Añade un argumento en tu idiomaA young comic plays second-rate nightclubs and chintzy resorts in his struggle to break into the big time.A young comic plays second-rate nightclubs and chintzy resorts in his struggle to break into the big time.A young comic plays second-rate nightclubs and chintzy resorts in his struggle to break into the big time.
- Dirección
- Guión
- Reparto principal
Richard Avonde
- Minor Role
- (sin acreditar)
Edward Biby
- Smoker
- (sin acreditar)
Reseñas destacadas
My favorite comic will always be Uncle Miltie and he was a scream in this one. Hammy and corny beyond belief, this slapstick had me rolling on the floor. The story involved a up and coming third rate comic trying to break into big time show biz. He must first work second rate clubs and resorts, but finally gets his big shot when taking over a routine for a fellow actor. Lots of good hoofing, sight gags, and joking around in the famous Berle style.
Robin Williams, Tom Hanks, and Jack Lemon. I bet you can think of others.
Unfortunately, Berle ain't one of them. Bert Lahr doesn't do so well either.
It is great to see some of his old acts but some of them don't hold up.
Unfortunately, Berle ain't one of them. Bert Lahr doesn't do so well either.
It is great to see some of his old acts but some of them don't hold up.
Probably not intended as such in 1949, in retrospect this film shows an interesting juncture between old time show biz and the imminent influence of television, which changed everything. The film captures some fascinating relics of an earlier time, such as Bert Lahr reprising a famous burlesque-type routine of his from the early '20s. Milton Berle excels in acting out all sorts of comedic styles and formats then in vogue or already seen as passe. Despite its chirpy title song, the film has a surprising toughness and unsentimentality for its era (witness the happily cruel "Men's Club" scene). Recommended for those into show biz history, and also a great way to see some genuinely funny stuff.
The comedy giants of the black and white era film. Uncle milty. Bert lahr. Alan hale, who must have been in every single movie made before 1950. The top actresses of the day virginia mayo, ruth roman. Kip ( milton berle) is trying to book somewhere, anywhere, but ... he's past his prime, and all his gags are old, dusty vaudeville bits. Television killed off vaudeville way back when. Even one of the agents says "this kind of thing went out ten years ago." there's some funny stuff in here, done by the pro's, but it won't be for everyone. Some fun guests, and many references to other performers. Unfortunately, he does blackface, a reference to al jolson. Possibly the last time it was done in the movies. Fountain pens? Just shows how old the material really was. The story is pretty silly, but we do get to see milty doing comedy. And drag. He did mostly television after this. Directed by roy del ruth, who had started out with the genius mack sennett. Del ruth has an interesting story detailed on wikipedia dot org; he worked with all the greats.
¿Sabías que...?
- CuriosidadesThe "Fountain Pen Sketch" was taken from the hit musical "Make Mine Manhattan" that opened in New York on 15 January 1948 at the Broadhurst Theatre, 235 W. 44th St. and ran for 429 performances, and starred Sid Caesar. Max Showalter, who performs that specialty number in this movie, was also in that opening night cast playing the same role, as well as others.
- PifiasAfter Kip meets with Eagen, a brief clip is shown of a train heading to Boston, with a Southern Pacific locomotive. The Southern Pacific Railroad served California and the south west, and would not have gone to Boston or anywhere in the northeast.
- Citas
Monte Wilson: [Checking out Kip's suit] Very conservative.
Kipling 'Kip' Cooper: Conservative? Why it could be elected on a Republican ticket without anyone in it.
- ConexionesReferenced in Texaco Star Theatre Starring Milton Berle: Episodio #2.11 (1949)
- Banda sonoraAlways Leave Them Laughing
(1949) (uncredited)
Written by Sammy Cahn and Milton Berle
Sung during the opening credits and first scene by Lynn Davis, Lorraine Crawford,
Flo Farmer, Mary Castle, Alice Wallace and Nita Talbot
Reprised by them with Milton Berle at the end
Variations in the score throughout
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- The Thief of Broadway
- Localizaciones del rodaje
- 1655 Broadway, Manhattan, Nueva York, Nueva York, Estados Unidos(Lindy's Restaurant, exterior)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 56 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Always Leave Them Laughing (1949) officially released in India in English?
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