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Ukradená vzducholod

  • 1967
  • 1h 24min
PUNTUACIÓN EN IMDb
7,3/10
713
TU PUNTUACIÓN
Ukradená vzducholod (1967)
AdventureAnimationFamilyFantasy

Añade un argumento en tu idiomaFive young boys take off in a lighter-than-air machine from the Centenary Exposition in Prague.Five young boys take off in a lighter-than-air machine from the Centenary Exposition in Prague.Five young boys take off in a lighter-than-air machine from the Centenary Exposition in Prague.

  • Dirección
    • Karel Zeman
  • Guión
    • Radovan Krátky
    • Jules Verne
    • Karel Zeman
  • Reparto principal
    • Hanus Bor
    • Jan Cizek
    • Jan Malát
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,3/10
    713
    TU PUNTUACIÓN
    • Dirección
      • Karel Zeman
    • Guión
      • Radovan Krátky
      • Jules Verne
      • Karel Zeman
    • Reparto principal
      • Hanus Bor
      • Jan Cizek
      • Jan Malát
    • 5Reseñas de usuarios
    • 9Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes6

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    Reparto principal37

    Editar
    Hanus Bor
    Hanus Bor
    • Tomás Dufek
    • (as Jan Bor)
    Jan Cizek
    • Martin
    Jan Malát
    • Pavel
    Michal Pospísil
    • Jakoubek Kurka
    Josef Stráník
    • Petr
    Jitka Zelenohorská
    Jitka Zelenohorská
    • Katka
    Jana Sedlmajerová
    • Renata - Sekretárka
    Vera Macku
    • Martinova - Matka
    Eva Kubesová
    • Dufková
    Marie Brozová
    Marie Brozová
    • Jakoubkova babicka
    Stepánka Rehákova
    Stepánka Rehákova
    • Komorná
    Cestmír Randa
    Cestmír Randa
    • Prof. Findejs
    Miroslav Holub
    Miroslav Holub
    • Dufek
    Rudolf Deyl
    Rudolf Deyl
    • Mr. Tenfield
    Karel Effa
    Karel Effa
    • Gustav - Cerny
    Stanislav Simek
    • Ardan - Redaktor
    Václav Trégl
    Václav Trégl
    • Séfredaktor
    Jaroslav Mares
    Jaroslav Mares
    • Ardan - Redactor
    • Dirección
      • Karel Zeman
    • Guión
      • Radovan Krátky
      • Jules Verne
      • Karel Zeman
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios5

    7,3713
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    10

    Reseñas destacadas

    8IndustriousAngel

    Hits every note

    The Czech had a prolific movie industry in the 60s, profiting from beautiful shooting locations as well as a plethora of talent. Even among all this talent, Karel Zeman stands out. While he's not well known to the general public, his influence on filmmakers leaning towards the extravagant cannot be exaggerated - Tim Burton's, but especially Terry Gilliam's idiosyncrasies are derived from Zeman's quirky productions.

    "The Stolen Airship" is a nice boy's adventure yarn with satiric undertones, which shines by its flawless atmosphere and seamless mix of live action and animation. Zeman achieved this by hand-colouring the whole movie - as a result, the live-action sequences have a beautiful pictorial atmosphere which blends excellently with the painted backgrounds and animated sequences, often giving the impression of colour lithographs and coloured engravings. Which fits the general mood of the movie exceedingly well, there are few movies that capture the Jules Verne atmosphere like this one (compare it to the Verne illustrations from the 19th century: http://jv.gilead.org.il/rpaul/ ).

    Summary: While the story itself is just harmless (but entertaining and charming) fun, the aesthetics of this production make it a must-see for lovers of animation and/or Jules Verne. Not only highly recommended, this is in fact required viewing.
    10Neutron

    Technically and artistically flawless children's story

    This is an absolutely enchanting, instantly appealing story to anyone who remembers being young: a 5 kids steal an airship from a county fair and embark on various adventures. Karel Zeman captures the adventure of being young without getting sentimental or turning the story into a Dennis the Menace episode. Perhaps the most amazing aspect of this movie is the cinematography, designed to look like moving woodcut pictures from old children's books. It looks and "works" much better than you'd expect it to. The backgrounds are stylized mattes, the foregrounds are painted to look crosshatched, and stop motion paper cutouts are used to depict objects in a stylized yet consistent way. I cannot recommend this movie enough.
    RResende

    fly away

    There's something interesting about Czech animation of the 60'. There was talent, and an interesting will to explore, try new things. Plus, the Czechs were probably the most actively discontent people of the soviet satellite states. When this film came out, the Prague spring was about to happen, the country was boiling with tension and will to change.

    Creative minds usually boil at higher temperatures under such contexts. So, I assume that some metaphor of search of freedom might be made of this story. Flying away, escaping land, searching for places where one can try the unthinkable back home. Intellectuals not playing along the regimes on the other side of the curtain were having tough times. This would be a suitable metaphor, in the line of what Svankmajer was doing.

    Also, the choosing of Jules Verne, so loved by this director, is itself a comment on the kind of thing he was trying to pull off. The reason why we love Verne is the inventiveness of the science fictions he proposes. He didn't write sci-fi as Philip Dick, where the scientific otherworldliness is the framework for the exposure of a cleverly conceived deep exploration of things close to us, in our "real" world. Instead, with Vernes it's really about the world, in physical terms, the verisimilitude of the scientific proposal, to live in that world, as it is defined by the writer. He gives us the seduction of hipper-realism, the sensation that what we're reading might be possible (indeed much of it is right now being done), wrapped around the fascination of a fantasy parallel world. On top of everything, experimenting is what drives this kind of creators.

    The trouble with this film is that the codes are outdated. I don't connect to the visual presentation of this film. This world sounds flat and not fascinating today. There is visual sensitivity here, in how animation and real action are mixed, how the yellow tone is used to unite the whole bits. A lot of effort was put into it, and it may have worked in its day. But not now. It's a scream for freedom, and we feel it even today, As such, it's good. As a film, i really think that there are other adventures more worthy of being lived, other journeys for useful to be taken.

    My opinion: 1/5

    Cinanima 2011

    http://www.7eyes.wordpress.com
    9michal.kasparek-2

    Let yourself get amazed!

    I saw this movie for the first time when I was five or six years old - and it was a fantastic expirience. It made me to read the original book by Jules Verne - and I must say that it's less amazing and astounding than the film. I always loved the charming b&w scenes - you'll never know if the move is played by live actors or if it is all animated. Let yourself get amazed!

    Argumento

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    • Curiosidades
      Released in 1967, this was Karel Zeman's first feature film to be shot in widescreen.

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de abril de 1967 (Checoslovaquia)
    • Países de origen
      • Checoslovaquia
      • Italia
    • Idioma
      • Checo
    • Títulos en diferentes países
      • Похищенный дирижабль
    • Empresas productoras
      • Carlo Ponti Cinematografica
      • Filmové Studio Gottwaldov
      • Filmové studio Barrandov
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 24 minutos
    • Color
      • Black and White
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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