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IMDbPro

Canción triste de Hill Street

Título original: Hill Street Blues
  • Serie de TV
  • 1981–1987
  • 12
  • 1h
PUNTUACIÓN EN IMDb
8,2/10
11 mil
TU PUNTUACIÓN
POPULARIDAD
2120
689
Robert Clohessy, Michael Warren, and Bruce Weitz in Canción triste de Hill Street (1981)
Trailer 1
Reproducir trailer0:59
5 vídeos
99+ imágenes
Cop DramaPolice ProceduralCrimeDramaMystery

La vida y el trabajo del personal de una comisaría de policía del centro de la ciudad.La vida y el trabajo del personal de una comisaría de policía del centro de la ciudad.La vida y el trabajo del personal de una comisaría de policía del centro de la ciudad.

  • Creación
    • Steven Bochco
    • Michael Kozoll
  • Reparto principal
    • Daniel J. Travanti
    • Michael Warren
    • Bruce Weitz
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    8,2/10
    11 mil
    TU PUNTUACIÓN
    POPULARIDAD
    2120
    689
    • Creación
      • Steven Bochco
      • Michael Kozoll
    • Reparto principal
      • Daniel J. Travanti
      • Michael Warren
      • Bruce Weitz
    • 77Reseñas de usuarios
    • 17Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Ganó 26 premios Primetime Emmy
      • 60 premios y 109 nominaciones en total

    Episodios144

    Explorar episodios
    DestacadoMejor puntuado

    Vídeos5

    Hill Street Blues: The Complete Series
    Clip 0:49
    Hill Street Blues: The Complete Series
    Hill Street Blues: The Complete Series
    Clip 0:30
    Hill Street Blues: The Complete Series
    Hill Street Blues: The Complete Series
    Clip 0:30
    Hill Street Blues: The Complete Series
    Hill Street Blues
    Trailer 0:59
    Hill Street Blues
    Hill Street Blues: James B. Sikking
    Trailer 1:16
    Hill Street Blues: James B. Sikking
    Hill Street Blues: Bruce Weitz
    Trailer 1:26
    Hill Street Blues: Bruce Weitz

    Imágenes871

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    Reparto principal99+

    Editar
    Daniel J. Travanti
    Daniel J. Travanti
    • Capt. Frank Furillo
    • 1981–1987
    Michael Warren
    Michael Warren
    • Officer Bobby Hill
    • 1981–1987
    Bruce Weitz
    Bruce Weitz
    • Sgt. Mick Belker
    • 1981–1987
    James Sikking
    James Sikking
    • Lt. Howard Hunter…
    • 1981–1987
    Joe Spano
    Joe Spano
    • Lt. Henry Goldblume…
    • 1981–1987
    Taurean Blacque
    Taurean Blacque
    • Det. Neal Washington
    • 1981–1987
    Kiel Martin
    Kiel Martin
    • Detective J.D. LaRue…
    • 1981–1987
    Betty Thomas
    Betty Thomas
    • Officer Lucy Bates…
    • 1981–1987
    Charles Haid
    Charles Haid
    • Officer Andrew Renko…
    • 1981–1987
    Veronica Hamel
    Veronica Hamel
    • Joyce Davenport
    • 1981–1987
    René Enríquez
    René Enríquez
    • Lt. Ray Calletano…
    • 1981–1987
    Ed Marinaro
    Ed Marinaro
    • Officer Joe Coffey
    • 1981–1986
    Barbara Bosson
    Barbara Bosson
    • Fay Furillo
    • 1981–1986
    Robert Hirschfeld
    • Leo Schnitz…
    • 1981–1985
    Michael Conrad
    Michael Conrad
    • Sgt. Phil Esterhaus
    • 1981–1984
    Jon Cypher
    Jon Cypher
    • Chief Fletcher Daniels
    • 1981–1987
    George Wyner
    George Wyner
    • Irwin Bernstein…
    • 1982–1987
    Robert Prosky
    Robert Prosky
    • Sgt. Stan Jablonski
    • 1984–1987
    • Creación
      • Steven Bochco
      • Michael Kozoll
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios77

