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Whenever I look at this film I laugh so hard that somtimes tears come to my eyes. Brooks manages to do with this film what Young Frankenstien did to classic horror films. The thing that really works is all the in jokes laced throughout the film. This shows that the cast and crew were really having fun in writing and producing this film. But the main credit should go to the late Cleavon Little. He was perfect as Bart. He took the role when many thought it should have gone to Richard Pryor (who was a co-writer on the film). However, I think Pryor might have been a little too over the top for the role. Little played it more low key and not as militant as Pryor might have.

Also, this film was rated R when it was first released back in 1974. Today it probably would get either a P.G. or, at most, a P.G.-13 rating.

In its side-splitting takedown of racism and all-purpose ignorance, 1974's "Blazing Saddles" is one of the boldest and most important satires ever made. As raunchy and as ludicrous as it is whip-smart, it can claim parentage of modern-day parodies from "South Park: Más grande, más largo y sin cortes (1999)" to "La fiesta de las salchichas (2016)" to music industry spoof "Stadium Anthems (2018)" in their uses of obscenity, intelligence, and song to expose inane social truths.

It's the Wild West. Hedley Lamarr (Harvey Korman) is a white business opportunist with moronic and hyper-sexed governor William J. LePetomane (Mel Brooks) in his back pocket. Lamarr wants to build a railroad through the outpost town of Rock Ridge. When he can't scare off the town folk, he incites chaos by saddling them with a black sheriff (Bart, played by the now-iconic Cleavon Little), who just days before was a railroad laborer sentenced to hanging. It turns out that the sly Bart is a rare sage in a frontier littered with dumb white people; he pairs with booze-soaked gunslinger Jim (Gene Wilder) to rally the town against Lamarr's thugs.

Wearing no seatbelt, "Blazing Saddles" rebukes the absurdity of racism with its own absurdist countermeasures. While its blueprint would never make it past present-day studio tastemakers, its defrocking of ignorance has never been better primed for mass consumption. This is a watershed comedy that presides atop any short list of film's greatest satires. - (Was this review of use to you? If so, let me know by clicking "Helpful." Cheers!)

Blazing Saddles is one of the funniest movies to not only to come from Mel Brooks, but from cinema itself. Film stars Cleavon Little as a regular black laborer, but then a villain (Heldey Lamarr is perfectly played by Harvey Korman) wants to move a community out of the town Rockridge. So, he brings Cleavon in to make the people leave (the people in town are racist including the line: "The sherrif is a nig! "What'd he say?" "He said the sherrif's a near). Funny story, funny jokes (the farting sequence is ahead of it's time for 1974) and 2 breakthroughs- Madedline Kahn in a Oscar nominated performance as Von Shtupp and shines through. The other is Richard Pryor, who co-writes the script with Brooks and Andrew Bergman. Hilarious, forever. A+

Quality. many people who love this film may feel that the negative comments from others are inoffensive as this is such a funny film, I will say this. They are entitled to their opinions ...even if they are wrong. This is one of the best comedies ever made.

Firstly it's not just Mel Brooks as scriptwriter which seems to make a big difference to the quality of the film he produces (Yung Frankestein is co-written by Gene Wilder) but then you have a cast in fine form, especially Harvey Corman as the fantastic Hedley Lamarr (Not Hedy, It's Hedley!) add to that a fantastic series of sight gags and word play, with a good dose of racism ridicule thrown in for good measure (...and they is so DUMB!)and it all makes for a brilliant mix of inspired film-making.

There are numerous scenes of note, but the scene of the townsfolk looking at their work and Bart chasing after the bad guy still makes my skin cold as they are genuinely moving moments.

best visual gag though has got to be the Wako Kid versus the goons at the railroad top drawer Much Love Mike

Mel Brooks found a way in 1974 to direct two of the greatest comedies of all time. And in that one year, he found a way to cram as many movie parodies, and not have any overlap, as any director can in Young Frankenstein and Blazing Saddles. What Young Frankenstein was to the 1930s horror movies Blazing Saddles was to the Westerns of the 1960s. And add in there the oppression of blacks during the same time, and you have a biting satire on the role of blacks in society, if not in 1974, at least the way it was in 1874. Cleavon Little (by the way, he's black) plays Bart, a slave laborer for Hedley Lamarr's (Harvey Korman in a GREAT performance as a scheming government employee) railroad who needs to cut through the town of Rock Ridge for completion. The townspeople won't sell their land, so Lamarr has the sheriff killed and replaced with Bart. He's not really welcomed into the town, but with help from Jim, the Waco Kid (Gene Wilder) he is able to earn's the town's trust. Standard plot, and a plot that does not really matter. The humor is so scatological, from so many periods of time, that we know it's a movie, and the characters in the movie know they are in a movie. Take Slim Pickens when he cries out "What in the wide world of sports is going on here?" And the final 10 minutes of the movie is just odd in any other movie, but somehow works in Blazing Saddles. So much humor is cut out of the TV versions, so don't waste your time with it. It has to be seen with the language and "sexually suggestive" scenes to be fully appreciated.