Nothing Special   »   [go: up one dir, main page]

    Calendario de lanzamientosLas 250 mejores películasPelículas más popularesExplorar películas por géneroTaquilla superiorHorarios y ticketsNoticias sobre películasNoticias destacadas sobre películas de la India
    Qué hay en la TV y en streamingLas 250 mejores seriesProgramas de televisión más popularesExplorar series por géneroNoticias de TV
    ¿Qué verÚltimos tráileresOriginales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPremios STARmeterCentral de premiosCentral de festivalesTodos los eventos
    Personas nacidas hoyCelebridades más popularesNoticias de famosos
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de seguimiento
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar la aplicación
  • Reparto y equipo
  • Reseñas de usuarios
  • Curiosidades
  • Preguntas frecuentes
IMDbPro

Tinieblas

Título original: The Man Who Haunted Himself
  • 1970
  • 18
  • 1h 34min
PUNTUACIÓN EN IMDb
6,4/10
3,1 mil
TU PUNTUACIÓN
Roger Moore and Olga Georges-Picot in Tinieblas (1970)
Trailer for The Man Who Haunted Himself
Reproducir trailer3:11
1 vídeo
98 imágenes
DramaMysteryThriller

Harold Pelham encuentra a un doble de si mismo tras un accidente de coche.Harold Pelham encuentra a un doble de si mismo tras un accidente de coche.Harold Pelham encuentra a un doble de si mismo tras un accidente de coche.

  • Dirección
    • Basil Dearden
  • Guión
    • Anthony Armstrong
    • Basil Dearden
    • Michael Relph
  • Reparto principal
    • Roger Moore
    • Hildegard Neil
    • Alastair Mackenzie
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,4/10
    3,1 mil
    TU PUNTUACIÓN
    • Dirección
      • Basil Dearden
    • Guión
      • Anthony Armstrong
      • Basil Dearden
      • Michael Relph
    • Reparto principal
      • Roger Moore
      • Hildegard Neil
      • Alastair Mackenzie
    • 55Reseñas de usuarios
    • 44Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    The Man Who Haunted Himself
    Trailer 3:11
    The Man Who Haunted Himself

    Imágenes97

    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 93
    Ver cartel

    Reparto principal36

    Editar
    Roger Moore
    Roger Moore
    • Pelham
    Hildegard Neil
    • Eve
    Alastair Mackenzie
    • Michael
    Hugh Mackenzie
    • James
    Kevork Malikyan
    Kevork Malikyan
    • Luigi
    Thorley Walters
    Thorley Walters
    • Bellamy
    Anton Rodgers
    Anton Rodgers
    • Alexander
    Olga Georges-Picot
    Olga Georges-Picot
    • Julie
    Freddie Jones
    Freddie Jones
    • Psychiatrist
    John Welsh
    John Welsh
    • Sir Charles Freeman
    Edward Chapman
    Edward Chapman
    • Barton
    Laurence Hardy
    Laurence Hardy
    • Mason
    Charles Lloyd Pack
    • Jameson
    Gerald Sim
    Gerald Sim
    • Morrison
    Ruth Trouncer
    • Miss Bland, Pelham's Secretary
    Aubrey Richards
    • Research Scientist
    Anthony Nicholls
    Anthony Nicholls
    • Sir Arthur Richardson
    John Carson
    John Carson
    • Ashton
    • Dirección
      • Basil Dearden
    • Guión
      • Anthony Armstrong
      • Basil Dearden
      • Michael Relph
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios55

    6,43K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Reseñas destacadas

    8hitchcockthelegend

    The Pelham Paranoia.

    With its 1970s chic cheese and swagger and Roger Moore's excellent performance, The Man Who Haunted Himself has a considerable cult fan base. Directed by British legend Basil Dearden, plot finds Moore as Harold Pelham, who after being involved in a serious car accident, comes around from the trauma to find that his life is being turned upside down. It seems that somebody is impersonating him, people he knows swear he was in places he hasn't been, that he has been making decisions at work that he knows nothing about, and that he has a sexy mistress that threatens to destroy his marriage. Is he going mad? A victim of a collective practical joke? Or is there really something more sinister going on?

