done film that balances the events of a murder trial with a family dealing with the war on a very personal level.

One of the earlier reviews of this fine little TV movie suggested that it stretched credulity to believe that German POWs would be found so far from Europe. Yet by the end of the war, over 375,000 German POWs were in several hundred camps throughout the United States, mostly in the South and Southwest, far from critical war industries in the Midwest and along the Eastern seaboard. There were over 425,000 total Axis prisoners in the US by 1945.

The Incident is a really well-made movie. Director Joseph Sargent, still at it in his late 70s or early 80s, created memorable TV and theatrical films such as "The Marcus Nelson Murders" (to become Kojak), "The Taking of Pelham One Two Three", "Miss Evers' Boys", and "A Lesson Before Dying."