PUNTUACIÓN EN IMDb
6,1/10
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TU PUNTUACIÓN
Remake de la película homónima de 1948. Arness interpreta a un ranchero (James Arness) enfrentado a su hijo adoptivo (Bruce Boxleitner).Remake de la película homónima de 1948. Arness interpreta a un ranchero (James Arness) enfrentado a su hijo adoptivo (Bruce Boxleitner).Remake de la película homónima de 1948. Arness interpreta a un ranchero (James Arness) enfrentado a su hijo adoptivo (Bruce Boxleitner).
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A great cast for a television remake with the exception of Gregory Harrison. He couldn't sweep the floor John Ireland walked on yet alone give a performance like in the 48 version of this rugged western. Lets face it, some just aren't meant to be cowboys even if they can't surf. Boxleitner and Arness work good together and pretty much carry this production. A probable reason why they paired again for the 1994 made for television film "Gunsmoke: One Man's Justice." I'll have to admit that I kept waiting for Peter Graves to come on after commercial breaks and announce "and now, back to Gunsmoke, staring James Arness !"
A nice story, but pales compared to the John Wayne, Monte Cliff original of 1948. Too many subplots, confusing characterizations and a wandering theme of a troubled trail drive and its boss driver...Arness is one-dimensional, lacks the charisma of a John Wayne (don't they all)...Bruce Boxlietner is a good looking stud, but could never give the penetrating characterization portrayed by Monte Cliff, a truly remarkable performance. The original offered a clean plot and built to a great conflict between a father and son...this made for TV version is action packed, but is totally unremarkable. See the 1948 Red River for a genuine treat of the classic western and Hollywood at its finest.
Red River (1988)
** (out of 4)
Watered-down remake of Howard Hawks' 1948 classic has James Arness stepping in for John Wayne and Bruce Boxleitner doing the Montgomery Clift part. Once again we see tyrant Arness taking a cattle drive 1,000 miles and battling a wide range of things. I always found it interesting when these made-for-TV flicks would come along and remake classics from the past. I think sometimes they worked to minor entertainment (STAGECOACH) but at other times you really have to wonder what the entire point was. This remake runs nearly thirty-minutes shorter and everything missing is pretty much the heart and soul to the original movie. It really does seem like the filmmakers and cast simply sat down, watched the original and then just done a cheap copy of it without trying to improve anything. Some people might give this film credit for being smart enough to not trying anything different but in the end we're left with a rather bland film without any excitement and little entertainment. I think the biggest problem is the actual screenplay, which adds very little to the original movie and what it does add doesn't get the job done. On the cattle drive there's a kid involved but this goes no where. We also have a former slave along for the ride who gets racist cowboys after him but again, this adds nothing. The entire relationship between Arness and Boxleitner has no emotion behind it and everything that worked in the original is missing here. You don't care about either men, their cattle, their journey or anything else. The entire film is just a reenactment of the original and it just isn't entertaining. Both Arness and Boxleitner sleepwalk through their roles as does Gregory Harrison as Cherry Valance. Ray Walston takes over the role that Walter Brennan originally played and he's the best thing here. RED RIVER has very little going for it and if you think it's unfair to compare the film to the remake then I'd agree. The only problem is that the film doesn't work on its own either.
** (out of 4)
Watered-down remake of Howard Hawks' 1948 classic has James Arness stepping in for John Wayne and Bruce Boxleitner doing the Montgomery Clift part. Once again we see tyrant Arness taking a cattle drive 1,000 miles and battling a wide range of things. I always found it interesting when these made-for-TV flicks would come along and remake classics from the past. I think sometimes they worked to minor entertainment (STAGECOACH) but at other times you really have to wonder what the entire point was. This remake runs nearly thirty-minutes shorter and everything missing is pretty much the heart and soul to the original movie. It really does seem like the filmmakers and cast simply sat down, watched the original and then just done a cheap copy of it without trying to improve anything. Some people might give this film credit for being smart enough to not trying anything different but in the end we're left with a rather bland film without any excitement and little entertainment. I think the biggest problem is the actual screenplay, which adds very little to the original movie and what it does add doesn't get the job done. On the cattle drive there's a kid involved but this goes no where. We also have a former slave along for the ride who gets racist cowboys after him but again, this adds nothing. The entire relationship between Arness and Boxleitner has no emotion behind it and everything that worked in the original is missing here. You don't care about either men, their cattle, their journey or anything else. The entire film is just a reenactment of the original and it just isn't entertaining. Both Arness and Boxleitner sleepwalk through their roles as does Gregory Harrison as Cherry Valance. Ray Walston takes over the role that Walter Brennan originally played and he's the best thing here. RED RIVER has very little going for it and if you think it's unfair to compare the film to the remake then I'd agree. The only problem is that the film doesn't work on its own either.
