Después de desear ser mayor, un adolescente se despierta a la mañana siguiente para encontrarse misteriosamente en el cuerpo de un adulto.Después de desear ser mayor, un adolescente se despierta a la mañana siguiente para encontrarse misteriosamente en el cuerpo de un adulto.Después de desear ser mayor, un adolescente se despierta a la mañana siguiente para encontrarse misteriosamente en el cuerpo de un adulto.
- Dirección
- Guión
- Reparto principal
- Nominado para 2 premios Óscar
- 11 premios y 14 nominaciones en total
- Ticket Taker
- (as Gary Klar)
Reseñas destacadas
Young Josh Baskin (David Moscow) goes with his family to a carnival one evening, and sees the girl of his dreams. When he finally works up the nerve to talk to her, her date appears with her. Then, he does not meet the height requirement for the roller coaster ride he wants to go on. So, off he goes to a deserted part of the carnival to the "Zoltar" machine, a devil's head encased in glass, to "make his wish." He wishes he "were big." Suffice it to say, Josh wakes up the next morning to discover he is an adult (Tom Hanks). Mom (Mercedes Ruehl) thinks he kidnapped her son, and calls the police. Josh eventually convinces best friend Billy (Jared Rushton) that he (Josh) is his true 13-year-old self trapped in a man's body. They take off to New York, where Josh manages to get a job as a product tester for a large toy company. He befriends the boss (Robert Loggia), who likes Josh's understanding of the toys kids really like. However, Josh finds himself at odds with Paul (John Heard), vice president of marketing, who perceives Josh's simplistic views as an invasion of Paul's more experienced, competitive ways. Never fear, as successful co-worker Susan Lawerence (Elizabeth Perkins) finds comfort in Josh's views and company, and falls in love with him. But the more Josh experiences the privileges and responsibilities of adulthood, the more he longs for his youth again. Should he stay with Susan or find the Zoltar machine and wish to be a kid again?
An impressive film about growing up and making wishes. When you're a kid, you can't wait to grow up. But when you're an adult, you have to make sacrifices and accept responsibility, ideal and not-so-ideal. Also, be careful what you wish for, as you might get it! A Broadway musical version of "Big" opened in the mid-1990s. The piano dancing sequence is its trademark. I had the privilege to play the role of Paul (the John Heard character) in a summer musical production, and loved it! I highly recommend both the film and the musical!
This movie is amazing because I saw it when it came out, when I was 13 years old, the same age as josh baskins in the movie, and I loved it then. It speaks to you as a child because it's completely realistic, everything is just the way a kid would see it. Most of the time when adults try to simulate what it's like to be a child, they fail miserably (see all the 80's anti-drug propaganda ads as an example). It takes an immense amount of creativity and sensitivity to be able to write something like this. But then when I see this movie as an adult, it speaks to me on a completely different level. This film is a lesson to adults as well as children. Don't miss out on the fun and spirit of life! Don't get to wrapped up in your petty concerns of status and materialism, just try to enjoy every moment the most that you can, because you'll never get another chance to relive each moment of your life.
Any of these fools that didn't like this movie are just that, they've probably missed out completely on the message because they can't remember what it was like to be a kid, to see the world as one big optimistic toy you're lucky to be able to play with. Think about that and see this movie again if you don't remember how amazing it is...
>
¿Sabías que...?
- CuriosidadesAccording to Robert Loggia, on the day they filmed the famous Walking Piano scene at FAO Schwarz, he and Tom Hanks noticed that doubles dressed like them were on hand just in case they could not do the dance moves correctly. It became their goal to do the entire number without the aid of the doubles. They succeeded.
- PifiasBefore Josh and MacMillan play the Walking Piano at FAO Schwarz, Josh throws a bag down on the ground. When they leave he leaves it there and doesn't take it with him.
- Citas
Josh: Will you please leave? I got a deadline to meet. Gosh.
Billy: Who the fuck do you think you are ?
Josh: *Hey*!
Billy: You're Josh Baskin, remember? You broke your arm on my roof! You hid in *my* basement when Robert Dyson was about to rip your head off!
Josh: You don't get it, do you? This is important!
Billy: I'm your best friend. What's more important than that, huh?
[Turns to leave]
Billy: And I'm three months older than you are, *asshole*!
- Versiones alternativasThe Extended Edition is 130 minutes. It was released in 2007, and contains 26 minutes of previously deleted scenes, including Frances Fisher's role as Mrs. Kopecki.
- ConexionesEdited into 5 Second Movies: Big (2008)
- Banda sonoraThe Way We Were
Written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch
Selecciones populares
- How long is Big?Con tecnología de Alexa
- Why is Josh acting like an 'idiot'?
- Does this film really depict an incident of statutory rape in a lighthearted way?
- What is 'Big' about?
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Quisiera ser grande
- Localizaciones del rodaje
- Rye Playland, Rye, Nueva York, Estados Unidos(where Josh finds Zoltar at the end of the film)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 18.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 115.227.281 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 8.216.190 US$
- 5 jun 1988
- Recaudación en todo el mundo
- 151.927.281 US$
- Duración1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1