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IMDbPro

Homicidio al límite de la ley

Título original: Un omicidio perfetto a termine di legge
  • 1971
  • 1h 30min
PUNTUACIÓN EN IMDb
5,2/10
156
TU PUNTUACIÓN
Philippe Leroy, Elga Andersen, and Rosanna Yanni in Homicidio al límite de la ley (1971)
CrimeMysteryThriller

Añade un argumento en tu idiomaA speed-boat racer suffers amnesia after an boating accident and goes to his isolated villa to recuperate. The relationship with his wife is troubled so he starts an affair (sort of) with an... Leer todoA speed-boat racer suffers amnesia after an boating accident and goes to his isolated villa to recuperate. The relationship with his wife is troubled so he starts an affair (sort of) with another woman which results in one of the three of them being shot.A speed-boat racer suffers amnesia after an boating accident and goes to his isolated villa to recuperate. The relationship with his wife is troubled so he starts an affair (sort of) with another woman which results in one of the three of them being shot.

  • Dirección
    • Tonino Ricci
  • Guión
    • Aldo Crudo
    • José María Forqué
    • Arpad DeRiso
  • Reparto principal
    • Philippe Leroy
    • Elga Andersen
    • Ivan Rassimov
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,2/10
    156
    TU PUNTUACIÓN
    • Dirección
      • Tonino Ricci
    • Guión
      • Aldo Crudo
      • José María Forqué
      • Arpad DeRiso
    • Reparto principal
      • Philippe Leroy
      • Elga Andersen
      • Ivan Rassimov
    • 10Reseñas de usuarios
    • 7Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes3

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    Reparto principal17

    Editar
    Philippe Leroy
    Philippe Leroy
    • Marco Breda
    Elga Andersen
    Elga Andersen
    • Monica Breda
    Ivan Rassimov
    • Lawyer Burt
    Rosanna Yanni
    Rosanna Yanni
    • Terry Povani
    Franco Ressel
    Franco Ressel
    • Tommy Brown
    Rina Franchetti
    Rina Franchetti
    • Anna the Breda's Maid
    Julio Peña
    Julio Peña
    • Inspector Baldini
    Franco Fantasia
    • Professor Mauri
    Giorgio Cerioni
    • The chauffeur
    Liana Del Balzo
    Liana Del Balzo
    • Mrs. Foschi
    Mario Morales
    Mario Morales
    • Breda's Gardener
    Carla Mancini
    Carla Mancini
    • Lawyer's Secretary
    Franco Balducci
    • Sante Foschi
    Ferdinando Poggi
    • Santini
    • (as Nando Poggi)
    Franco Marletta
    Franco Marletta
    • Gas station attendant
    Mario Della Vigna
    Vincenzo Balestrieri
    • Self - World Champion of Off-Shore
    • Dirección
      • Tonino Ricci
    • Guión
      • Aldo Crudo
      • José María Forqué
      • Arpad DeRiso
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios10

    5,2156
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    Reseñas destacadas

    7christopher-underwood

    glorious last half hour

    When I learned that this giallo featured a speed boat racer, I was less than enthusiastic and when the film opens with a prolonged speed boat race, my mind is already wandering. The music and strange sounds that make up the soundtrack are very good, the crazy architectural weirdness that is the villa where most of the subsequent action takes place, is great and once Elga Andersen and Rosanna Yanni appear things are starting to look up. The ever reliable Ivan Rassimov also helps and yet having got over the rather slow start the film begins to throw up confusion. Maybe it was the dark print and misleading English dub but I certainly became confused and when later we begin to realise what we are supposed to believe it is no wonder! But almost as I began to despair, the picture improves, clothes become loosened, murder is to the fore and things generally brighten up for a glorious last half hour or so.
    7Bezenby

    Another sea-based Tonino Ricci film

    I never thought I'd get to see this one! Tonino Ricci injects the genre with a welcome dose of daftness, nonsensical events, and a general half- arsed approach to storytelling that he would also bring to the Rambo-rip off genre (with Days of Hell), the horror genre (Panic – the one with the mutant guinea pig) and worst of all, The Close Encounters of the Third Kind rip-off Encounters in the Deep.

