Un hombre se desilusiona cuando viaja al futuro y descubre una sociedad oscura y peligrosa en lugar de la utopía que esperaba.Un hombre se desilusiona cuando viaja al futuro y descubre una sociedad oscura y peligrosa en lugar de la utopía que esperaba.Un hombre se desilusiona cuando viaja al futuro y descubre una sociedad oscura y peligrosa en lugar de la utopía que esperaba.
- Ganó 1 premio Óscar
- 1 premio y 1 nominación en total
Bob Barran
- Eloi Man
- (sin acreditar)
Paul Frees
- Talking Rings
- (voz)
- (sin acreditar)
Mike Hitlner
- Eloi Man
- (sin acreditar)
Josephine Powell
- Eloi Girl
- (sin acreditar)
James Skelly
- Second Eloi Man
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesYvette Mimieux was actually underage when shooting began (she turned 18 during the shoot) and was not legally supposed to work a full shooting schedule, but did. She was inexperienced, but as she worked on this film she kept getting better and better, so that by the end of the shoot the producers went back and re-shot some of her earliest scenes.
- PifiasIn the great hall whenever George is inside, parallel and perpendicular white lines are seen painted on the floor. The table arrangements do not conform to any arrangement that fits these lines. This is because the set was constructed over a studio parking lot and they did not put down a floor covering. The revealing parking lines are simply ignored. This info came from a special effects veteran who was on the set during the filming of these scenes.
- ConexionesEdited into El agente de CIPOL: The Project Deephole Affair (1966)
Reseña destacada
OK, so some people are intent on pointing out factual or historical inaccuracies. Some people ridicule the costumes and accents, but what's important is the spirit of the film. I sincerely doubt anyone made the same kind of comments back in 1960. It was a seminal film and must have inspired a generation of film makers. You don't need CGI to make a good film. It's all about the story and the ingenuity of having to make do with the things you've got to hand. This film exemplifies that attitude.
I first saw The Time Machine as a 10 year old in 1970 and was utterly captivated. The stop-motion photography was spell-binding to me; particularly when George kills one of the attacking Morlocks. The gory footage of the body decomposing will abide with me forever. More importantly, and for the first time in my life, I was completely swept away with the concept of time travel. This film was unlike anything I had ever seen before and sowed seeds of profound thought for many years after.
This film may not be for everyone, but it was for a certain 10 year-old boy all those years ago. How I wish I could go back and recapture those moments...
I first saw The Time Machine as a 10 year old in 1970 and was utterly captivated. The stop-motion photography was spell-binding to me; particularly when George kills one of the attacking Morlocks. The gory footage of the body decomposing will abide with me forever. More importantly, and for the first time in my life, I was completely swept away with the concept of time travel. This film was unlike anything I had ever seen before and sowed seeds of profound thought for many years after.
This film may not be for everyone, but it was for a certain 10 year-old boy all those years ago. How I wish I could go back and recapture those moments...
- andy-cippico
- 2 jul 2006
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Detalles
Taquilla
- Presupuesto
- 750.000 US$ (estimación)
- Recaudación en todo el mundo
- 5902 US$
- Duración1 hora 43 minutos
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
What is the Japanese language plot outline for El tiempo en sus manos (1960)?
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