Psicosis

Título original: Psycho

1960
16
1h 49min

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8,5/10

739 mil

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99+ imágenes

Psychological Horror Psychological Thriller Slasher Horror Suspense Mystery Horror Mystery Thriller

Una secretaria de Phoenix malversa cuarenta mil dólares de un cliente, se da a la fuga y se registra en un motel remoto administrado por un joven con una controladora madre.Una secretaria de Phoenix malversa cuarenta mil dólares de un cliente, se da a la fuga y se registra en un motel remoto administrado por un joven con una controladora madre.Una secretaria de Phoenix malversa cuarenta mil dólares de un cliente, se da a la fuga y se registra en un motel remoto administrado por un joven con una controladora madre.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

8,5/10

739 mil

TU PUNTUACIÓN

POPULARIDAD

753

Ver la información de la producción en IMDbPro

Película mejor puntuada #35

Nominado para 4 premios Óscar
- 8 premios y 14 nominaciones en total

Caroline
(as Pat Hitchcock)

Vaughn Taylor

George Lowery

Lurene Tuttle

Mrs. Chambers

John Anderson

California Charlie

Mort Mills

Highway Patrol Officer

Fletcher Allen

Policeman on Steps
(sin acreditar)

Walter Bacon

Church Member
(sin acreditar)

Prudence Beers

Extra
(sin acreditar)

Kit Carson

Extra
(sin acreditar)

Johnny Clark

Congregation Member
(sin acreditar)

'Psycho' Scenes: Watch the Mashup

Take a look iconic moments from Alfred Hitchcock's film with Anthony Perkins, Janet Leigh, and Vera Miles.

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1:16

Argumento

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Curiosidades
Director Sir Alfred Hitchcock was so pleased with the score written by Bernard Herrmann that he doubled the composer's salary to $34,501. Hitchcock later said, "Thirty-three percent of the effect of Psycho was due to the music." Ironically, he was originally adamant that there should be no music in the shower scene but he was persuaded by his wife to give it a try. The screeching violins and dire strings (which would inspire the music for Tiburón (1975)) ending up selling the scene and driving theatrical audiences beyond anything they had ever experienced.

Pifias
When Lila approaches Mother in the fruit cellar, Mrs. Bates is seated in a four-legged chair. After Lila touches the corpse, it slowly spins around as if it's sitting on a swiveling chair. The effect was achieved by a prop man lying on his back rotating a camera head with wheels underneath Mother.

Citas
[last lines]
Norma Bates: [voiceover in police custody, as Norman is thinking] It's sad, when a mother has to speak the words that condemn her own son. But I couldn't allow them to believe that I would commit murder. They'll put him away now, as I should have years ago. He was always bad, and in the end he intended to tell them I killed those girls and that man... as if I could do anything but just sit and stare, like one of his stuffed birds. They know I can't move a finger, and I won't. I'll just sit here and be quiet, just in case they do... suspect me. They're probably watching me. Well, let them. Let them see what kind of a person I am. I'm not even going to swat that fly. I hope they are watching... they'll see. They'll see and they'll know, and they'll say, "Why, she wouldn't even harm a fly..."

Créditos adicionales
The opening credits appear in a montage of horizontal/vertical bars moving across the screen.

Versiones alternativas
On the Universal DVD, Norman can be heard (not seen) screaming "I'm Norma Bates!" as Sam Loomis rushes in to stop him from murdering Lila. The scream is not present in at least some release prints.

Conexiones
Edited into Psicosis II: El regreso de Norman (1983)

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Comentarios

Reseña destacada

8/10

Curtains...

An opportunity presents that can't be ignored, to escape from a world that's been making you bored, with dollars galore you ride out of town, pestered by a copper, who keeps hanging around; you seek to find shelter, somewhere to hide, the motel of Bates is the one that you've spied, there's a curious fella who's friendly, polite - you pay him for a room, and will stay for a night; after saying goodnight you retire to room, then into the bath for a showery flume, but before you're all clean you get into a lather, as the curtain is shred, by a bit of a slasher.

Still a wonderful piece of filmmaking all these years later.