    8,211.3K
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    Reseñas destacadas

    Sargebri

    An Island in the Sea of Madness

    During an era of cop shows where the main characters were often portrayed as superheroes or as charicatures, this priceless classic was born. For the first time since the days of Jack Webb and Joseph Wambaugh, we finally had a show that showed police as real people with all the faults and failings that all people had. You had Furillo, who was a recovering alcoholic, Renko and Hill, who were dealing with their own fears, Hunter, the reactionary head of the S.W.A.T. team, Bates, who just wanted to prove that she was a good police officer as well as a woman, Belker, the maniacal undercover cop, and of course the fatherly Sgt. Phil Esterhaus, the father figure for the whole squad. This show definitely set the stage for shows like N.Y.P.D. Blue and the Law and Order franchise and will always be a classic.
    8bkoganbing

    Cop Soap Opera

    What Steven Bochco did in Hill Street Blues for the Eighties was later perfected in NYPD Blue for the Nineties. It was the concept of a police soap opera. The accent in Hill Street Blues was more on character development than on action, though there certainly was enough of that.

    You had about 10 to 12 regulars on the show, some didn't make it through the seven year run of the series and were replaced by others. A few of the regulars were killed off, one Michael Conrad as Sergeant Esterhaus actually did die during the run and had to be written out. But that was like life itself.

    We got to know the police and assorted folks at the Hill Street precinct, their problems and frustrations with their job and with every day life. Presiding over it all was Daniel J. Travanti as Captain Frank Furillo, a man with a broken marriage which he healed with Veronica Hamel and a drinking problem which he healed with Alcoholics Anonymous. He was a real human being, but a flawed one.

    All of them were flawed in some way which was what I liked about the show. Rene Enriquez as Lieutenant Cayateno was a Latino who may or may not have been advanced due to an unofficial affirmative action policy by the department. He knew it and was trying extra hard to prove he was up to the job for real.

    Kiel Martin was detective J.D. LaRue also with a drinking problem. It took him a couple of seasons to get into Alcoholics Anonymous and I still remember the episode at his first meeting when he saw Travanti there.

    Veronica Hamel was cool, professional, and drop dead gorgeous. She was a Legal Aid attorney by day and later the second Mrs. Furillo. You can see why Travanti was so attracted to her. First wife Barbara Bosson was the neurotic's neurotic. Maybe it was the pressure of being a cop's wife, but I suspect quite a bit more drove Furillo from here. Bosson later became a victim's advocate and as one who worked in that field, I can tell you that you have a few neurotics working there just like Faye Furillo.

    James Sikking was Lieutenant Howard Hunter who had a mask of confidence and unflappability to hide some insecurities. He was constantly sucking up and not above disparaging a few colleagues to push himself up in the department.

    Ed Marinaro was Officer Joe Coffey, an all American type former football player as he was in real life. There was a great episode where he busts his former high school coach for patronizing some street kids. Made him reevaluate a few things.

    We got to know all these guys inside and out, but my favorite on the show was Bruce Weitz as undercover Detective Mick Belker. That man looked like he lived in a sewer, but that's what made him so effective in dealing with lowlifes and making arrests. It was like Belker found his niche in life and I don't think he was interested in promotion or advancement. In many ways he was the most well adjusted character on the show.

    Cops really became three dimensional on this show more than any other up to that time. Bochco had no ending episode for Hill Street Blues, the last episode was like any other day at the Hill Street precinct. With the deaths of Michael Conrad, Rene Enriquez, and Kiel Martin, I'm sure that mitigated against any revival episode. But this is one series I wouldn't mind seeing a twenty year anniversary with some of the surviving regulars.

