Prisioneros del universo perdido

First, I can't imagine this can even be found anymore. I saw it one time, in the mid 80s when I was a kid, on T.V. I think it was orginally made for cable. Anyway, my expectations were zero, and instead I enjoyed a great "bad" movie, if you know what I mean. Fun way to spend an afternoon. Why do I even remember it? Because it is so obscure, it is one of those movies I use to test whether a film book (like Maltin) is really comprehensive. Glad to find it on imdb.com.

The production team behind this sword and sorcery movie come with a fair amount of baggage . Director Terry Marcel and producer Harry Robertson had previously made HAWK THE SLAYER a film so bad that it almost attracted a cult following , almost . Certainly HAWK is a memorable film but not in any good way and Marcel and Robertson continue in the same vein here

PRISONERS OF THE LOST UNIVERSE is another sword and sorcery film where modern day protagonists from the 20th Century , a TV presenter called Carrie and a truck driver called Dan find themselves transported to an alternative universe that sees different medieval tribes warring against one another with the upper hand being held by a tyrant called Kleel

If the above makes you fear you're going to be watching a nonsensical movie then you'd be right . That said it's also a movie that doesn't take itself entirely serious . I was somewhat surprised as to how involving some of the film is and didn't find myself continually wishing for it to finish despite never once thinking it was ever in danger of being a good movie . In some ways it also reminded me of the TV show THE 10TH KINGDOM that might have very well be inspired by this camp movie

I can accept that the main characters in this movie are lost and that they become prisoners, but whether this is a separate universe is barely pertinent. Same trees, same animals, same language. Just insert a Hyperborian culture and the necessary mystical villain and you have a reason for Richard Hatch to swing a sword.

Two big things lacking in the budget - props and a director of photography. The sword the hero swings looks like a scrap of chrome, cut to form. The shots throughout reminded me of a soap opera. Probably, these fight scenes are just like the fight scenes from every big-budget blockbuster, with the difference being, the scenes in this movie are from one angle, motionless, and not edited for any effect. Somewhere between properly-staged cinema and poorly-staged theater, you find movies like this, which in addition to lack of funding for any of the special stuff that movies rely on, has no pacing, no urgency, and mostly, no universe.

The action themes were nice, but the silly parts of the score like when bad guys are thrown from a cliff really missed the comedic mark. I mean, really, were those pennywhistles and kazoos?

This stereotypical, low-grade fantasy lacks both the budget and the directorial imagination to be really exciting. The only epic thing about it is the music score. The film is too cheesy for most adults, but it also has some unpleasant scenes that are unsuitable for kids - making you wonder what audience exactly they had in mind. What kept me watching it is Kay Lenz: she's both endearing and feisty, and she looks particularly sexy when she's angry. Her face has a great "bone structure" - she looks a bit like Kim Basinger (trivia note: they were born the same year, 1953), only more beautiful. And she can even keep a straight face through lines like "But....he's green!" (when the male lead suggests that they should follow a man). Take Lenz out of the movie and you don't have a movie - just a midget, a giant, an evil John Saxon, and other stereotypes. (*1/2)

This is by no stretch of the imagination a good movie. It is incredibly low-budget, and that leaves the OK(ish) acting badly exposed. That said, I thoroughly loved it!

To enjoy this movie you really have to be able to overlook the low budget. The "effects" are bad. Really bad. The alien dimension is an exact replica of Earth. The sets could come straight from a spaghetti western (perhaps they did). The "monsters" are people in mild fancy dress. The fight scenes are amateurish, and made more "exciting" by running the film faster. A three year old child could spot it without even trying. However, if you can accept the shortfalls for what they are – the result of an extremely low budget and an overreaching ambition – and allow yourself to ride with the tide, you will enjoy this film.

The saving graces come in the form of a fun script and Kay Lenz.

The script is not magnificently written, but the dialogue is fun and counterpoints many amusing incidents in the storyline. I won't highlight any incidents as I want this post to remain spoiler-free. However, if you relax into this movie and roll with it you will discover them for yourself when you find yourself laughing out loud – and you will perhaps be surprised that you are laughing with the movie, not at it.

Kay Lenz is also fun. If you like your heroines good looking and feminine but sparky, you will love her character. Having a female lead character in a film who looks like this, and is possessed of intelligence and verve, will always add a certain frisson for many male viewers.

I always find that one of the marks of a movie that has been particularly enjoyable is that at the ending I am surprised that so much time has passed whilst I was watching. This film met that criterion. It is refreshing to find this in a low-budget movie after sitting through some Hollywood blockbuster or other wondering how much longer it will be before the interminable film ends.

If you want to watch a fun bubblegum movie, and you are willing and able to overlook a budget so low that it hits you in the face thirty times per minute of running time, take a look at this film. You will have fun.