Mondo Trasho

1969
Not Rated
1h 35min

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Añade un argumento en tu idiomaA fateful collision intertwines two women's lives, unleashing a series of surreal and unsettling events. Their paths cross amid bizarre encounters, religious visions, and peculiar medical pr... Leer todoA fateful collision intertwines two women's lives, unleashing a series of surreal and unsettling events. Their paths cross amid bizarre encounters, religious visions, and peculiar medical procedures, forever altering their realities.A fateful collision intertwines two women's lives, unleashing a series of surreal and unsettling events. Their paths cross amid bizarre encounters, religious visions, and peculiar medical procedures, forever altering their realities.

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5,9/10

1,6 mil

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Curiosidades
While filming a scene featuring a naked hitchhiker, John Waters was on the campus of Johns Hopkins University without permission. When someone was offended, campus police were notified and Waters and his crew lammed it. They eluded the police for a while but were caught when they went to pick up the car and were charged with "conspiracy to commit indecent exposure."

Citas
Divine: Oh Mary! Oh Holy Trinity! Oh God! It isn't easy being Divine!

Créditos adicionales
And introducing John Leisenring as 'the shrimper'

Versiones alternativas
Was released once in the UK - in 1983, before the video recordings act, paired with 'Sex Madness' (1938). This release by Palace Video was uncut.

Conexiones
Featured in Divine Trash (1998)

Banda sonora
Jack the Ripper
Written by Link Wray and Mark Cooper
Performed by Link Wray and the Ray Men

Reseñas de usuarios24

Comentarios

Reseña destacada

9/10

Bizarre, Strange and Weird. I like it!!

John Waters feature length film debut is a schlocky montage of crazy events following Mary Vivian Pearce and Divine as they travel throughout the gutters and alleyways of "Charm City" Baltimore. I can't do this film just by trying to describe the events that transpire. This film has to be seen to be believed. There's no dialog in this film, most of the soundtrack is a collage of 50's and 60's pop music, They're used as dialog and as a Foley track. I wonder if Mr. Waters received permission from the performers for use in this film?

Filmed on a shoe string budget and shot on 16mm uses a cast of friends, Waters hit the Midnight Movie/cult circuit big time. Only a sign of things to come.

Recommended, if you can find it.