Añade un argumento en tu idiomaThe tragic life of a self-destructive female rock star who struggles to deal with the constant pressures of her career and the demands of her ruthless business manager.The tragic life of a self-destructive female rock star who struggles to deal with the constant pressures of her career and the demands of her ruthless business manager.The tragic life of a self-destructive female rock star who struggles to deal with the constant pressures of her career and the demands of her ruthless business manager.
- Dirección
- Guión
- Reparto principal
- Nominado para 4 premios Óscar
- 5 premios y 12 nominaciones en total
- Female Impersonator
- (as Claude Sacha)
Reseñas destacadas
I love this film, the music and the voice and performance of Bette Midler. What a thrill it is to see an artist like Bette Midler perform to such an extreme and lofty level. What a dazzling radiant star that burned so brightly for so short a time and then was so suddenly and prematurely snuffed out. But when an artist gives so much of herself in every song she sings, it is no wonder that her life was slowly drained and eventually terminated by the fans who loved her.
I was working with The Canadian Film Institute in 1980, one year after the release of this film, and we put on a festival in Ottawa at the National Film Archives Theatre in July. We started out with "The Rose" at 8pm and then concluded with Crawley Films Academy Award winning Documentary film "Janis" at 11pm. It was just like a live Rock Concert. The crowd was in a frenzy. The only thing missing was Jimi Hendrix! Love this one. Real entertainment and excitement!
I should note that the director, Mark Rydell, does an overview commentary on the DVD version of this film and it is like taking a university level cinematic studies course. He makes interesting and relevant comments on every scene in the film and it is well worth listening to. Highly informative and fascinating!
While the storyline is memorable, and the acting superb, music outshines everything else. This is a movie from 1979, a time when rock and roll was still considered a lifestyle, and big rock bands were treated with absolute god-like adoration. Music mattered. It was a vital part of peoples' lives, and in THE ROSE it reaches the heights of excellence that normally exist only in memories that have improved with age. In this case, the music sounds as vibrant, exciting, and fresh today as when the movie debuted.
Bette belts out these songs with soul and fiery passion. The only other contemporary singer I can imagine doing a similarly credible job is Melissa Etheridge.
Sissy Spacek won the Best Actress Oscar for Coal Miner's Daughter (1980), but in retrospect I'm sure a lot of people regret not having awarded it to Bette Midler. This was not only an amazing, high caliber performance, but one that the passage of time has not diminished. This is a stunning movie. My dream is to rent a movie theatre for an evening, invite 30 friends, and relive this great experience.
Movie theatres used to be bigger, and were aptly called "movie palaces". THE ROSE deserves to be seen in such a grand venue. In the rich pantheon of movie history, THE ROSE is true royalty.
Note added October 9, 2007: It has been over a year, and I have no indication if anyone has ever read this review. If you read it, even if you give it a thumbs down, please answer whether the review was useful to you or not. I just am so curious if anyone will EVER read it. Right now, I'm listening to the soundtrack. This movie is timeless.
I would estimate that roughly a quarter of the film's runtime consists of Midler on-stage singing and performing in front of an audience of hundreds, and in one case thousands, of extras as part of a real-life concert. The technical logistics of putting together such a believable event is quite impressive, with multiple cameras, special effects, complex lighting, and in only one camera take.
The non-concert plot has Rose in various states of emotional highs and lows, mostly lows, as she laughs and cries, whines and moans, and argues and fights with those around her. This is a lady who is controlled by emotion, not reason or logic. She laughs one minute, cries the next, then laughs, then cries some more.
As such, the plot trends emotionally repetitive, though we as viewers sense that all this enormous gushing of raw feeling can't continue indefinitely. And thus with great effect, the film has a dramatic ending, one that combines character resolution with stunning visuals, followed by end credits set against the musical backdrop of Amanda McBroom's moving, hymn-like title song, "The Rose".
By far the best element of the film is Midler's electrifying performance. Yet, the concert footage and film editing are also impressive. The weak link is a plot that, though acceptable, seems anemic in comparison to Midler and the stunning visuals.
Inspired by the unnerving musical career of Janis Joplin, "The Rose" presents viewers with an emotionally moving story, character driven, that is set within an overall film production that is technically both competent and credible.
¿Sabías que...?
- CuriosidadesThe movie was originally titled "Pearl", which was a biographical movie based on Janis Joplin's life. The film's screenplay was revised and fictionalized after her family declined to allow the producers the rights to her story.
- PifiasWhen Rose's airplane lands for her St. Louis show, the airport is surrounded by mountains.
- Citas
Rose: Ain't it just grand layin' there late at night in your bed, waitin' for your man to show up? And when he finally does, at oh about 4 o'clock in the mornin', with whiskey on his breath, and the smell of another woman on his person... Oh honey, I can smell another woman at 500 paces. That's a easy one to catch.
[crowd gets really noisy]
Rose: Oh, the women are getting nasty. So what do you do when he comes home with the smell of another woman on him? Do you say, "Oh honey, let me open up my loving arms and my loving legs. Dive right in, baby, the water is fine"? Is that what you say, girls?
[the women in the crowd scream "No!"]
Rose: Or do you say, "Fuck this shit! I've had enough of you, you asshole! Pack your bags. I'm putting on my little waitress cap and my fancy high-heeled shoes, I'm gonna go find me a real man. A good man, a true man."
- Créditos adicionalesLyrics of "The Rose" are displayed at the end of the credit crawl, scrolling to the ending of the song.
- Versiones alternativasCBS edited 14 minutes from this film for its 1984 network premiere.
- ConexionesEdited into La historia de Linda McCartney (2000)
Selecciones populares
- How long is The Rose?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 8.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 29.174.648 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 793.063 US$
- 11 nov 1979
- Recaudación en todo el mundo
- 29.174.648 US$
- Duración2 horas 5 minutos
- Color
- Relación de aspecto
- 1.85 : 1