    This time we have Phillipe Leroy as a super-rich power boat pilot who crashes during a race (one that drags on forever as this is a Tonino Ricci film), gets some brian surgery, then comes home having forgotten just about everything about anything. Except that tree outside…that tree…there's something about that tree…the tree…something…something about the tree…that tree, plus his wife, business partner (Ivan Rassimov), potential possible mistress, and the combover guy from Sabata! Don't forget the tree as Phillipe spends an awful lot of time staring at it, and Tonino spends an awful lot of time showing us the tree from various angles.

    So apart from all the times where Phillipe is staring at the tree (that tree….something about it…) or scaring the crap out of people with his remote controlled hi-fi system, he's also got to contend with the strange phone calls from ex-employees who then show up dead instead of meeting him as planned. But who is the black-gloved killer going around killing folks and how is Phillipe supposed to recover from his surgery while all the killing is going on?

    Tonino throws in a bit of everything to keep you going – a punch up, a car chase, some gore (cheap and fleeting), an arse, and a disco scene (dancing to "Yellow River" by Christie!) – these were the days where the lady would do the dancing in a mini-skirt while the man sat smoking and drinking whiskey, until the slow song came on and the guy could get up close and rub a semi on.

    As you can imagine, not everyone is as friendly as they seem and things start twisting all over the place in the last half hour, including a slow motion gun-slaying which was rather good, and an ending that had me scratching my head as I was presented with a harsh "FINE" all of a sudden. Good stuff.
    7Rose_Noire

    What you may think lost shall still come back.

    Good giallo in the old psychological way, set in the motorboat race circle. Marco (Philippe Leroy, Senza via d'uscita) is an offshore champion trained by Vincenzo Balestrieri (himself). During a race, his boat has a tough accident and he is hospitalized in the clinic of professor Mauri (Franco Fantasia, Sette Orchidee macchiate di rosso). He recovers but his memory remains weakened. He is welcomed home in his Roman villa by his wife Monica (Elga Endersen, Piu tardi Claire), his lawyer Burt (Ivan Rassimov, Lo Strano Vizio della signora Wardh), and his friend Tommy (Franco Ressel, Un Posto ideale per uccidere) with his girlfriend Terry (Rossana Yanni, The Eye of the Hurricane), who all want to help him to retake a normal life.

    But unfortunately corpses start to pile up around Marco, starting with the murder of his former gardener Sante (Franco Balducci, Una Lucertola con la pelle di donna), for the desperation of the police inspector Baldini (Julio Peña, Tre Notti violente). All the characters seem to hide their game and to follow a personal plot around Marco and his valuable family plant. Who would be the more clever of all to build the "perfect homicide within the law limits", helped by the providential crosscurrent flowing near on the sea coast, useful to get rid of inconvenient bodies? The spectator shall get through a little bit too slow rhythm, with the quite overwhelming soundtrack of the English version (fortunately fair in the Spanish one), to, after the regular sequences with cemetery, nightclub, car pursuit, bathroom and spiral staircase, enjoy a very beautiful final full of twists. (Viewed in English 1h28 version.)
    6The_Void

    Nothing special, but just about worthwhile Giallo

    Cross Current features all the things that usually make Giallo's successful, but somehow it just doesn't gel together well and in spite of the gory murders and twisted plot, the film always feels like it isn't really going anywhere and that unfortunately harms it. Tonino Ricci directs with flair and style and this is a definite asset to the film. Cross Current has a lovely foreboding atmosphere and the way that the director keeps the focus on the lead characters helps to build claustrophobia and this helps to make sure that the film always remains interesting. The plot focuses on Marco, a boat racer who has an accident. He wakes up in hospital and finds out that he has to have brain surgery. After the operation, he begins recovering at home and is cared for by his wife Monica, his friend Tommy and a woman named Terry. Shortly into his recovery, people around his home start to get murdered; beginning with the gardener who had previously requested a private meeting with Marco. More murders follow and the police get involved...