    Don't be a slave to convention!

    So yeah! A cult gem waiting to be rediscovered is The Man Who Haunted Himself, it has a plot that positively bristles with intrigue. As the doppleganger motif is tightly wound by Dearden, who smartly sticks to understated scene constructions as opposed to supernatural excess, there's a realistic and human feel to the story. The makers are not going for jolt shocks, but taking a considered approach that has the pertinent mystery elements lurking in the background, waiting for their chance to reveal themselves for the utterly thrilling finale. A finale that is bold and special, obvious but not, and definitely tinged with cunning ambiguity.

    With Moore drawing on talent from his acting pool that many thought he didn't have (two different characterisations smartly realised here), and Dearden pulling the technical strings (love those off-kilter angles and multi mirrored images), this is a film that has surprises in store all across the board. 8/10
    8uds3

    What WOULD you do if it happened to you?

    if ever a cumulative rating for a movie was insane it is THIS one! 5.3? yeah right. It's a 7 - end of story!

    Long before Moore's incarnation as 007, this is arguably near the top of Moore's filmography. After Harold Pelham has a near-death experience following an auto accident, he makes what appears to be a stoic recovery. It is only with the passage of time that he begins to notice subtle occurrences that don't seem to dovetail with his own personality. Either he is losing his mind or there is something remarkably rotten in the state of Denmark. Friends and business acqaintances swear they have interacted with him, moments BEFORE he arrives at work...his wife notices a radical change in him and ultimately the inescapable truth presents itself - he has a doppelganger!

    Call it far-fetched..its about the only weak point in the flick. Moore is just brilliant as he unravels in the face of his doppelganger's one-upmanship. The final scenes where he confronts his "twin" are riveting and should silence the tidal wave of critics who insist Moore could never act!

    A few years ago it was rumored that the film was to be re-made in New Zealand (Peter Jackson?) as DOPPELGANGER, with no less a personage than Travolta in the lead, and he would certainly do the role justice. Since then, heard nothing.

    This flick is well worth your effort finding somewhere, even on video.
    7gridoon

    Haunting.

    A fascinating story - a man haunted by his doppelganger - and Roger Moore's excellent performance(s) make this film worth seeing, even though it overelaborates its point somewhat (the situation becomes clear to us long before Moore figures it out). Still, what we have here is an example of how a good movie can be produced on a relatively low budget, as long as it has a strong script and dependable actors. (***)
    8kieran-wright

    A genuinely creepy thriller

    Some twenty or so years have passed since I originally saw this film, which, at the time I found to be very though-provoking, so it was with a mixture of interest and skepticism that I ordered it from Lovefilm. Happily, I was not disappointed. This is, without doubt, Moore's finest acting role and he delights with his use of facial expression; to me it shows that there is a lot more to his acting skills than the rather one-dimensional parts he spent most of his career playing e.g. The Saint, Brett Sinclair and Bond. Of course, this is dated, as it was filmed in 1970, however most people - myself included - have a fond affection for this period. Good support from some stalwart actors, including Anton Rogers and Hildegard Neil make this a satisfying experience. In my opinion, this story would merit a re-make by a director such as Christopher Nolan.

    NB One of the spookiest things about this film is that the director - Basil Dearden - was tragically killed in a car accident shortly after it was completed, in the exact stretch of road used in the film. This only serves to add to the mystery of this film but may put any superstitious directors off attempting a re-make. My recommendation is to watch this late at night with the lights off... Enjoy!
    bob the moo

    Carried by Moore's good performance(s)

    Harold Pelham is a steady executive type who drives carefully, wears the same tie everyday and is a thoroughly dependable sort of chap. One day he is driving home when he has a car crash, he is rushed to hospital where his heart stops and he is saved by a medical team. Back at work after recovering he begins to suffer from memory losses – people tell him he played snooker last night but he can't remember etc. He begins to suspect that someone is impersonating him and is starting to live his life – but that's crazy, isn't it?

