Añade un argumento en tu idiomaWagner's life from the 1848 revolution through exile and rescue by King Ludwig II, climaxing with his Bayreuth triumph. His radical ideas on music, nationalism, and anti-Semitism are explore... Leer todoWagner's life from the 1848 revolution through exile and rescue by King Ludwig II, climaxing with his Bayreuth triumph. His radical ideas on music, nationalism, and anti-Semitism are explored.Wagner's life from the 1848 revolution through exile and rescue by King Ludwig II, climaxing with his Bayreuth triumph. His radical ideas on music, nationalism, and anti-Semitism are explored.
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What can say about this epic apart from the word, 'Magnificent'. To see such great actors in one film is really quite extraordinary. This is the only time Gielgud, Richardson and Olivier ever acted together on film. To see this is sheer heaven in its brilliance. The world is a sadder places without these geniuses. In the lead is Richard Burton who is really a magnificent Wagner. The young actor who plays Ludwig II is also wonderful. Vanessa Redgrave as Cosima is really superb as is Joan Plowright and many, many other performers such as Barbara Leigh-Hunt, Gemma Craven and the beautiful Martha Keller. Sit back and let it all wash over you. The creation of period is absolutely sensational as is the sheer beauty of Germany and Switzerland and other places. This is truly a glittering gem and should be screened more often.
The only thing that would have made Richard Wagner's life complete is for his friend and patron King Ludwig of Bavaria to have become the Kaiser of a united Germany rather than that Hohenzollern bunch from Prussia. He'd have had it made if that was the case.
Wagner was a genius not only in the composition of music, but in the production end as well. He might well be regarded as the Cecil B. DeMille of grand opera, the themes he wrote about were epic in nature requiring productions that were also epic. Wagner was constantly in need of money to support his grand style of living that he felt a genius ought to indulge in, but also for his productions. He searched for years before lighting on the King of Bavaria who had grand ideas about high living and felt it an honor to be the grand patron of the foremost German composer of his time.
Richard Burton in this long mini-series has plenty of time and plenty of dialog to capture the character of Wagner in all its aspects. Good thing the man was a genius because no one else would have put up with his bad behavior. Friends were there to serve him, even giving up their wives for his occasional passion and in one case for his great love, second wife Cosima played by Vanessa Redgrave.
The three classical acting knights, Laurence Olivier, Ralph Richardson, and John Gielgud are all ministers to King Ludwig played by Hungarian actor Laszlo Galffi. They turn in fine performances of men driven to their wit's end serving a king who bungles into a war with Prussia that he loses and at the same time bankrupts his country both in creating grand palaces as his ancestors lived and in bankrolling the genius of Wagner.
Richard Wagner's ideas of German superiority of raving anti-Semitism and of the unshakable belief in his own genius for good or ill reflected a lot of the bad in German culture. He was the Nazi's favorite composer and knowledge of that puts many off from his work today. Still his music does transcend the man and the one thing the mini-series Wagner has in abundance is his music. That and the multi-layered performance of Richard Burton is enough reason to watch Wagner even though it does bog down occasionally.
Wagner was a genius not only in the composition of music, but in the production end as well. He might well be regarded as the Cecil B. DeMille of grand opera, the themes he wrote about were epic in nature requiring productions that were also epic. Wagner was constantly in need of money to support his grand style of living that he felt a genius ought to indulge in, but also for his productions. He searched for years before lighting on the King of Bavaria who had grand ideas about high living and felt it an honor to be the grand patron of the foremost German composer of his time.
Richard Burton in this long mini-series has plenty of time and plenty of dialog to capture the character of Wagner in all its aspects. Good thing the man was a genius because no one else would have put up with his bad behavior. Friends were there to serve him, even giving up their wives for his occasional passion and in one case for his great love, second wife Cosima played by Vanessa Redgrave.
The three classical acting knights, Laurence Olivier, Ralph Richardson, and John Gielgud are all ministers to King Ludwig played by Hungarian actor Laszlo Galffi. They turn in fine performances of men driven to their wit's end serving a king who bungles into a war with Prussia that he loses and at the same time bankrupts his country both in creating grand palaces as his ancestors lived and in bankrolling the genius of Wagner.
Richard Wagner's ideas of German superiority of raving anti-Semitism and of the unshakable belief in his own genius for good or ill reflected a lot of the bad in German culture. He was the Nazi's favorite composer and knowledge of that puts many off from his work today. Still his music does transcend the man and the one thing the mini-series Wagner has in abundance is his music. That and the multi-layered performance of Richard Burton is enough reason to watch Wagner even though it does bog down occasionally.
