Añade un argumento en tu idiomaDuring the apartheid era in South Africa, a young naive soldier is assigned to a unit of racist white soldiers. After they annihilate a remote village led by a witch doctor, the spirits of t... Leer todoDuring the apartheid era in South Africa, a young naive soldier is assigned to a unit of racist white soldiers. After they annihilate a remote village led by a witch doctor, the spirits of those they've killed target them.During the apartheid era in South Africa, a young naive soldier is assigned to a unit of racist white soldiers. After they annihilate a remote village led by a witch doctor, the spirits of those they've killed target them.
- Dirección
- Guión
- Reparto principal
Dixon Malele
- Mkhonto
- (as Dickson Malele)
Elzabé Zietsman
- Concert Singer
- (as Elsabe Zietsman)
Reseñas destacadas
While the acting and directing could be argued as having some merit - the storyline is a very poor wannabe Vietnam movie with the country name simply changed.
At the very least, for a movie to hold some credibility, try and have some semblance of accuracy in equipment, weapons and tactics. Nevermind the gross misrepresentation of the behaviour of the troops as a norm.
Aside for the limited use as silly propaganda about the South African Defence Force, it serves little purpose - definitely no entertainment value.
Aspiring movie makers - this is how not to make a war movie. Do some research, and have some pride in your product.
At the very least, for a movie to hold some credibility, try and have some semblance of accuracy in equipment, weapons and tactics. Nevermind the gross misrepresentation of the behaviour of the troops as a norm.
Aside for the limited use as silly propaganda about the South African Defence Force, it serves little purpose - definitely no entertainment value.
Aspiring movie makers - this is how not to make a war movie. Do some research, and have some pride in your product.
This movie, although it seems like a B one, it really is a great watch if you get a chance. This can be remade in 2020 and make a great story plot.
Although it has been a some time since I've seen this movie, it seems to have stuck quite well. The actors manage to convey quite clearly the effect the events have on them as their companions drop off one by one.
The viewer, like the main characters, never really sees what it is that has them running but whatever it is that's scaring them will have you scared as well.
The viewer, like the main characters, never really sees what it is that has them running but whatever it is that's scaring them will have you scared as well.
I couldn't give two hoots about the accuracy of the South African Defence Force uniforms or the film's apparent commentary on the conflicts between SA and Angola: The Stick (AKA Platoon Warrior) is a well directed, atmospheric war tale with touches of the supernatural that feels like something out of The Twilight Zone, and it is well worth your time.
The film sees a ragtag unit of soldiers (a stick) on a mission to locate and annihilate the tribesmen who have been ambushing South African platoons. When the men massacre the people of a village, including their witch doctor, they find themselves caught in a nightmare, unable to find their way back to base and hunted by an unseen enemy.
Sporadic bursts of grim violence (even kids are killed) and a general feeling of hopelessness and despair, all accompanied by the lead character's haunting narration, go to make The Stick a gripping study of the horrors of war and how it affects men differently. The characters are well defined, the acting is excellent, and the script is thought provoking; the film is also great from a technical standpoint, with wonderful camerawork and editing.
8/10.
The film sees a ragtag unit of soldiers (a stick) on a mission to locate and annihilate the tribesmen who have been ambushing South African platoons. When the men massacre the people of a village, including their witch doctor, they find themselves caught in a nightmare, unable to find their way back to base and hunted by an unseen enemy.
Sporadic bursts of grim violence (even kids are killed) and a general feeling of hopelessness and despair, all accompanied by the lead character's haunting narration, go to make The Stick a gripping study of the horrors of war and how it affects men differently. The characters are well defined, the acting is excellent, and the script is thought provoking; the film is also great from a technical standpoint, with wonderful camerawork and editing.
8/10.
Made at a time when South Africa was heavily embroiled in a big punch-up in Angola, The Stick was bound to incur the considerable wrath of the authorities. In fact, worse was yet to come (Cuito Cuanavale) but we didn't know it then. The Stick is often compared to Oliver Stone's Platoon but it is both a grittier and yet less satisfying portrait of men at war. It suffers greatly from having the players dressed in non-SADF uniforms, operating in an nameless African country, and yet it's obviously supposed to be the SADF in Angola. As a result the film is reduced to allegory and we are left with the situation that no film-maker (and few writers) have adequately explored the effects of the Angolan war and South Africa's long-winded role in it. But the performances are superb and accurate. The O'Grady character is typical of the sociopaths that one found in just about every SADF platoon, no matter which branch of service. The tension between the rank and file, and the underlying tension between the English-speaking and Afrikaans conscripts is finely pitched. As a record of the SADF experience, The Stick is pretty good. But, still, it could use a re-make.
¿Sabías que...?
- CuriosidadesThe film has been banned in South Africa as of 1988. The producers refused to comply with the censors' demand for 48 cuts. This was the first South African film shown in the USSR when it was shown at the 1989 Moscow Film Festival.
- Créditos adicionales"We used to wonder where war lived, what it was that made it so vile. And now we realize that we know where it lives, that it is inside ourselves." - Albert Camus
- Banda sonoraBad Boys
Lyrics by Janice Honeyman
Composed by Kevin Feather
Produced by Soltone Recording Studios
Performed by Elsabe Zietsman
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