La ciudad indomable

For a western film, it's a pretty fun watch. Two of my favorite actors are in this one which makes it all that much better: Lon Chaney and Deforest Kelley.

Tom Rosser is hired to help clean and straighten up a town where some of the folks in the area want to keep the town as wild as possible - and running it the way they want it ran, not the way mayor and law want it to be. It's up to Rosser take the men out get the town back to good.

The movie does take a few turns which keeps the story on the interesting side. All the actors give fine performances - so it's worthwhile watching if you like a good old fashioned gun-slinging western film.

7.5/10

This is far from being a high budget blockbuster with sweeping cinematography, high level production values and innovative writing. It has to rely on the actors working on sets that could have and probably were used in television westerns. Fortunately, the actors, most being solid character types, deliver the goods very professionally and carry the story and the viewer's interest. That acting even manages to overcome some dull and predictable directing.

Dana Andrews shows the effects of years of alcohol by this point and although that actually plays to the lead character, one suspects the movie would have been elevated with someone like Glenn Ford in that role but no doubt he would have needed a higher pay cheque as well. Terry Moore could have been given more to do as they downplayed romance in favour of the building confrontation. But she definitely looks good handles what she is given well.

Pat O'Brien, Lon Chaney Jr., Bruce Cabot, Lyle Bettger, Richard Arlen, Barton MacLane, Richard Jaeckel all show up like old friends who have done these roles a dozen times each but what could have been stale characterizations are instead well dished out from practised professionals still trying to earn their pay and their next job.

This is Selander's first film for Producer Lyles and his best Western for years. Like all of Lyles' Westerns, the main fault is the pedestrian screenplay which features Andrews as the hired killer seeking revenge for the death of his wife at the hands of Bettger and Cabot. He finds them ensconced as sheriff and saloon owner respectively, from which positions they're bleeding the town dry. Thus Andrews can liberate the town as well as secure his revenge in a corpse-strewn finale. Jaeckel has a marvellous part as Bettger's sadistic deputy.

Phil Hardy

Producer A.C. Lyles made a spate of westerns in the mid-'60s that employed a lot of veteran actors who were, frankly, too old to get work anywhere else. While it was nice of him to give them jobs, the least he could have done was to not embarrass them, and I'm afraid that's what most of these movies do, especially this one. It's about a marshal hired to clean up a town, and the troubles he has and some long-ago secrets he's afraid might come out. Dana Andrews, like pretty much everyone else in this picture, is too old for the part; he was almost 60 when he made this, and age and a lifetime of drinking problems (which he has freely admitted to) had taken a toll on his physical appearance. He's just not even remotely believable as the kind of fast gun you'd hire to clean up your town. Although the cast is filled with old veterans, only a few of them, notably Lyle Bettger, can muster up the energy to turn in good performances. It's not their fault, of course, and the hack script and limp direction by Lesley Selander (who himself was 65 years old by then and had been making B westerns for more than 30 years) doesn't help either. The film has the look of someone who got some old friends together and said, "Let's make a western." While that may be a nice gesture, it doesn't make for a good movie. This one isn't. Avoid it.

1965's "Town Tamer" was the fifth of producer A. C. Lyles' run of 13 Paramount B-Westerns from the mid 60s, and one of the best, with a cast filled with more veteran performers than usual (Sonny Tufts?). Author Frank Gruber adapted from his own novel, starring Dana Andrews in the title role of Tom Rosser, whose wife (Coleen Gray) was accidentally shot by hired gun Les Ring (Lyle Bettger), on behalf of gambling house troublemaker Riley Condor (Bruce Cabot). Years later, Rosser is hired by businessman James Fenimore Fell (Barton MacLane) to take down Condor in a different town, where the corrupt judge (Pat O'Brien) and lawmen are in his pocket, leaving the citizens to hope that Rosser will succeed; if not, vigilantism will become the last dreaded resort. The most intriguing aspect is the town marshal, Les Parker, the very same gunman who murdered Rosser's wife, his unpredictable behavior keeping both sides guessing. Lon Chaney, now 5 for 5 for Lyles, enjoys a major role as Mayor Charlie Leach, who doubles as livery stable owner, Richard Arlen returns as town doctor, Richard Jaeckel makes for a despicable deputy, Bob Steele, Philip Carey, and Roger Torrey among Condor's men. In his second of four Lyles Westerns, DeForest Kelley often told the story of how he was doubled in an early fight scene opposite Dana Andrews, and how Michael Landon volunteered to do it without permission, and with his back to the camera remains easily recognizable taking the spills! (they just happened to be shooting on the same sets as his BONANZA series).