Boggy Creek II La leyenda continúa...

In the untouched primordial swamplands of rural Arkansas lurks a giant creature, 8 feet tall and covered with hair. It's either Slash, Rob Zombie or Bigfoot. No one is sure, for those who have seen it are not believed or have not lived to tell the tale. That doesn't stop smarmy Professor Lockhart from taking a couple of his prize students and a whiny girl with a bad perm down into the swamps to look for the monster.

This movie reeks like an outhouse in high summer...and, in fact, features an outhouse scene that we could all do without. The hillbilly's look frighteningly like the real thing and are a lot scarier than the Boggy Creek Creature. Cindy Butler whines and screams her way through the entire film, making you wish that Boggy would rip her head off. Charles Pierce as Lockhart is so annoyingly smug and condescending you'll be wishing he'd run afoul of the Deliverance cast. Serene Hedin as Tanya must have been wondering what the hell happened, going from the beautiful film "Windwalker" to this dung heap. Poorly acted, badly lit and simply boring. Stick with the MST3K version of this film.

There's a thin line between movies and documentaries. Boggy Creek straddles that line and steps deep in outhouse fecal matter. Where do we start? Yes, incessant flashbacks which don't really add much to getting us anywhere in the story. Besides, these witnesses forget to add in: "Maybe it was the gallon of moonshine I was chugging...". Boggy looks like an outcast from Ape City . Oh, but I wish there was more Boggy cause we get unending scenes of Professor Know-it-All, his son, oops, I mean Tim the Topless assistant, and two gals who whine about lost cosmetics. Boggy Creek 2 gives you that first hand experience of stepping into the edge of a mucky swamp, feeling your leg sliding into mud while trying to pull yourself out to no avail and rodents, lemurs, and vicious canids chew on your flesh for an afternoon snack.

An extra star goes to Ol' Man Crenshaw. You know, 3 miles down, first cabin on the right? Crenshaw makes a quick cameo, but man, it's so needed. In overalls and everything, Crenshaw is the epitome of Boggy Creek as his pyromaniacal tendencies kick in anyone's "fight or flight" instincts. Either that or his emanating stench. So, watch this for laughs a la MST style and remember: it's coma-inducing!

Sponsored by the Arkansas Caps Inc.

A truly appalling attempt to cash in on the accidental success of "The Legend of Boggy Creek." Charles B. Pierce caught a lucky break and notoriety from the original but this movie just proves how lucky it was... Right bad movie at the right time.

The 'hero' of this movie is a creepy-as-hell, sexist pig of man with about as much charisma (and acting talent) as piece of wet toilet paper.

The girls are the typical 'pretty little dumb things' that look good in tight shorts and are expected to be sub-servient to our hero.

The plot, if that is what it is, is ridiculous... the scripting is puerile, the acting is at least on par with your typical D grade creature feature (bad but watchable).

Worth watching if you're into cult movie sequels and particularly worth watching if you love watching third rate unknown actors make fools of themselves...

Ha! The original Boggy Creek was one of those films you see as a kid that really feaks you out and you cant quite explain why. So when I saw this DVD in a bargain bin I knew i had to snap it up. This film freaks you out in a totally different way. It starts as what seems to be a vanity project for its star and director, an ageing monster hunter with a very sad outfit and red cap. But theres this weird charm about the whole thing that just keeps you watching. It has the quality of an old tourism film abou the american woodlands. And there are actually a few effective moments, most noteably the finding of the decapitated animal and the approach of the beast as seen by the motion sensor computer. Is this where Aliens got its ideas from? Who knows?

Theres a hilarious scene where the lead guy has to protect the others from a "MAD DOG!" which he shouts at the top of his voice. But what is cool in this is that he really messes it up and the young bloke their sorts it out. So the director doesnt totally see himself as the Dirty Harry of the woods.

Watching it in its original form you cant help but find it trashy and daft. But theres a glint in the eye that elevates it. Even small touches like the soft focus in the flashback sequences, and the animal being attacked in the water all have an imaginative flavour to them.

Would love to see the original again, but for now this film will do nicely. Its schock but I loved it!

My review was written in December 1985 after a Times Square screening.

Charles B. Pierce's "Boggy Creek II", made in 1983, finally arrived in New York with the misleading retitle "The Barbaric Beast of Boggy Creek Part II". Pic is actually a very mild and folksy piece of regional filmmaking in which it is clear that the filmmaker (who doubles as his own leading man) really likes the creatures. Though labeled number 2, pic is actually the third trip to Boggy Creek, since Pierce's 1972 hit "The Legend of Bobby Creek" was followed in 1977 by a film aimed at the kiddies (and made not by Pierce but by Tom Moore) called "Return to Boggy Creek".

Pierce stars as Bryan Lockhart, a University of Arkansas professor of anthropology who is pulled away from a football game (where the Razorbacks are beating Tulsa) to investigate reports that the Boggy Creek creature is on the loose again. He quickly rounds up an expedition peopled by student Tim (Chuck Pierce, the director's son) and two pretty girls (Cindy Butler, Serene Hedin).

Quartet travels south to Texarkana to interview folks who've sighted the beast. Camping out, they set up a computerized system of sensors to track the nearly 400-pound creature's movements. Pierce includes fuzzy-focus flashbacks illustrating previous tales of this creature's contacts with humanity. Pic doesn't really pick up steam until the final reel when Jimmy Clem appears in a fine acting turn as a hermit who has captured the creature's offspring which he is holding as bait to attract the parent. Prof. Lockhart lets both creatures go, intoning the film's message that they're part of nature living in harmony and ought to be left alone to roam free.

The creature looks like a man in a gorilla suit and film is painfully short on thrills. This type of filmmaking went out with the wilderness adventures, whose heyday was a decade ago.