Max Fiedler, un controlador aéreo celoso que acaba de ser abandonado por su novia, entra en contacto con residuos nucleares y obtiene el poder de la telequinesis, que utiliza no sólo para re... Leer todoMax Fiedler, un controlador aéreo celoso que acaba de ser abandonado por su novia, entra en contacto con residuos nucleares y obtiene el poder de la telequinesis, que utiliza no sólo para recuperarla, sino también para vengarse.Max Fiedler, un controlador aéreo celoso que acaba de ser abandonado por su novia, entra en contacto con residuos nucleares y obtiene el poder de la telequinesis, que utiliza no sólo para recuperarla, sino también para vengarse.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
- Vendor
- (as Ron House)
Reseñas destacadas
90 minutes later I'm sitting here thinking to myself "Wow, this was pretty bad wasn't it?", and I'm not sure if the film hadn't aged well, or if it simply wasn't a very good film to begin with. All I can say is that I remember enjoying it a heck of a lot more as an easier-to-impress 12 year old.
Chase plays Max, a stressed out Air Traffic Controller who's got serious relationship problems. He's recently broken up with his live-in girlfriend, and his ex-wife (Mary Kay Place), whom he apparently has kept a friendly relationship with, is now "schtupping" (that's an exact quote) an old friend of his from high school (Brian Doyle-Murray, aka Bill's brother). As if that weren't enough, a chance meeting with a leaky Nuclear Waste truck on the highway one night splatters him with radioactive goo, and he wakes up the next morning with telekinetic powers.
You'd think that this would be a license to do a totally go-for-broke slapstick comedy but oddly enough very little is made of Max's newfound abilities till the film is almost over. Chase isn't his usual wild-and-wacky self either, preferring to mope around mooning over his girlfriend (Patti D'Arbanville). Eventually the dysfunctional foursome (Chase, D'arbanville, Doyle-Murray, and Place) go off to Murray's beach house to spend the weekend, joined by one of Murray's clients, an insufferable self-help author played by Dabney Coleman. Coleman is the funniest thing in the film, as his constant jabs and insults finally poke Chase's character into a full on telekinetic meltdown that can only be stopped by a voodoo ritual (?) performed by Murray's Haitian housekeeper (Nell Carter).
"Modern Problems" tries to be quirky and wacky but spends most of the film falling flat on its face. It's got a decent cast and an interesting premise, but its greatest sin is that it casts a gifted comic like Chase and then tells him to be morose and unfunny for much of the run time (till he finally explodes towards the end).
There are a few good bits (Chase using his power to give a guy a massive nosebleed in the middle of a swanky restaurant is a highlight, as is the entire "voodoo" scene) but otherwise "Modern Problems" isn't very "modern" anymore. Easily skippable even for hardcore Chevy Chase fans.
Guys: It is worth watching if for no other reason than to watch Barry (Mitch Kreindel) get his just desserts in the restaurant.
Girls: It is worth watching if for no other reason than to see how true love can obliterate a man's insecurities.
I have to mention Dabney Coleman because I think he gives one of his best ever comedic performances. He's not too far removed from the part he played as the Boss in 9 to 5. And it is fun to watch him get his come-uppance.
All in all, this is not a great movie, granted. But I could think of a lot worse ways to spend two hours on a Sunday afternoon.
Chevy plays Max Fielder, an air-traffic controller who's life is constantly in the toilet and bad luck follows him everywhere. He's very paranoid and possessive over his girlfriend, so much so that she dumps him for some total dork.
On his way home from a disastrous night out his car is sprayed with radioactive gunk from a leaky government truck. He is soon blessed/cursed with telekinetic abilities, which he uses to get revenge on those who make his life miserable.
It could have been really fun but it's just...weird. Ken Shapiro (who?) does not have the same edge in his direction as Harold Ramis, Michael Ritchie or John Landis and he doesn't know how to fully use Chevy's brand of humor. There are some laughs to be had though, but their not so memorable.
The DVD is in 1.85:1 anamorphic widescreen but it's mostly all shot in soft focus so there's nothing outstanding here. The sound is plain old Mono and it's alright if nothing else, though the dialogue has very heavy use of ADR. A trailer and TV spot are included. Oh...and that theme song playing over the menu, opening and closing credits? Yuck!
I could NOT stop laughing. Did the other reviews mention casting? It is brilliant...who better to cast as a moody, feckless scorned lover (who happens to be an air traffic controller) than Chevy Chase...add to his performance that of Mitch Kreindel as the more feckless foil and you have a recipe for doubled-over laughter that would make you glad you wore your depends that day, if only they had them back in the 80's when this film was first screened. I loved the telekinesis device, especially the moment when an airplane ashtray complete with roaring engines and laden with cigarette butts, flies across the airport employee lounge and crashes in flames into a wall poster featuring some alpine peak. This is our first clue that Chevy has developed special powers, the rest is charming and fun (thanks to the great cast including Dabney Coleman, Mitch Kreindel, Patti D'Arbanville, and Nell Carter). Detractors will say (have said) otherwise. All that critical nit picking is only detail. Years later, when I think of this film, I smile. How bad can that be?
¿Sabías que...?
- CuriosidadesChevy Chase was nearly electrocuted during a stunt in the sequence in which he is wearing "landing lights" and dreams that he is an airplane. The lights' wiring short-circuited through his arm, back, and neck, which caused him to lose consciousness.
- PifiasAfter Max levitates the bar of soap, the soap lands in the sink. In the close-up, two holes for the string can be seen.
- Citas
Brian Stills: Well, I'll be a striped-ass ape! Max Fiedler!
Max Fielder: Brian? Wow!
Brian Stills: How are you, you old egg-sucker? Damn, you look good. How long's it been? Not since high school, huh? Say, where are my manners? This is Dorita. She's from Port-au-Prince.
Max Fielder: Hi.
Lorraine: Hi.
Dorita: How do you do?
Max Fielder: Oh, Lorraine, this is Brian Stills, an old friend of mine from, uh, high school. Brian, this is my ex-wife, Lorraine.
Brian Stills: Pleased to meet you, Lorraine.
Lorraine: Nice to meet you, Brian.
Brian Stills: [Points to wheelchair] Admiring the old skateboard? I got my ass blown off in Nam. Crazy damn thing. I was loving this little girl. She was hiding ammo, for the Cong under the bed. I lit a cigarette, woke up in the hospital with medals all over the place.
Lorraine: God, talk about sex with fireworks.
Max Fielder: Jesus, Lorraine.
Brian Stills: No, it's funny, really.
- Créditos adicionalesAlternate takes (without audio) are shown of the main characters during the end credits.
- Banda sonoraGonna Get It Next Time
Performed by The Tubes
Arranged and produced by David Foster
Courtesy of Capitol Records
Lyrics by Adrienne Anderson
Music by Dominic Frontiere
Selecciones populares
- How long is Modern Problems?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Modern Problems
- Localizaciones del rodaje
- Long Island Expressway, Nueva York, Estados Unidos(Max driving his new Lancia Beta Coupe down the L.I.E. passing Exit 16)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 8.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 26.154.211 US$
- Recaudación en todo el mundo
- 26.154.211 US$