Los cuatro días de Nápoles

Can you find the main character? I can't.

Like many of you, I love movies. In every film that I've seen; sound and silent, short and feature length, narrative and documentary, a main character emerges. Sometimes, like in Fail-Safe and Dr. Strangelove, more than one emerges as part of a shifting focus, usually against the backdrop of a grand narrative. I've never seen a film, with the possible exception of very early cinema and raw news footage, where there is not even a pretense at a central character.

Instead, the city of Naples itself is the main character. With no disrespect meant to the men and women of Naples who faced the German Army, it's as though the city itself becomes a dog shaking off its deadly fleas.

Mall Megaplexes are jammed with the same few films, with different casts and titles perhaps, but stories told with a very limited scope. I encourage you to sample what great cinema looks like when told from a completely unique viewpoint.

I just saw this 1962 film on Turner Classic Movies and promptly tracked down and ordered a VHS of it. A very realistic film with many characters whose stories start and in most cases are left unresolved in the midst of the fighting. The screenplay was original for the screen, not based on any book, and received a 1963 Oscar nomination in the original screenplay category. There is a 1979 book with the same title, also telling of the uprising, that is NOT the source of this film. According to summaries, the book says that the Naples "street boys" instigated and led the rebellion. Not in this film, however, which focuses on adults and has many wrenching scenes of mothers and children, husbands and wives torn apart. The ensemble cast is passionate and convincing. Unlike the other commenter who said the film is an argument against war, this is really an argument for standing up and fighting against those who would treat you as slaves (which the NAZIs did and which led to the uprising). Great film!

This film was brought to my attention by a friend who suggested that, since I enjoyed Roberto Rosselini's Open City, I would enjoy this film, which he considered to be even better than Rosselini's. I was impressed, to say the least, and inclined to agree. The story seemed infinitely more real and affecting.

Small stories of individual lives and relationships splintered apart by the actions of Germany in Naples after the Allies have declared victory in Europe in WWII isn't a subject many people will jump at the chance to see, but they should think again. We may never have the experience of being under occupation here in America, but that doesn't mean we can't appreciate and feel the bravery of a city that fights back against the tyranny of the weary German army. And if you have an aversion to war films, subtitled ones in particular, don't worry; the performances from the actors involved are strong enough to feed the emotions onto the screen without need of a translator.

This is a gem not many people know about. It's a shame. This is a film that needs a revolution in the minds of cineastes everywhere.

This documentary-style drama shows us the determination of a civilian population to end wartime conscription by a former ally. The Nazi army tries by terror to force the Italian people to join them as they struggle on against the advance of the Allied forces in WWII Italy. Citizens decide against fighting the war any longer, and rally themselves to drive out the German soldiers from their city and their lives in only four days.

I watched this film in basic training camp in 1963. I did not know at the time if I was being ordered to Southeast Asia to participate in the war there or not. I had had a vision on the firing range that an active combat role in Viet Nam would be more terrible than I could ultimately live with in later years. Fortunately, I was sent to the staging area on Okinawa, and not to Viet Nam. I saw the film again when I reached Okinawa, and became aware of the war a thousand miles away.

The film crystalized for me that mankind could choose not to fight wars to settle disputes between countries, and that passionate citizens could resist the most disciplined of armies. The Neopolitan people's example to me from twenty years before, as I stood at the brink of the Southeast Asian war, spoke deeply to me of what humanity must strive to achieve through the advancement of its behavior and character.

I long to see the film again, or to read the source book, as world events swirl around us, echoing themes in the Four Days of Naples.

I saw this film when it first came out and it gripped me completely. I was quite young and not "into" foreign films, but this film caught me up. It showed a resistance that was unique -- not planned, not secret, but almost spontaneous. It mixes the buffoonery of some of the characters, the cowardice of a few and the bravery of the people of Naples. Some moments bring tears, others laughter. How the people come together to fight the Nazis who were still brutally exerting their power even as the allied forces marched north in Italy is a powerful statement of the will of ordinary Italian citizens.

For years I've tried to buy it, Le Quattro Giornate di Napoli, with no success. Then this year,TCM showed a very clean copy of it. But still I can't find a place to buy it. It is so worth having --

If anyone knows where I can buy it, I would be grateful.