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From exploitation writer-producer Harry Alan Towers comes this curiously upmarket but essentially lowbrow comic adaptation of the Jules Verne adventure "From The Earth To The Moon" – already filmed straight under that title in 1958, and which I also own recorded off TCM U.K. For what it's worth, both versions managed to attract notable actors to the fold: in this case, it's Burl Ives (as real-life showman P.T. Barnum – apparently, the role had first been offered to Bing Crosby!), Gert Frobe (amusing as a German explosives expert), Dennis Price, Lionel Jeffries (as a flustered engineer – basically a variation on his role in the superior FIRST MEN IN THE MOON [1964]), Terry-Thomas (as a vindictive financier and Jeffries' shady partner), not forgetting Troy Donahue (unconvincing as an American scientist and made to don a silly astro-nautical outfit more attuned to dystopian allegories!), Daliah Lavi and Edward de Souza who supply the obligatory (and bland) romantic triangle.

Whilst readily conceding that it doesn't have much of a reputation to begin with, the film itself proved a bit of a let-down for me – especially since, unlike the earlier version, we never even get to go in outer-space!! Besides, the pace is inordinately slow for this type of film; director Sharp was clearly more adept at deploying atmosphere and suspense than at he was at comedy timing. That said, the first half is undeniably pleasant with the amusing trial-and-error experiments of the various people involved (often witnessed by a perpetually unperturbed Queen Victoria) and, later, Frobe's disastrous attempts to find the correct amount of Bulovite (his own invention) to fire the rocket (Donahue's design of which is favored over that of the more experienced, and consequently inflamed, Jeffries) all the way to the moon! Alas, the film's latter stages – involving Jeffries and Terry-Thomas' attempts to sabotage the launching, Lavi's determination (after being abducted by them and escaping) to reach Donahue and alert him of their nefarious plan, and which also needlessly throw in a number of other characters (including even more romantic complications!) – tend to fall flat; the finale, though, as the rocket actually does go off with Jeffries, Terry-Tomas and, unbeknownst to them, a Russian spy inside (and which rather than land on the moon as intended takes them all the way to Siberia!), is quite nicely done.

A measure of the film's overall failure can be gleaned from the fact that it was released in several quarters under a multitude of different titles, including THOSE FANTASTIC FLYING FOOLS in the U.S. where it was marketed as a would-be follow-up to the highly successful epic spoof THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES (1965) which had also starred Terry-Thomas and Gert Frobe. Unfortunately, my viewing of the film was somewhat compromised by the faulty copy I acquired, with the audio being ever so slightly off, while the picture froze – though not the soundtrack! – for about 10 seconds half-way through!!

In the 1960s there was a new phenomenon in movie comedies: the comedy that included every known comic in the business, usually in some mad plot. America gave us IT'S A MAD, MAD, MAD, MAD WORLD,THE RUSSIANS ARE COMING, THE RUSSIANS ARE COMING!,and THE GREAT RACE. Britain gave us THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES and MONTE CARLO OR BUST. Both of those films dealt with speed contests (the 1910 London to Paris air contest, and the first Monte Carlo rally). Both had several comic actors in them (Terry-Thomas, Gert Frobe, Tony Hancock, Dudley Moore and Peter Cooke, Tony Curtis, Alberto Sordi). Then, in 1967, came THOSE FANTASTIC, FEARLESS, FLYING FOOLS (also known as ROCKET TO THE MOON). Like the other two films from England, it was a period piece, set in the 1870s. But the story is basically a transposed version of Jules Verne's FROM THE EARTH TO THE MOON. The original novel was set in Florida (oddly enough near modern day Cape Kennedy)after the American Civil War. In ROCKET TO THE MOON P.T. Barnum plans to build a "Columbiad" cannon inside a mountain in Wales, and have the moon capsule piloted by General Tom Thumb. Instead it becomes a British national issue, and a committee is formed headed by Dennis Price (the Duke of Barset - another literary borrowing, only from Anthony Trollope). Unfortunately Terry-Thomas and his business partner Lionel Jeffries are also involved in the committee, and they both see a chance to make money on this. Jeffries is the original capsule builder, but Barnum points out that Jeffries design only enables the capsule to go to the moon period. "Hold it laddy," intones Jeffries, "I was told to design a capsule to get a traveller to the moon...nobody said a word about getting him back." Jeffries is replaced. Subsequently Price discovers that Terry-Thomas has been gambling away the committee's money, and he is fired. Facing financial ruin, both men decide to sabotage the project.

