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Los líos de Susana

Título original: Bundle of Joy
  • 1956
  • Approved
  • 1h 38min
PUNTUACIÓN EN IMDb
6,0/10
1,5 mil
TU PUNTUACIÓN
Debbie Reynolds and Eddie Fisher in Los líos de Susana (1956)
After finding a baby outside an orphanage, a salesgirl receives sympathy from those around her, including her boss' son, as they all assume the baby is hers.
Reproducir trailer2:23
2 vídeos
29 imágenes
Romantic ComedyScrewball ComedyComedyMusicalRomance

Añade un argumento en tu idiomaAfter finding a baby outside an orphanage, a salesgirl receives sympathy from those around her, including her boss' son, as they all assume the baby is hers.After finding a baby outside an orphanage, a salesgirl receives sympathy from those around her, including her boss' son, as they all assume the baby is hers.After finding a baby outside an orphanage, a salesgirl receives sympathy from those around her, including her boss' son, as they all assume the baby is hers.

  • Dirección
    • Norman Taurog
  • Guión
    • Norman Krasna
    • Robert Carson
    • Arthur Sheekman
  • Reparto principal
    • Eddie Fisher
    • Debbie Reynolds
    • Adolphe Menjou
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,0/10
    1,5 mil
    TU PUNTUACIÓN
    • Dirección
      • Norman Taurog
    • Guión
      • Norman Krasna
      • Robert Carson
      • Arthur Sheekman
    • Reparto principal
      • Eddie Fisher
      • Debbie Reynolds
      • Adolphe Menjou
    • 49Reseñas de usuarios
    • 7Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 nominación en total

    Vídeos2

    Original Trailer
    Trailer 2:23
    Original Trailer
    Bundle of Joy
    Clip 3:03
    Bundle of Joy
    Bundle of Joy
    Clip 3:03
    Bundle of Joy

    Imágenes29

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    + 22
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    Reparto principal70

    Editar
    Eddie Fisher
    Eddie Fisher
    • Dan Merlin
    Debbie Reynolds
    Debbie Reynolds
    • Polly Parish
    Adolphe Menjou
    Adolphe Menjou
    • J.B. Merlin
    Tommy Noonan
    Tommy Noonan
    • Freddie Miller
    Nita Talbot
    Nita Talbot
    • Mary
    Una Merkel
    Una Merkel
    • Mrs. Dugan
    Melville Cooper
    Melville Cooper
    • Adams - the Butler
    Bill Goodwin
    Bill Goodwin
    • Mr. Creely
    Howard McNear
    Howard McNear
    • Mr. Appleby
    Robert H. Harris
    Robert H. Harris
    • Mr. Hargraves
    Mary Treen
    Mary Treen
    • Matron
    Edward Brophy
    Edward Brophy
    • Dance Contest Judge
    • (as Edward S. Brophy)
    Gil Stratton
    Gil Stratton
    • Mike Clancy
    Scott Douglas
    • Bill Rand
    Roxanne Arlen
    Roxanne Arlen
    • Blonde
    • (sin acreditar)
    Katherine Barrett
    • Secretary
    • (sin acreditar)
    Mary Bayless
    • Club Patron
    • (sin acreditar)
    Bonnie Bolding
    • Louise
    • (sin acreditar)
    • Dirección
      • Norman Taurog
    • Guión
      • Norman Krasna
      • Robert Carson
      • Arthur Sheekman
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios49

    6,01.4K
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    Reseñas destacadas

    7gaynor.wild

    musical remake of 'bachelor mother.' Debbie Reynolds shines; Eddie fisher flops

    "Bachelor Mother" was a delightful movie, but one can imagine why a musical, in color, remake would crop up. Debbie Reynolds as Polly Parrish was a good choice, and wound up carrying the movie. Eddie Fisher, as the junior Merlin, was not such a good choice. Many other actors at the time would have been far better. Had someone like Donald O'Connor had the role, it could have been an unmitigated success. Too bad Fisher got the job.

    Overall, the movie is delightful. The basic plot, of a sales clerk in a large department store who winds up with a baby that's not hers, but that no one believes is not hers, is an excellent set-up for comedy. This one does a good job. "Bachelor Mother" does a better job. And an even better one may pop up in the future.

    gaynor wild
    7donniefriedman

    I enjoyed watching Debbie and Eddie

    The movie is a fluff piece, but I enjoyed watching Debbie and Eddie when they were America's sweethearts in a more innocent time, pre-scandals and pre-drug problems. Unlike many, I find Eddie Fisher to be a beautiful singer. He really can hit those high notes, and his voice has a particularly angelic quality in the higher range.

    I didn't see a lot of chemisty between the leads; maybe it's hard to project chemisty when you're going home to your marital abode after the shoot. But the studio wanted to cash in on their status as everyone's cutest couple at the time.

    I thought the supporting cast was fine too, and the comic subplots worked.

    How did they get those babies (twins) to act so beautifully. They were charming.
    Don Lock

    Debbie Does It All!

