El molino negro

I just bought and watched the new blu ray of this,and greatly enjoyed it.

I have seen this film before but only on late at night on tv when I was half asleep and the commercials and the pan and scan ruined it for me.

When I concentrated on watching it on wide screen and with interruptions it seems a much better film than its weak reputation.

Perhaps viewers expected more action from the director of Dirty Harry.

The action in the film is fine but it is smarter than just an action film.

So if you are spy or Caine fan or just like good acting seek this film out.

The film has lots of good actors in small parts and the script is good.

But the viewer has to stay alert to enjoy the film.

Now somebody tell me why the same director's Telefon is not on blu ray.

I've read several comments that point out the clumbsiness of the action editing in "The Black Windmill." I think what is being overlooked is that what we have been seeing for the past thirty years on tv and video has been a pan-and-scan version of a Panavision film. The action was designed for a widescreen and we've only been seeing half of it, sloppily panned-and-scanned, making it seem jumbled. I believe that the widescreen dvd release will prove me right.

Admittedly, in terms of Siegel action-drama quality,this flick falls in the middle ground between the great "Dirty Harry" and the so-so "Telefon." But even the low-budget Telefon is much more exciting in its original wide aspect ratio than in "full" screen.

In 1965, Caine created the role of Harry Palmer in the Ipcress File. It was good enough to spawn two follow-ups: Funeral in Berlin and the Billion Dollar Brain. By 1974, the movie-going public was used to seeing him in the role of a secret agent. Here he gets in trouble, and although you know that by the end of the film he will emerge victorious, or will he? I'm not telling. But the excruciating fun is in trying to figure our what will happen next. Filmed in Europe, Black Windmill" is directed by Don Siegel. Clint Eastwood credits Don for his success as a director, and, of course, Siegel also directed some of Clint's best movies. The pacing is even throughout and builds to a suspenseful climax. Let it not be overlooked that Donald Pleasence in a supporting role is at his usual best. The human chameleon that adapts beautifully to whatever role is given him. John Vernon is especially menacing. To me, seeing old movies a second or third time is like visiting with old friends. Everybody has their own "Casablanca" and "Shawshank Redemption." If you haven't seen this one yet, please do. It will become one of your "old friends" which I'm sure you will visit again and again.

An interesting spy thriller starring Michael Caine.

The film is interesting and well depicts the atmosphere and look of those years. The cinematography is excellent and here we have an authentic look from that time. The music is great and fits in perfectly with the atmosphere of the film.

The characters are interesting, and the story slowly builds and the atmosphere becomes more tense as the film progresses. The details are subtle and realistic and enhance the impression of the film.

Michael Caine is excellent in the role of a cold-blooded spy who tries to save his son.

An interesting film with a tense atmosphere.

Every now and again you come across a film that's somewhat a letdown, even when those expectations are kept at bay. Don Siegel's mid-70s espionage-thriller 'The Black Windmill' that starred Michael Caine falls in that category. If anything it was that title (which the story is adapted off Clive Egleton's novel "Seven Days to a Killing") which caught my eye. Siegel's adapt, controlled workhorse direction tackles the subdued material with little suspense, but constructing something tight, sullen and dry with the main focus on building something out of its elaborately knotty (but dubious) premise. It's a true pot-boiler entangled with twists. While the material is stimulating (with some good work by the solid support performances and an occasionally witty line) and the sturdy set-pieces are competently crafted, however the pacing is too blotchy and in the end it builds to really nothing. It loses some weight due to the lack of suspense and urgency with a crackerjack climax that's just too quick. Michael Caine's composed performance is strongly delivered, and John Vernon makes for an ideally icy and conniving villain. Donald Pleasance is delightfully squirmy (which his character likes to really fiddle with that moustache) and Janet Suzman provides some fire. Delphine Seyrig and Clive Revill offer able support too. Roy Budd's sizzling, but low-key music score works well and Ousama Rawi lenses it with a great illustrative eye. Siegel's touch is evident in both of those devices. An unexceptional feature, but still its well organised and performed.