    It's a shame that this film wasn't better as some of the murders rival the best of the genre. The intestine spilling scene is excellent, while a slow motion sequence in which a woman is shot oozes coolness. But unfortunately it just doesn't gel together well and feels obvious that the director was trying to make a film that emulates the successful Giallo's of the time. The acting isn't bad, with experienced Italian film actor Philippe Leroy taking the lead role and doing well with it. Rosanna Yanni and Elga Andersen look nice as the female leads, while the always excellent Ivan Rassimov rounds off the central cast. The house in which most of the film is set dominates the atmosphere of the film and proves a good location for a film like this to be set in. It all builds down to a nice twisted ending which just about makes the rest of the film worthwhile. The final ten minutes are really well put together, and this may have been a classic if the rest of the film were as good. Overall, I can't really say that this is essential but, if you can find it, it's just about worth seeing.
    lazarillo

    Not the best of its kind, but I'd still recommend it

    A speed-boat racer suffers amnesia after an (apparent) boating accident and goes to his isolated villa to recuperate. His relationship with his wife (Elga Andersen) is troubled, so he starts an affair (sort of) with the another woman (Roseanne Yanni), which results in one of the three of them being shot (in a catfight gone horribly wrong). But there are several more twists--and more murders--to come.

    The Italian giallo is generally believed to have originated entirely with the work of Mario Bava and Dario Argento. But there was another parallel strain of the genre, which was a little more subtle and mannered (especially compared to the often bloody, over-the-top Argento films), that was clearly inspired by the seminal French thriller "Diabolique". These gialli, which include pre-Argento films like "Death Laid an Egg" and "The Sweet Body of Deborah" and director Umberto Lenzi's influential trilogy ("Orgasmo", "So Sweet, So Perverse", and "A Quiet Place to Kill"), all involve decadent members of the European "la dolce vita" jet-set crossing and double-crossing each other in ridiculously complicated sex and murder plots. This film is in that vein (even having a "Diabolique"-type twist where a character previously thought to be dead comes back to life).

    The giallo genre of that time was blessed with many talented directors, including most notably Bava, Argento, Lenzi, Lucio Fulci, Sergio Martino, and Massimo Dallamano. The director of this is clearly not in that exalted company, but his work is certainly adequate. The ambiance of the isolated villa with one eerie, gnarled tree that seems to provoke hallucinations in the mind of the protagonist is very effective. And a scene at a modern disco where Rosanne Yanni shimmies to groovy music in a ridiculously short mini-skirt ensemble is definitely memorable. Some of your more horny and/or bloodthirsty giallo fans may be a little disappointed. The murders are not particularly effective and are hard to make out (at least in the dark, muddy print I saw). Andersen (or her body double) has nude scenes, but Yanni, while she nevers wears a lot of clothes, never takes them off either. Still, the plot is pretty entertaining, and the great Ivan Rassimov appears in an important supporting role. Not one of the best gialli, but still recommended.

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    • Curiosidades
      Italian censorship visa # 58775 delivered on 21-8-1971.

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    Detalles

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    • Fecha de lanzamiento
      • 21 de agosto de 1971 (Italia)
    • Países de origen
      • Italia
      • España
    • Idioma
      • Italiano
    • Títulos en diferentes países
      • Cross Current
    • Localizaciones del rodaje
      • Centro Cinematografico Dear, Italia(Studio)
    • Empresas productoras
      • Eurovision Cinematografica
      • Producciones Cinematográficas Orfeo
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

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    • Duración
      1 hora 30 minutos
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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