Abyss

I saw "The Abyss" in the theater (Cinema City, Fresh Meadows, NY) and many times times since. I hadn't watched it in quite a while when I sat down to watch it last night. I won't wait that long to watch it again. "The Abyss" is a rock solid adventure. The action is edge-of-your-seat stuff. The emotional scenes are brutal to watch. The story moves well and the cast is very good. "The Abyss" is not as well known as most of writer/director James Cameron's other movies but it's one of his best.

The story of The Abyss starts with a mysterious crash of a US nuclear submarine that is armed with the appropriate nuclear weaponry for its time. With reports of it down, we want to get it before the Russians do.

When it rains it pours, literally in this case. A fast moving storm forces the Navy to use the crew and equipment from a nearby underwater deep sea drilling platform and the oil roughnecks are promised some big government checks for their help.

Crew chief Ed Harris gives his reluctant consent, made even more reluctant by the fact that his estranged wife Mary Elizabeth Mastrantonio has designed some new equipment for use in the really deep waters of The Abyss of the Atlantic Ocean.

The Navy people and the oil people are a bad fit to start with, but when the deep depths effect Navy SEAL Michael Biehn by bringing out the worst aspects of the military authoritarian personality things get real interesting down in the deep.

The spectacle does dwarf the story which is the only real criticism I can make of The Abyss. What the submarine made accidental contact with is some incredible alien life form which I can't go into further because that's the whole point of the film. Of course Biehn still believes it's all a Russian plot of some kind and therein lies the conflict exacerbated by the extreme paranoia he develops.

Unlike Cameron's Titanic, the spectacle at the end just overwhelms the human players in this film. But it was those special effects that go The Abyss its Academy Award recognition. The Abyss was also nominated for Sound and Art&Set Direction and Cinematography. It could have been a winner in any of those categories. In fact the biggest mistake you can make which is the one I did make, to see The Abyss on the small screen and formatted. This film is what IMAX was developed for.

Though the story does get lost somewhat in the special effects the point is still made about man being ready and open to all kinds of possibilities of life that can exist anywhere. See The Abyss, but wait for a revival showing at a theater.

I like short reviews so I will try to keep this short!

Let me begin to tell you this movie is original! Not to many movies are being made that have an underwater setting.

The movie is about a drilling team who operate a high tech underwater drilling station deep under the sea. As soon as they become cut off from the surface in a storm near an underwater crevice things are getting a weird.

Strange in a way that the movie slowly shows that something scary and silent is there with them on the ocean floor. It builds suspension gradually until it ends within a climatic ending of the movie which I really liked (but some people have other opinions about that!)

Acting is great and the story very original with just enough action!

**** out of five!

The Abyss was a movie of destiny. First off, this movie either began or was the result of a lifetime obsession James Cameron has the ocean (see later Titanic and his IMAX deep sea movies). The Abyss is also full of echos of claustrophobic thriller/adventure movie Alien, in which Cameron directed the sequel. So combining one of Cameron's old movies with his new obsession, we get The Abyss, a solid sci-fi thriller starring Ed Harris and Mary Elizabeth Mastrantonio. Ed Harris plays Bud, the head of an undersea oil rig where very little actually happens and the people on the rig are only there in case something goes wrong. Well, wouldn't you know it, but an American nuclear submarine patrolling the US coast near the oil rig suddenly sinks, killing the sailors on board. The Americans suspect it's the Soviets, but we know better. Something pink and glowing does something to the submarine causing it to sink. A team of Navy seals, ferried down to the rig by Bud's ex-wife Lindsey (Mastrantonio), boards the oil rig and uses it as a command base for their mission to recover the submarine. And that is when the fun begins. Of course a hurricane has to enter into the plot, in movies like this, there is always a hurricane, but beyond, The Abyss is a solid sci-fi thriller, where the oil rig becomes a character in the movie. Much like the Nostromo in Alien or The Discovery in 2001, the tight spaces adds flavor to the movie, bringing the setting in as another character of the movie. The special effects were groundbreaking at the time and hold up well today. The scene of a column of water snaking its way through the oil rig still creeps me out to this day.

There was a time, way back in the '80s - before James Cameron suffered head trauma and devoted his life to Avatar - when the man made blockbusters that had a humanity at their core; something instantly relatable despite the sci-fi setting. The Abyss is one of those, with Ed Harris and Mary Elizabeth Mastrantonio reconciling their failed marriage amidst mortal peril. Indeed, they're trapped miles beneath the ocean's surface, negotiating nuclear warheads, attacking subs and a hair-triggered Michael Biehn.

Cameron creates a realistic environment that still feels otherworldly, populates it with real people and ratchets the tension to unnerving heights. The effects are fantastic, ast are the performances and - as scary as this place is - I would easily come back to revisit.