Madman, el loco

I remember seeing the commerical on t.v. when I was young, and it scared me. It's a shame movies today can't do the same. Well, I saw it on video, and it was scary, and the madman was scary, but!!! the acting is lousy, Overlook that and we have a scary little forgotten chiller from 1981. The year in which a lot of horror came out.......

I think that a complete guide of the slasher subgenre it's almost impossible to write: because of its very simple&cheap formula, a lot of movie have been produced since the beginning of the 80s.

Among these, one of the earliest and most appreciable is MADMAN by Giannone, which is a very honest low-budget flick with some variations from the original (Cunningham's) model and a more fairy-tale oriented atmosphere (the nominal villain really looks like an ogre). Of course, as many other similar features, it has its flaws - acting, for example - but that's not what you seek from such kind of movies. The special effects are pretty well done and they're obtained with very simple solutions. Giannone's style is good, especially in the use of deep focus and the cinematography is genuinely inventive (the green painted leaves!). Eventually, it's better than many others.

"Madman" is essentially an early '80s retread of the summer camp slasher (done exponentially better by "Friday the 13th" and "The Burning" before it, and "Sleepaway Camp" after it). In the beginning of the film, a group of camp counselors and preteens are around a campfire— it's the week before Thanksgiving (who goes to camp in November?), and since the camp is shutting down, the counselors decide to tell the story of a local farmer named Madman Marz who hacked his family to death with an axe. One of the counselors decides it would be a good idea to call out his name to the surrounding woods, and lo and behold, when they come a'calling, he comes a'killin'.

Hailed as a cult film by many fans, I'm halfway baffled as to why so many consider "Madman" to be as extraordinary as they do. It's not that the film suffers from being routine — that's expected from an '80s slasher epic— but there are a lot of other issues with it that leave something to be desired. The script, for one, is beyond hokey, and the villain himself is about the least scariest maniac I can recall on film— an ogreish redneck in overalls with a clearly prosthetic face? It just ain't scary, folks. Lackluster performances and truly indistinguishable characters don't help much either.

The film does feature some really great photography at times, especially during the nighttime sequences in the woods, which make up the bulk of the film, but incredibly dodgy editing and an abrasive synth score detract from the moodiness of the proceedings. Even the darkness of the upstate New York forest and the musty cabins of the camp fail to establish a solid sense of atmosphere here, and the film suffers for it. There are a couple of gruesome killings, but by and large even the murder sequences are anticlimactic. Perhaps the film's most indubitable sin, however, is that it flashes the murder sequences of each character across the screen in the opening campfire scene. I mean, obviously we know that most of them are going to die anyway, but why strip any potential surprise from a virtually incredulous film?

It's not that I have a bias to the summer camp/backwoods slasher either, nor did I want to dislike this film. There are dozens of films that follow this thread which I am a fan of: "The Burning," "Friday the 13th," "Just Before Dawn," "The Final Terror"— the difference with those films though is that, despite their formalities, they excel in other areas and are able to distinguish themselves because of it. "Madman" doesn't do that; the most it has to offer is some neat nighttime cinematography, a ridiculous hot tub sex scene, and perhaps the most absurd theme song in film history. Highlights: the eerie silhouette of Madman in the tree (as depicted on the 2003 Anchor Bay cover art), and the downbeat ending. 4/10.

The last night of Summer Camp finds a group of badly-dressed pubescent teens and over-sexed counselors deep in the woods telling ghost stories by the fireside. A story is told about a local farmer (Marz) who decided it was rather appropriate to hack his family to pieces while they slept in their beds. After discovering this, the locals hung Marz from a tree-branch and left him for dead. However, his body disappeared and now it is said that when his name is uttered, he appears and randomly hacks around for a while.

From here, a story emerges about a psycho killer, aptly named Madman Marz who likes wielding various sharp, heavy implements - chiefly an axe. You always know when madman's about to hack into someone because you hear the creepy bars of music that closely resembles "dow dow dow...eheheheheheh".

The film is straight from the teen horror text book and features the obligatory hot tub scene (featuring a man with a rather strange belly button and a buxom blonde ripe for a horror film hacking). Despite some inane killing, Marz shows true compassion when saving characters with a bad 70s/80s 'do from additional shame and embarrassment by mashing their head right into a car's engine and jamming the bonnet down on their shaggy mess of hair (that's one shonky sounding starter motor).

While it won't win any awards for originality, you have to admire the simple fun that Madman offers. Whether it be watching the "special" campers get separated and randomly massacred in the woods or the screaming blonde try to hide in a refrigerator, there is no doubt that Madman is a very under-stated horror classic.

I first saw this in the early 90s on a vhs.

Revisited it recently.

Well, most will agree that this is a rip off of FT13 n The Burning but this one has some moments of lol.

The film is tedious, there is zero nudity inspite of a lousy sex scene in a hot tub.

The moustachioed guy's girlfriend acted terrible n her chase was more lengthier than the final girl.

Some hilarious description bah our killer : face wise he is more like the blind chap from Rituals (1977).

He runs like a kid but walks limping and the best part is the way he hides for his prey. (While waiting for the moustachioed guy's girlfriend).

Watch out for his sharp long nails by which he tears a female's cheek. By the way his dungaree n strength inspired Victor Crowley.

There is a character Richie who stalks the mad serial killer and he disappears from the screen at 28th min and later appears aft 60th min and within that screen disappearance time, many murders happen n he is still alive stalking the killer. He again disappears from the screen and again mayhem ensues n voila, he reappears just before the end credits.

The editing is horrendous as scenes keep cutting abruptly.