Las satíricas aventuras de una familia de clase media en la ciudad de Springfield.Las satíricas aventuras de una familia de clase media en la ciudad de Springfield.Las satíricas aventuras de una familia de clase media en la ciudad de Springfield.
- Ganó 37 premios Primetime Emmy
- 187 premios y 376 nominaciones en total
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Resumen
Reviewers say 'The Simpsons' is celebrated for its groundbreaking satire, clever writing, and iconic characters. Early seasons are praised for sharp wit and social commentary. However, later seasons face criticism for repetitive humor and character inconsistencies. Changes in writing staff and creative direction are noted as reasons for the decline. Despite this, the show remains a cultural phenomenon with lasting impact.
Reseñas destacadas
No one, not even Matt Groening himself, could've imagined that The Simpsons would become as big as it did. Nor could anyone anticipate it could become so cultural. "D'oh" is in the dictionary, and it has spawned off several catch-phrases and one liners. Truly, The Simpsons is the biggest thing since Seinfeld! The first three seasons showed them as if they were an actual family. Like the kind of family you'd meet on the street (only a lot more dysfunctional). Homer trying to do the fatherly thing in each episode. Marge being the voice of reason all the time. Lisa and Bart with their sibling rivalry. These first three seasons are not usually sighted as being the best, but they are often brought up when one speaks of "The Best Episode Ever!" By Season four, the show took a turn for what may have been the best. It left it's more realistic roots and became more of a satire. With more zany antics and more clever, witty, and often times sophisticated humor, The Simpsons became the most popular family on television. Each episode still contained it's own merits, themes and messages. Seasons 4 to about 10 are often said to be the "Golden Age" of The Simpsons.
However, as the year 2000 came, fans began to see themselves divided. Those who stuck with the show since it came about in 1989 were quick to jump on how the show changed. The humor became more lurid and toilet like, with antics becoming heavily more unrealistic and zany (to the point where some even say it isn't funny... but stupid). Some characters becoming unrealistically stupid, and the show shifting gears from focusing on Bart to Homer... to everyone outside of the Simpson family. The show also began to see more cumbersome and meaningless plots. Plots that didn't focus on current issues, or that didn't seem to be as strong as older episodes. Despite this, new fans seem to have come about to replace then, and the show continues to remain at the top of its game, even today.
I'm sure you all know where I stand on that debate. Nine stars to nine fantastic seasons.
However, as the year 2000 came, fans began to see themselves divided. Those who stuck with the show since it came about in 1989 were quick to jump on how the show changed. The humor became more lurid and toilet like, with antics becoming heavily more unrealistic and zany (to the point where some even say it isn't funny... but stupid). Some characters becoming unrealistically stupid, and the show shifting gears from focusing on Bart to Homer... to everyone outside of the Simpson family. The show also began to see more cumbersome and meaningless plots. Plots that didn't focus on current issues, or that didn't seem to be as strong as older episodes. Despite this, new fans seem to have come about to replace then, and the show continues to remain at the top of its game, even today.
I'm sure you all know where I stand on that debate. Nine stars to nine fantastic seasons.
Brilliant television series that could probably be best described as "The Flintstones" gone stark-raving mad. "The Simpsons", everyone knows them. Some love the series and some could care less about it. Love it or hate it, it is near impossible to criticize the intelligence and creativity of this series. The titled animated family makes their home in Springfield, USA and gets into situations that are seemingly more outlandish and crazier than the previous adventure. Homer, Marge, Bart, Lisa, and Maggie are still going strong after nearly a dozen years of television life and with each passing moment it seems that the series sets some new precedent. For several years the show seemed to be the only attraction to the then obscure Fox Network. It was the first primetime animated show that was treated like a sitcom since "The Flintstones" quietly left the air in 1966. Many people feared the series when it first premiered in 1989 because they felt that it was hardcore adult material in a candied form that would appeal to younger audiences. Well for the most part this was true. However, "The Simpsons" would prove to be much more for all audiences. The great thing about the series is that it caters to all audiences. True there are usually situations that may not be suitable for all viewers, but then again that is true with everything on television this side of Disney Land and Sesame Street. "The Simpsons" works because of great comedy of course, but also great lessons that can be taken from most of the episodes. The people within the program may be animated, but they are just as complicated and vulnerable as the people watching them. All the regulars have their quirks, but in some episodes you can understand what certain characters are going through because the show is so life-like at times. Former President George Bush (the one from 1988-1992) once made a statement that families should be more like "The Waltons" and less like "The Simpsons". His opinion is somewhat old-fashioned and unrealistic. In other words, many topics dealt with in "The Simpsons" fit life for people in the 1990s and 2000s better than "The Waltons" did in the 1970s. A crowning achievement in television art. 5 stars out of 5.
