Veinticuatro horas al día

I was amazed recently when watching a television programme on a debate about good TV and The Sweeney was completely slated!! The content in those episodes is as fresh today as it were then and the violent feel throughout most instalments has some how become more menacing as time as moved on. You see this series is about real Brut swilling Coppers who new exactly how to wear their bell bottoms. This series was about as good as it gets and I would go as far to say that after this and The Proffesionals latter police style programmes look plain. Dated maybe but like a fine rolls Royce...never out of fashion for those who are lucky enough to see one.

After a hard day at work, I like nothing better than to pour myself a large Scotch, settle down on the sofa, switch on the DVD player and tell the bird to shut it as I watch those diamond geezers from the flying squad getting all tooled up for another blag. This series is without a doubt an absolute classic and if you remember the seventies - this was essential viewing. John Thaw's Regan and Dennis Waterman's Carter were no nonsense coppers who went up against a London full of well dodgy villains. Sawn-off shotguns, pick axe handles, car chases, fights, flared trousers and sideburns galore as our heros battle and bring to justice the various blaggers operating on their manor while at the same time drowning themselves in booze, smoking like chimneys and chatting up the birds. Gloriously politically incorrect this was a series which we will sadly never see the like again. In a word, magnificent!

The rough, tough and downright dirty world of New Scotland Yard's heavy mob - The Sweeney.

So-called because the Cockney rhyming slang for Flying Squad is The Sweeney (Sweeney Todd -- famous murderous London barber -- Flying Squad). The term "flying" because they came on the scene quickly after bank robberies or other "serious" crimes.

It doesn't get much better than this. It really doesn't. Around 1975 we didn't have video recorders so you made sure that you were sat down with your coffee for the ITV 9pm showing! The show's genus is in the acting and script -- as well as the real locations of South London. Tatty high rises, breakers yards (ideal for fighting!), smoky clubs/pubs and "the factory" the office that they worked from with its grey walls, round dial phones and worn out office equipment.

(This was actually modelled on the real Flying Squad office!)

Occasionally this would contrast with the middle class splendour of the super villain or mastermind who planned the central crime like a chess game.

John Thaw (as Jack Regan) was a genius of an actor, but always a tough guy at heart. Even when he put on a posh accent. In his younger days he was a bit of a bully and a tearaway, being a kind of "king of the teds" character. How he ever got in to acting is a long and unlikely story.

(I won't bore you with it.)

Dennis Waterman (as George Carter) was originally going to be only an occasional character and the whole show was going to focus on Regan - but the writers noticed that they made a team and the script was changed. The final line in the triangle was the (mostly) office bound Garfield Morgan (as Chief Insp. Frank Haskins) ) who was the voice of the reason that generally wanted "to go by the book."

(Regan never wanted to go by the book -- he "wanted results" any way he could get them!)

As the series progressed it got more adventurous and sometimes things went badly wrong. There was sometimes odd-ball comedy episodes. Unlike any other cop show before or since it was suggested that some of the criminals were behind bars for things they didn't do -- and the methods of Regan himself were bound to get him in to serious trouble (with the "brass") sooner rather than later.

Naturally The Sweeney did have its limits. Regan rarely was on the wrong track (even when evidence pointed another way - he always "had a hunch") and rarely did the cons lay down their weapons readily. Which I am sure they would in real life -- especially when the police had attack dogs and guns. It wasn't a show that was in full flight from a cheap thrill.

This show went all around Europe (I saw one episode in Spanish) but I doubt it would do well in America. Too sour and not enough happy endings.Happy memories which were not bountiful in the 1970's.

On promotional material for 70s US cop series Starsky and Hutch when it was remade, Paul Michael Glaser commented that that series worked because it was first about men, second about cops. The same applies for The Sweeney. Regan and Carter are not perfect, they are not saints, they are not superheroes. They do not solve every crime perfectly. That is why we can relate to them. We watch them and see men like ourselves.

The setting is firmly in the Seventies, with all its period detail. But as with Starsky and Hutch, we see the relationship between men engaged in battle. The dated backdrops fall away and we see the same spirit behind it - an appeal to heroism in an age when this is lacking.

The series is over 30 years old but talks to men today. Therein lies its continued appeal - and success.

"The Sweeney" is one of the best, if not THE best, British Television crime drama ever made.

The scripts, directors, producers and not forgetting the actors are all of the highest calibre especially Messrs. Thaw & Waterman with their great characterisations of Regan & Carter.

"The Sweeney" portrayed the real 'Flying Squad' as it apparently was in real life, and thus caused the controversy that it did in the mid-70's. The guys didn't always catch the villains either, so it never held that fantasy element like every other series of the time.

It was the seventies equipped with flared trousers, kipper ties, dodgy hairdos and moustaches along with Ford Cortinas and all. But, it is the most entertaining hour from the seventies produced in the most hard-hitting way.

There's A Pilot feature entitled "Regan", Four glorious TV series and 2 Award-Winning Feature Films - ENJOY!!!