Gert Frobe, the inventor of the new explosive to use to send the vehicle to the moon, is a totally mad German scientist. His best moment in the film is a whimsical one. He has designed vocal semaphore devices that you speak through. This enables the two people who are communicating not to be heard and understood by anyone else, for the machines break down the words to syllables that are hard to understand. The other person, using the other semaphore (but winding it backwards)is supposed to reattach the syllables into an understandable set of words. Unfortunately, as Frobe discovers, the device does not quite work. "I can't understand a word he's saying.", a doubtful Frobe says.

Actually Burl Ives and Terry Thomas have choice moments too. Ives accidentally stumbles on the site where some of Frobe's explosive is being tested, and desperately tries to break the fuse with a rock and his cane. Terry Thomas has designed an early automobile that runs on "gas" - meaning "neon" from street-lamps. Jeffries says that the whole nature of the vehicle is immoral - it runs on stolen gas! "That's not the point!", says Terry-Thomas, "It's very economical!"

It is not a bad film, and can be a little enjoyable in its whimsy.

This is a very underrated film. In Halliwell's Film Guide it gets no stars at all, and when it was shown recently on TV, the reviewer in the listings magazine I buy each week made no secret of how little he liked it.

However, this 'comedy fantasy' has a huge amount going for it. Although it is rarely hilarious, it is often funny and it is usually fun. The cast is terrific. The costumes and cinematography are also excellent, and the period feel is surprisingly good: we really feel that we are in the late 19th century. This is impressive given that many films with bigger budgets than this are not as successful in recreating a period atmosphere.

Maybe the title misled people into thinking that it was going to be an exciting science-fiction adventure, and so their expectations were raised too high. However, with slightly lower expectations, it can be enjoyed rather a lot.

If you watch the dreadful FROM THE EARTH TO THE MOON with Joseph Cotten, George Sanders and some dreadful special effects, this little film looks so much better. On it's own, it has it's own set of virtues and faults. Too silly and trite for some of the jokes (the climactic chase the with always delightful Deliah Levi and the villains) is clumsy, some of the jokes stupid. And like so many American International films, it wants to be better than it actually is. MASTER OF THE WORLD comes to mind. The virtues is that the British films of this period emulating Victorian England were very beautifully done. THE WRONG BOX and THE ASSASSINATION BUREAU come to mind. The music is a highlight and it is almost impossible to find, at times, a happier little film than this one is in spots. The ending is a perfect ending to a tale long known by Jules Verne fans. Compared to THOSE MAGNIFICENT MEN and THE GREAT RACE, it comes of a poor second but still worth a viewing on Saturday or Sunday afternoon. Pleasant.

There is nothing wrong with 'Blast Off", if you are willing to travel back to Victorian England, and enjoy the era. The era of scientific wonder and adventure, is depicted quite nicely. What is not depicted quite nicely is any kind of cohesive story. Vascillating between science fiction, farce, and romance, gradually scrambles the story to the point of bewilderment. While things start off with master showman P.T. Barnum and his miniature sidekick Tom Thumb trying to stage one of their spectacular "events", the movie eventually deteriorates into slapstick. "Blast Off" does have a few moments of dark comedy intertwined with all the nonsense. "Don't they usually give medals after the return trip?" - MERK