    Many times have I wondered what Debbie Reynolds and Eddie Fisher were like in their careers (I'm a Star Wars buff). I finally sat down and saw this film. I must say that after watching, I just loved it and wanted more. Since then Debbie Reynolds has become my favorite actress ever. After seeing this I raced to my mother for more info. and she told me of the trouble that followed. I was severely disappointed, because the chemistry in this film was superb. Among the highlights is Debbie's ability to use her magnificent talent to use subtle face gestures to get across the idea of what she is thinking. Eddie was less so, but did an average job. But after hearing the truth, everytime I re-watch this film, I can't help but imagine Eddie with horns on his head or a dunce cap a mile tall. Debbie's charm is the main reason to see this film. She steals the show, the script, the clothes, and anything else she touches. The back-up roles are performed well. This is a remake of the earlier film, "Bachelor Mother." If anyone but Debbie were in the lead, this movie would stink, but it gets a solid 3 stars from me (out of 4).
    6moonspinner55

    Pleasant enough Christmas-themed confection...

    Glossy and tuneful--if terribly contrived--remake of a just-adequate Ginger Rogers comedy from 1939 ("Bachelor Mother", itself a reworking of "Little Mother" from 1935). Salesgirl, fired at Christmastime from her department store job for "over-selling", finds an abandoned baby on the steps outside a foundlings home but can't get anyone to believe the child isn't really hers. The spotlight this time is equally on Debbie Reynolds (doing sprightly, decent work as the bachelor mother) and then-husband Eddie Fisher (leering at the camera while playing a singing junior-executive). Supporting roles are colorfully filled, production and song numbers are decent, though the script lands us smack in the middle of Risqué 101, with misunderstandings "Three's Company" would envy (She has a baby but not a husband?! And who's the father?). Worth-seeing for Debbie, who sings and dances--and rolls her eyes with expert exaggeration when it's time to change a diaper. **1/2 from ****
    4crispy_comments

    more like a Bundle of Diaper Doodoo

    Poor Debbie should've realized Eddie was a jerk and their marriage was doomed, when his ego demanded top billing ahead of her... in his very first movie. (And it's no surprise that Eddie's only other movie appearances were in Liz Taylor films, once they got together.) If this non-actor couldn't concede his then-wife was a bigger movie star and deserved to be billed before him, clearly the guy didn't respect or love her as much as he loved himself.

    The only reason to see "Bundle Of Joy", is as a Debbie Reynolds fan and completist. She's pretty much always fun to watch. But, even though I like Debbie more than Ginger Rogers (who stars in the original movie), "Bachelor Mother" is vastly superior to this remake. The original is laugh-out-loud funny. David Niven is, needless to say, a much better actor and infinitely more charming than Eddie Fisher. I notice they cut some of Niven's best scenes, I assume because Fisher couldn't deliver the witty dialogue.

    Even as a fan of musicals, there's not much point watching this. The songs are pretty forgettable. I don't mind musical remakes when you get quality numbers, such as in High Society, the musical version of The Philadelphia Story. Not the case here. I don't see anything very special about Eddie's singing. And that insufferable smirk on his face! His expression never changes.

    I guess there are other reasons to watch this movie. Morbid curiosity to witness the lack of chemistry between Debbie and Eddie, and his total non-charisma. Or a need to watch a baby-centric storyline played by two people who were about to become parents (of Carrie) in real life. Behind-the-scenes film-buff stuff may provide some small entertainment. But certainly no joy.

    Más del estilo

    Mamá a la fuerza
    7,5
    Mamá a la fuerza
    Tammy, la muchacha salvaje
    6,9
    Tammy, la muchacha salvaje
    Las tres noches de Susana
    6,4
    Las tres noches de Susana
    Cómo atrapar un marido
    6,9
    Cómo atrapar un marido
    Molly Brown, siempre a flote
    6,6
    Molly Brown, siempre a flote
    Las chicas de Harvey
    7,0
    Las chicas de Harvey
    Banquete de bodas
    7,4
    Banquete de bodas
    Serenata nostálgica
    7,1
    Serenata nostálgica
    Sucedió en la Quinta Avenida
    7,6
    Sucedió en la Quinta Avenida
    Muerte al amanecer
    6,8
    Muerte al amanecer
    Ardid femenino
    7,1
    Ardid femenino
    Una vida robada
    7,2
    Una vida robada

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      In her autobiography, Carrie Fisher says that her mother, Debbie Reynolds, was pregnant with her whilst making this film. This accounts for several shots where Reynolds is hidden behind a shop display or wearing a cloak-style coat.
    • Pifias
      During the number 'Lullaby In Blue', Eddie Fisher and Debbie Reynolds seem unable to synchronize their mouths to the pace and vocalization of the playback. In the two-shots, they appear to mumble whilst singing out loudly on the recording.
    • Citas

      J.B. Merlin: Wait. I don't care who the father is. I'm the grandfather!

    • Conexiones
      Featured in Hollywood the Golden Years: The RKO Story: Howard's Way (1987)
    • Banda sonora
      Worry About Tomorrow
      (uncredited)

      Music by Josef Myrow

      Lyrics by Mack Gordon

      Sung by Eddie Fisher

      Also sung by Debbie Reynolds and Nita Talbot

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    Preguntas frecuentes15

    • How long is Bundle of Joy?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de diciembre de 1956 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Un regalo de Navidad
    • Localizaciones del rodaje
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Empresa productora
      • Edmund Grainger Productions
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 38 minutos
    • Relación de aspecto
      • 1.85 : 1

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