The last time I saw the original 1948 "Red River" with John Wayne was when I was about ten years old. I don't remember a whole lot of it other than it was a rich, enthralling Western like "The Searchers" (1956) and in no need for a remake. But, four decades after its release, it was remade
and rather poorly, which is very disappointing since its two leads were very well-cast.
Wayne's friend James Arness takes his role in the remake and Montgomery Clift's role is redone by Bruce Boxleitner. These two would later work well again in one of the "Gunsmoke" movies. And even with this mincemeat teleplay, they manage to communicate much of the spirit that the original actors did in the original film.
However, that does not make the remake of "Red River" a good movie. Rather, it's a flat and mediocre adaptation of a beloved classic. There is some nice scenery, good performances, and swell intentions, but the problem is that the screenwriters wrote this with such low enthusiasm and maybe a little too much respect for the original, as if they realized in the process of writing that they couldn't even come close to the source and didn't bother to put much effort into it. It seems like they expected all viewers to already know the original "Red River" by heart and therefore be able to close up all the holes and gaps that were being formed here. The point of a remake is to at least illuminate the original, update it, and maybe strength a few weak spots, not open new ones. There is very little character strength, no real sense of connection, gaps of logic, a completely unnecessary addition of a love triangle, and an ending that is even more rushed than the surprisingly sudden ending of the original. In short, the remake of "Red River" can be described in two simple words: boring and unnecessary.
Wayne's friend James Arness takes his role in the remake and Montgomery Clift's role is redone by Bruce Boxleitner. These two would later work well again in one of the "Gunsmoke" movies. And even with this mincemeat teleplay, they manage to communicate much of the spirit that the original actors did in the original film.
However, that does not make the remake of "Red River" a good movie. Rather, it's a flat and mediocre adaptation of a beloved classic. There is some nice scenery, good performances, and swell intentions, but the problem is that the screenwriters wrote this with such low enthusiasm and maybe a little too much respect for the original, as if they realized in the process of writing that they couldn't even come close to the source and didn't bother to put much effort into it. It seems like they expected all viewers to already know the original "Red River" by heart and therefore be able to close up all the holes and gaps that were being formed here. The point of a remake is to at least illuminate the original, update it, and maybe strength a few weak spots, not open new ones. There is very little character strength, no real sense of connection, gaps of logic, a completely unnecessary addition of a love triangle, and an ending that is even more rushed than the surprisingly sudden ending of the original. In short, the remake of "Red River" can be described in two simple words: boring and unnecessary.
Everybody knows that John Wayne was the King of the westerns, but dumping on this TV movie remake is really unfair. Compared to all the reality and talent shows, this was a nice change of pace. Lots of us wish more westerns were made but it is a genre that is sadly overlooked with all the spy, war, kung fu and bizarre sex shows being produced nowadays. The story line for this remake was an improvement over the original. Bruce Boxleitner is still a hunk. James Arness played against type which had to be a real challenge. I believed he was an embittered old man who was used to his word being law. I always thought Clift was a little over-the-top and tried too hard as opposed to Boxleitner who showed the change that comes over a man who sees too much of the horrors of war. Gregory Harrison tried a little too hard as well, but the young cowboy and the black horse-breaker as well as Ray Walston more than made up for what Harrison lacked. If you judge the movie on its own merit and without comparing it to its predecessor, I think a good western story still beats out most of the trash passing for entertainment on TV. So give these guys a break, why don't you?
¿Sabías que...?
- CuriosidadesThis was the final screen role for Guy Madison.
- PifiasSince there is no "Errors in astronomy" category, I guess this goes here. When Gregory Harrison (Cherry Valance) is wooing Laura Johnson (Kate) at night under a tree with a canopy you couldn't possibly see through, while she's holding a child, and she says she has to go, and he points out the big dipper to her to get her to stay. But the view shows a thick patch of stars with no pattern. Not the Big Dipper, which is in a northern region with much fewer stars where it's easily visible year-round if it's view-able.
- ConexionesRemake of Río Rojo (1948)
- Banda sonoraRed River Valley
Cowboy folksong circa 1890
Sung by James Arness
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By what name was Río rojo (1988) officially released in Canada in English?
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