    I'll bet there are a lot of fans who'd like to know what the Hill Street precinct is like in the 21st century.
    sean.littletribefilms

    In the past. Where it shouldn't be.

    I remember coming home from swimming in the evening, waiting to see Hill Street Blues. My mum would hold my hand as I walked down the street, just as the lady did at the begining of HSB when the police car is driving in the snow the camera picks up on a lady and her child walking down the street, reminds me of me and my mum. The programme was ace, just too dam good. Television today has a lot to learn. One thing I will always remember about that show was the music, it was so sad, but lovely to hear. p.s I wonder where that boy and mother are now?
    niara

    More than just a ground-breaking show

    This TV series is a testament to Brandon Tartikoff, who was then head of Entertainment at NBC, who championed this show and stayed with it because he knew that this was a groundbreaking show.

    I remember watching the pilot for this show way back in high school. It was unlike anything I had ever seen on television. I remember the episode when the characters Renko and Bobby Hill were shot and lying in the hallway, and you had no idea if they were alive or dead. I remember gasping out loud. Stuff like that just wasn't on TV at the time.

    Ensemble casts, story lines that continued for weeks at a time, and truly compelling, realistic writing. Television was pretty much a wasteland back in 1981 -- and unfortunately, has gotten far, far worse -- and this show, which took a year to find a permanent spot on NBC's lineup and introduced the whole concept of the landmark Thursday night at 10 pm drama on NBC.

    Another testament to this show is that in one year every single Emmy nomination for the outstanding supporting actor in a drama series category was for a cast member from Hill Street Blues. That was, and still is, unprecedented stuff. I had the pleasure of taping the show as it came on late night on one of the local channels here in NYC several years ago. Brilliant, and still holds up well. What I would give for something similar to blanket the vapid horizon that is network television today.
    Me Grimlock

    Very Real and Authentic

    Hill Street Blues was an unconventional cop show for the '80s, and even today. Why? Because it was real. Well as real as you can get with a TV show, without taking some liberties ofcourse. Unlike Miami Vice, T.J. Hooker or Hunter, HSB had a lot of detail and accuracy.

    Sure Miami Vice was an entertaining show, but only for being stylish and hip for it's time. HSB didn't try to be cool, it tried to be accurate. Miami Vice and all the other cop shows and cop movies of the '80s, '90s and today are extremely fake in the way they present themselves, going more for a target demographic then bothering to portray how things operate in our world. In the real world, cops in America aren't wearing Armani suits and constantly trying to bust Columbian drug dealers and their shipment of cocaine while spitting out mile a minute obscure metaphors and similies that take us a few seconds to figure out. If you want to see the way REAL COPS in America speak, act and carry themselves through real crime cases, then watch HSB. You won't be dissapointed.

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    Argumento

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    • Curiosidades
      The theme music, written by Mike Post, became a hit song on its own and won a Grammy. Post said that when he was writing the theme, he first wanted the music to match the gritty visuals he was shown. He then decided to do the opposite, to create a theme that was beautiful and serene, that "took you away" from what you were seeing.
    • Pifias
      When the various characters speak into the radio microphone in their patrol cars, they seldom press the "transmit" switch, and Andy Renko is occasionally seen speaking into the back of the microphone.
    • Citas

      [repeated line]

      Sergeant Phil Esterhaus: [at end of roll call] All right, that's it, let's roll. And Hey!... let's be careful out there.

    • Créditos adicionales
      After the credits it shows the MTM kitten wearing a policeman's hat to match this show.
    • Conexiones
      Edited into Roll Call: Looking Back on Hill Street Blues (2006)

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    Preguntas frecuentes20

    • How many seasons does Hill Street Blues have?Con tecnología de Alexa
    • In which city did the show take place?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 15 de enero de 1981 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Hill Street Blues
    • Localizaciones del rodaje
      • Chicago, Illinois, Estados Unidos
    • Empresas productoras
      • MTM Enterprises
      • MTM Productions
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 4:3

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