I just finished watching the Kultur 4 DVD set of this epic bio-pic, taken at a leisurely pace over five daily installments.
Tony Palmer directs a dream cast, headed by an inimitable Richard Burton as Richard Wagner.
Vittorio Storaro's sensitive cinematography on stunning European locations put this viewer immediately in that era. Too bad this transfer didn't get a digital remastering.
Sets & costumes are convincingly authentic.
Graham Bunn's exemplary editing spins an involving web of interest and keeps pace, seldom failing.
All in all, a compelling work of an expansive, complex musical genius.
Tony Palmer directs a dream cast, headed by an inimitable Richard Burton as Richard Wagner.
Vittorio Storaro's sensitive cinematography on stunning European locations put this viewer immediately in that era. Too bad this transfer didn't get a digital remastering.
Sets & costumes are convincingly authentic.
Graham Bunn's exemplary editing spins an involving web of interest and keeps pace, seldom failing.
All in all, a compelling work of an expansive, complex musical genius.
it is one of most precious memories from my childhood. a history music lesson. correct, precise, magnificent. because, after years, it is a proof of identification, in amazing measure, of an actor with his role. Richard Burton is Wagner and this fact makes all different. it is a precise hard work of a great team. accuracy, impressive acting and an unique actor swan song. so, in many moments, the story of German composer can be reflection of fights, searches, victories of his interpreter. and the atmosphere is that detail who makes the things in right place. it is example of bitter beauty of art. and source for discover traces of a special master of music. it is not a film for his admirers. only a open window to an universe out of death. far from definition. light, rain, cold air, drops of storm. all as bones of a memorable existence. and will of a Welsh silhouette.
I saw Wagner as I am a big classical music and opera fan and I love Richard Wagner's music, especially Wotan's Farewell from Die Walkure, Overture to Tannhauser and Prelude to Act 1 and Liebestod from Tristan and Isolde.
Wagner is just magnificent, and one of my favourite series or anything to do with composers. For one thing, I found the story presented well structured and interesting, although I knew a good deal about Wagner beforehand, there was stuff here that I didn't know and found it presented in an insightful way.
Wagner is also very authentic in its look and the atmosphere it creates. Watching it I actually felt I was there, and the period recreation, costumes, settings and photography are not only gorgeous but very vivid too.
The music is outstanding, and this is really a brilliantly written programme, thoughtful, brooding and also quite moving. The acting is across the board faultless with Richard Burton embodying the title role to magnificent effect and Vanessa Redgrave very effective. There are also great performances from Laurence Olivier, John Gielgud, Gemma Craven, Ronald Pickup, Ralph Richardson, Marthe Keller and Vernon Dobtchof.
And Andrew Cruishank's narration is the ideal icing on the cake. Overall, Wagner is simply magnificent. Massive? Yes. Worth watching? Absolutely yes. 10/10 Bethany Cox
Wagner is just magnificent, and one of my favourite series or anything to do with composers. For one thing, I found the story presented well structured and interesting, although I knew a good deal about Wagner beforehand, there was stuff here that I didn't know and found it presented in an insightful way.
Wagner is also very authentic in its look and the atmosphere it creates. Watching it I actually felt I was there, and the period recreation, costumes, settings and photography are not only gorgeous but very vivid too.
The music is outstanding, and this is really a brilliantly written programme, thoughtful, brooding and also quite moving. The acting is across the board faultless with Richard Burton embodying the title role to magnificent effect and Vanessa Redgrave very effective. There are also great performances from Laurence Olivier, John Gielgud, Gemma Craven, Ronald Pickup, Ralph Richardson, Marthe Keller and Vernon Dobtchof.
And Andrew Cruishank's narration is the ideal icing on the cake. Overall, Wagner is simply magnificent. Massive? Yes. Worth watching? Absolutely yes. 10/10 Bethany Cox
¿Sabías que...?
- CuriosidadesRichard Burton received poor reviews for the early scenes, since at fifty-six-years-old, he was clearly much too old to play Wagner as a young man.
- PifiasWhen Ludwig is wading into the water to drown himself, automobiles are seen driving on a highway on the far shore.
- Versiones alternativasA feature-length 466-minute director's cut was released on DVD in 2011. It is divided into three parts, each approximately 2 and 1/2 hours in length
- ConexionesFeatured in Great Performances: Richard Burton: In from the Cold (1988)
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By what name was Wagner (1983) officially released in India in English?
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