The Simpsons is a show that has sustained ten years of constant humor. The stories have gradually become better and the second fiddle characters were getting more screen time which translates into a much more realized show. The pop culture references abound and delight those who can pick them out. My personal favorite is the Citizen Kane references in the episode called "Rosebud." Plus, anything with C. Montgomery Burns is hysterical. The guest stars aren't there as a "special appearance" touted by the networks. They actually work into the storyline, and that makes it all the more enjoyable. Where else can you see The Moody Blues acting like thugs in a Vegas casino?
The Simpsons is the longest running animated TV series since The Flinstones, and you could understand why after watching just one of the Simpsons episodes. Simply because The Simpsons is just so hilarious and incredibly clever and has been ripped off so many times, but nothing has come close to the brilliance that the Simpsons writers have brought us.
We have Homer Simpson, one of the most beloved TV characters of all time, with his famous quote "Doh!". He's an overweight, lazy, and not the brightest bulb, but so incredibly lovable for the fact of how bipolar he is! One minute he can be so incredibly depressed, but the next minute really happy and giggling. My favorite Homer quote is when he kills the zombie Ned Flanders in a Halloween episode, Bart tells him "Dad! You killed the zombie Flanders!"... "He was a zombie?" Marge is Homer's wife and a homemaker. She is at times naggy, but always manages to get in some terrific humor and some deep sympathy with all she puts up with. My favorite Marge quote is "Bart, don't make fun of grad students. They've just made a terrible life choice." Bart is the oldest son and a rebel. His usual quotes are "Don't have a cow" "Cool, man!" "Ei Carumba!". He's this generation's Dennis the Menace. My favorite Bart quote is "I need a soul, Ralph, any, your's!", you'll see what I mean.
Lisa is the second oldest and the smartie pants of the Simpson clan, she's kind of the know it all who solves all the adventures of the Simpsons. My favorite Lisa quote is "They're only using you for your pool you know... shut up brain! I have friends now, I don't need you any more!". Last, but not least, Maggie, the eternal baby of Homer and Marge, always a great love of the screen, but no famous quotes, just memorable moments like when she turns into an alien.
The supporting cast is a terrific addition, my favorites include Mr. Burns, Homer's boss, Groundskeeper Willy, the school janitor, and Mr. Skinner, the school principal. The Simpson is just a terrific show that in one way or another you will see at least one episode in your lifetime. I know that generations to come, they will still be watching The Simpsons.
We have Homer Simpson, one of the most beloved TV characters of all time, with his famous quote "Doh!". He's an overweight, lazy, and not the brightest bulb, but so incredibly lovable for the fact of how bipolar he is! One minute he can be so incredibly depressed, but the next minute really happy and giggling. My favorite Homer quote is when he kills the zombie Ned Flanders in a Halloween episode, Bart tells him "Dad! You killed the zombie Flanders!"... "He was a zombie?" Marge is Homer's wife and a homemaker. She is at times naggy, but always manages to get in some terrific humor and some deep sympathy with all she puts up with. My favorite Marge quote is "Bart, don't make fun of grad students. They've just made a terrible life choice." Bart is the oldest son and a rebel. His usual quotes are "Don't have a cow" "Cool, man!" "Ei Carumba!". He's this generation's Dennis the Menace. My favorite Bart quote is "I need a soul, Ralph, any, your's!", you'll see what I mean.
Lisa is the second oldest and the smartie pants of the Simpson clan, she's kind of the know it all who solves all the adventures of the Simpsons. My favorite Lisa quote is "They're only using you for your pool you know... shut up brain! I have friends now, I don't need you any more!". Last, but not least, Maggie, the eternal baby of Homer and Marge, always a great love of the screen, but no famous quotes, just memorable moments like when she turns into an alien.
The supporting cast is a terrific addition, my favorites include Mr. Burns, Homer's boss, Groundskeeper Willy, the school janitor, and Mr. Skinner, the school principal. The Simpson is just a terrific show that in one way or another you will see at least one episode in your lifetime. I know that generations to come, they will still be watching The Simpsons.
Network: Fox; Genre: Animated Comedy, Parody, Satire; Content Rating: TV-PG (language, adult contend and animated nudity); Available: DVD and syndication everywhere; Perspective: Classic (star range: 1 - 5);
Seasons Reviewed: Season 12+
If someone had told me 10 years ago that I would one day be bored by 'The Simpsons', I would have called them crazy. But here we are and while 'The Simpsons' has become the longest running show on TV at the cost of its core integrity. "Simpsons" in its prime was the best things to grace the small screen. A funny, ground-breaking animated comedy with lightening-quick wit, insightful social and brilliantly integrated parody. It created its own universe with an entire town of original characters. Most importantly, it actually helped shape the sense of humor of an entire generation. That generation which has now grown up and is now creating animated shows in direct competition.