    Moore of the period will always be remembered for being Bond more than any other role he played. The downside of this is that he is seen as the weaker Bond the one who become more about innuendo and jokes than anything else. This film though, shows that Moore is a great actor – one who is capable of lifting a film and making it better than it was on paper. The plot here could easily have spun wildly out of control and indeed, at times, it comes very close to being unintentionally funny. However the film keeps it's air of mystery well – even when we are sure that there is a doppelganger on the loose the film still won't let us see more than his back or his hand etc. By doing this it actually makes the scene where the two meet to be quite effective. Of course it's all nonsense but it's well played nonsense.

    The main reason it works is Moore's increasingly unhinged performance – as the final hour goes by you can actually see him come apart like he was an old woollen sweater! It is difficult not to buy into the film because he is so convincing. His alter ego is also pretty good but it is the descent into desperation that he undergoes that makes this watchable. As a result I didn't really notice the input of the support cast – they were all quite solid but it was easily Moore's film. However, being a man, I did get distracted by Georges-Picot – waltzing around in sexy underwear in several scenes and I also thought Jones' psychiatrist looked like Dr Strangelove!

    Overall this deserves to have a cult following if it doesn't already, The visual effects are poor and the plot is absurd. Were it not for the brilliant Moore then this film would have been better played for laughs. Happily he carries it and holds the audience in his hand. The only weak point was the ending which, although clever, was a bit of an anticlimax – in fact the final 10 minutes didn't quite match the suspense that had been created in the build up.

    Más del estilo

    Los ejecutores
    5,3
    Los ejecutores
    De repente, la oscuridad
    6,6
    De repente, la oscuridad
    El enterrador nocturno
    6,3
    El enterrador nocturno
    Orden de ejecución
    7,1
    Orden de ejecución
    Complot
    5,4
    Complot
    Evasión en Atenea
    5,7
    Evasión en Atenea
    Ya soy una mujer
    6,9
    Ya soy una mujer
    Rescate en el mar del Norte
    6,3
    Rescate en el mar del Norte
    A Blueprint for Murder
    6,7
    A Blueprint for Murder
    La noche sin fin
    6,0
    La noche sin fin
    The Night My Number Came Up
    7,0
    The Night My Number Came Up
    Los pasos del destino
    6,8
    Los pasos del destino

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Sir Roger Moore said that this role was his favorite, and the best ever of his screen performances.
    • Pifias
      As Pelham drives at high speed along the M4 motorway, he passes the same light blue Sunbeam Alpine and a red car at least four times.
    • Citas

      Harold Pelham: Espionage isn't all James Bond on Her Majesty's Secret Service. Industry goes in for it too, you know.

    • Créditos adicionales
      "(By permission of The Royal Shakespeare Co.)" underneath Hildegard Neil's name in the end credits.
    • Conexiones
      Featured in Friday Night Thriller: The Man Who Haunted Himself (1978)

    Selecciones populares

    Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
    Iniciar sesión

    Preguntas frecuentes14

    • How long is The Man Who Haunted Himself?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 2 de febrero de 1972 (España)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • El hombre que se apareció a sí mismo
    • Localizaciones del rodaje
      • Fairholt, Hadley Green Road, Barnet, Hertfordshire, Inglaterra, Reino Unido(Pelham's house)
    • Empresas productoras
      • EMI Films
      • Associated British Productions (ABP)
      • Excalibur Films
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 400.000 GBP (estimación)
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 34 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

    Contribuir a esta página

    Sugerir un cambio o añadir el contenido que falta
    Roger Moore and Olga Georges-Picot in Tinieblas (1970)
    Principal laguna de datos
    What is the French language plot outline for Tinieblas (1970)?
    Responde
    • Más datos por cubrir
    • Más información acerca de cómo contribuir
    Editar página

    Más por descubrir

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación IMDb
    Inicia sesión para tener más accesoInicia sesión para tener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación IMDb
    Para Android e iOS
    Obtener la aplicación IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Anuncios
    • Empleos
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una empresa de Amazon

    © 1990-2025 by IMDb.com, Inc.