"Simpsons" is a pale shadow of its former greatness. It gradually slipping this way for several years, but it wasn't until the 2002 and 2003 seasons that the show really smashed up against the rocks for good. I used to delight in each new episode of "Simpsons". But now the show clunks along each week in what appears to be filling time. The free-wheeling gags it used to deliver with such ease are now weighted down by an unnecessary over importance on story. The show at its best may get off a funny, sharp one-liner every now and then. It's biggest asset currently is it's willingness and given latitude to slam its own network. I do delight in their "Joe Millionaire" on-air promo parodies or a recent episode where Homer calls to give the network an idea and the recording says something like "If you know of another network's reality show we can rip off, press 2..."
So what happened? There really is no one thing that can easily be pointed out to all the late-commers and say "this is what happened" - you have to have traced the history. The 'jump the shark' moment could have come as early as the infamous Frank Grimes episode where our vision of The Simpson family was suddenly turned into something to aspire to instead of parody. It could be the legion of big name celebrities forced into every episode. To bring down a show as great as this, it was a slow convergence of several things.
Watching it, 3 differences are evident on-screen at any given time: First, the stripping down most of the characters to 1-note cartoons. Notably, British favorite Homer Simpson going from child-like, hard-luck father to a rag-doll for wild animals to rip apart as each episode closes. I'm particularly appalled at its attempts to use Homer as a political mouthpiece. Did you know that a guy who once lit a Q-tip so he could see inside his brain has an active concern for global politics? Yeah, I didn't either.
Secondly, the classic Baby Boomer voice of the series has evaporated and was replaced with contemporary generation X and Y jokes. Now, it's the internet and Tony Hawke. The voice of the series used to be one of creator Matt Groening's, seen through the eyes of Homer and Marge. That voice has been lost as the show has turned into an assembly line institution, repackaged and been homogenized for the masses and a new generation of writers lead by Ian Maxton-Graham has come in to "keep it fresh".
Thirdly, it has run out of creative juice. Anyone who has stuck with the show long enough can see it literally re-telling jokes and recycle previous story lines. When the recycling becomes too obvious or the episode makes no sense, they merely double back and declare it all a big self-parody. Not even Al Jean (architect of the show in its prime and the Larry David of "The Simpsons") can save it now.
Since the talented voice cast has remained the same low these many years, I put all the blame on this squarely with the Fox network who refused to let this show go out gracefully when Groening siphoned off his role to work on his dream project, the now far superior 'Futurama'. In Fox's race to claim this endurance record they have turned a once edgy and visionary show into an institution with an assembly line production and revolving door of writers to match any of the other lame shows on TV. Behind the scenes, maybe the condescending we-can-do-no-wrong attitude of Maxton-Graham has dealt the show its biggest death blow, while producer Mike Scully sat back and ineptly let Maxton-Graham run it into the ground.
In the end, the biggest blame may actually land with the "die-hard fans" that embolden the show by letting it get away with this junk. Yes, "The Simpsons" was ground-breaking and every adult animation in the future owns it a bit of gratitude, but blind loyalty to a show only for how it performed in the past isn't healthy.
Since it has hit long-running status the critical bandwagon jumping has begun and "Simpsons" is more popular than ever amongst critics that want to be on the inside of history. We've now reached a point where the bad episodes and bad entire seasons outweigh the good and that, I'm afraid, is going to be the sad legacy of "Simpsons" . A train-wreck of crass, childish humor, grainy animation, oddly misplaced satire and forced parodies of only the most obvious pop culture targets.
10 years ago I didn't know what I would do without "The Simpsons" but now, particularly with the emergence of satisfying new adult animated shows ('Futurama', 'Family Guy' and 'South Park'), living without it might be pretty good.
* * / 5
Seasons Reviewed: Season 12+
If someone had told me 10 years ago that I would one day be bored by 'The Simpsons', I would have called them crazy. But here we are and while 'The Simpsons' has become the longest running show on TV at the cost of its core integrity. "Simpsons" in its prime was the best things to grace the small screen. A funny, ground-breaking animated comedy with lightening-quick wit, insightful social and brilliantly integrated parody. It created its own universe with an entire town of original characters. Most importantly, it actually helped shape the sense of humor of an entire generation. That generation which has now grown up and is now creating animated shows in direct competition.
"Simpsons" is a pale shadow of its former greatness. It gradually slipping this way for several years, but it wasn't until the 2002 and 2003 seasons that the show really smashed up against the rocks for good. I used to delight in each new episode of "Simpsons". But now the show clunks along each week in what appears to be filling time. The free-wheeling gags it used to deliver with such ease are now weighted down by an unnecessary over importance on story. The show at its best may get off a funny, sharp one-liner every now and then. It's biggest asset currently is it's willingness and given latitude to slam its own network. I do delight in their "Joe Millionaire" on-air promo parodies or a recent episode where Homer calls to give the network an idea and the recording says something like "If you know of another network's reality show we can rip off, press 2..."
So what happened? There really is no one thing that can easily be pointed out to all the late-commers and say "this is what happened" - you have to have traced the history. The 'jump the shark' moment could have come as early as the infamous Frank Grimes episode where our vision of The Simpson family was suddenly turned into something to aspire to instead of parody. It could be the legion of big name celebrities forced into every episode. To bring down a show as great as this, it was a slow convergence of several things.
Watching it, 3 differences are evident on-screen at any given time: First, the stripping down most of the characters to 1-note cartoons. Notably, British favorite Homer Simpson going from child-like, hard-luck father to a rag-doll for wild animals to rip apart as each episode closes. I'm particularly appalled at its attempts to use Homer as a political mouthpiece. Did you know that a guy who once lit a Q-tip so he could see inside his brain has an active concern for global politics? Yeah, I didn't either.
Secondly, the classic Baby Boomer voice of the series has evaporated and was replaced with contemporary generation X and Y jokes. Now, it's the internet and Tony Hawke. The voice of the series used to be one of creator Matt Groening's, seen through the eyes of Homer and Marge. That voice has been lost as the show has turned into an assembly line institution, repackaged and been homogenized for the masses and a new generation of writers lead by Ian Maxton-Graham has come in to "keep it fresh".
Thirdly, it has run out of creative juice. Anyone who has stuck with the show long enough can see it literally re-telling jokes and recycle previous story lines. When the recycling becomes too obvious or the episode makes no sense, they merely double back and declare it all a big self-parody. Not even Al Jean (architect of the show in its prime and the Larry David of "The Simpsons") can save it now.
Since the talented voice cast has remained the same low these many years, I put all the blame on this squarely with the Fox network who refused to let this show go out gracefully when Groening siphoned off his role to work on his dream project, the now far superior 'Futurama'. In Fox's race to claim this endurance record they have turned a once edgy and visionary show into an institution with an assembly line production and revolving door of writers to match any of the other lame shows on TV. Behind the scenes, maybe the condescending we-can-do-no-wrong attitude of Maxton-Graham has dealt the show its biggest death blow, while producer Mike Scully sat back and ineptly let Maxton-Graham run it into the ground.
In the end, the biggest blame may actually land with the "die-hard fans" that embolden the show by letting it get away with this junk. Yes, "The Simpsons" was ground-breaking and every adult animation in the future owns it a bit of gratitude, but blind loyalty to a show only for how it performed in the past isn't healthy.
Since it has hit long-running status the critical bandwagon jumping has begun and "Simpsons" is more popular than ever amongst critics that want to be on the inside of history. We've now reached a point where the bad episodes and bad entire seasons outweigh the good and that, I'm afraid, is going to be the sad legacy of "Simpsons" . A train-wreck of crass, childish humor, grainy animation, oddly misplaced satire and forced parodies of only the most obvious pop culture targets.
10 years ago I didn't know what I would do without "The Simpsons" but now, particularly with the emergence of satisfying new adult animated shows ('Futurama', 'Family Guy' and 'South Park'), living without it might be pretty good.
* * / 5
Former "Simpsons" Writers Who Shaped Comedy
Former "Simpsons" Writers Who Shaped Comedy
Through 30+ years of hearing Homer yell, "Do'h," you must have asked,"Who writes this stuff?" Well, Conan O'Brien and Greg Daniels for starters. Who else started in Springfield?
¿Sabías que...?
- CuriosidadesAfter Phil Hartman was murdered, the various characters he played, such as lawyer Lionel Hutz and actor Troy McClure, were retired, rather than re-cast. However, they continued to appear silently in crowd scenes. Season ten, episode three, "Bart the Mother" (September 27, 1998) was his final voice performance.
- PifiasRalph Wiggum is in Bart's class in some episodes and Lisa's in others. The same can be said about a few other recurring students.
- Créditos adicionalesThere is one episode where Homer complains about how rich all the people listed in the closing credits (save for one) are. When the Gracie film logo comes up, Homer says, "Don't 'SSSHHH' me, you rich bastard!"
- Versiones alternativasBeginning with the show's cable syndication run on FXX on August 21, 2014, new syndication masters have been created. Each episode has been restored to its full length, and is now presented in 16X9 high definition. In addition, credits for the Spanish SAP Translation have been added to the end credits of each episode.
- ConexionesEdited into Springfield's Most Wanted (1995)
- Banda sonoraThe Simpsons Theme
Written by Danny Elfman
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By what name was Los Simpson (1989) officially released in Germany?
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