PUNTUACIÓN EN IMDb
6,0/10
1,5 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaAfter finding a baby outside an orphanage, a salesgirl receives sympathy from those around her, including her boss' son, as they all assume the baby is hers.After finding a baby outside an orphanage, a salesgirl receives sympathy from those around her, including her boss' son, as they all assume the baby is hers.After finding a baby outside an orphanage, a salesgirl receives sympathy from those around her, including her boss' son, as they all assume the baby is hers.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Edward Brophy
- Dance Contest Judge
- (as Edward S. Brophy)
Roxanne Arlen
- Blonde
- (sin acreditar)
Katherine Barrett
- Secretary
- (sin acreditar)
Mary Bayless
- Club Patron
- (sin acreditar)
Bonnie Bolding
- Louise
- (sin acreditar)
Reseñas destacadas
"Bachelor Mother" was a delightful movie, but one can imagine why a musical, in color, remake would crop up. Debbie Reynolds as Polly Parrish was a good choice, and wound up carrying the movie. Eddie Fisher, as the junior Merlin, was not such a good choice. Many other actors at the time would have been far better. Had someone like Donald O'Connor had the role, it could have been an unmitigated success. Too bad Fisher got the job.
Overall, the movie is delightful. The basic plot, of a sales clerk in a large department store who winds up with a baby that's not hers, but that no one believes is not hers, is an excellent set-up for comedy. This one does a good job. "Bachelor Mother" does a better job. And an even better one may pop up in the future.
gaynor wild
Overall, the movie is delightful. The basic plot, of a sales clerk in a large department store who winds up with a baby that's not hers, but that no one believes is not hers, is an excellent set-up for comedy. This one does a good job. "Bachelor Mother" does a better job. And an even better one may pop up in the future.
gaynor wild
The movie is a fluff piece, but I enjoyed watching Debbie and Eddie when they were America's sweethearts in a more innocent time, pre-scandals and pre-drug problems. Unlike many, I find Eddie Fisher to be a beautiful singer. He really can hit those high notes, and his voice has a particularly angelic quality in the higher range.
I didn't see a lot of chemisty between the leads; maybe it's hard to project chemisty when you're going home to your marital abode after the shoot. But the studio wanted to cash in on their status as everyone's cutest couple at the time.
I thought the supporting cast was fine too, and the comic subplots worked.
How did they get those babies (twins) to act so beautifully. They were charming.
I didn't see a lot of chemisty between the leads; maybe it's hard to project chemisty when you're going home to your marital abode after the shoot. But the studio wanted to cash in on their status as everyone's cutest couple at the time.
I thought the supporting cast was fine too, and the comic subplots worked.
How did they get those babies (twins) to act so beautifully. They were charming.
Many times have I wondered what Debbie Reynolds and Eddie Fisher were like in their careers (I'm a Star Wars buff). I finally sat down and saw this film. I must say that after watching, I just loved it and wanted more. Since then Debbie Reynolds has become my favorite actress ever. After seeing this I raced to my mother for more info. and she told me of the trouble that followed. I was severely disappointed, because the chemistry in this film was superb. Among the highlights is Debbie's ability to use her magnificent talent to use subtle face gestures to get across the idea of what she is thinking. Eddie was less so, but did an average job. But after hearing the truth, everytime I re-watch this film, I can't help but imagine Eddie with horns on his head or a dunce cap a mile tall. Debbie's charm is the main reason to see this film. She steals the show, the script, the clothes, and anything else she touches. The back-up roles are performed well. This is a remake of the earlier film, "Bachelor Mother." If anyone but Debbie were in the lead, this movie would stink, but it gets a solid 3 stars from me (out of 4).
Glossy and tuneful--if terribly contrived--remake of a just-adequate Ginger Rogers comedy from 1939 ("Bachelor Mother", itself a reworking of "Little Mother" from 1935). Salesgirl, fired at Christmastime from her department store job for "over-selling", finds an abandoned baby on the steps outside a foundlings home but can't get anyone to believe the child isn't really hers. The spotlight this time is equally on Debbie Reynolds (doing sprightly, decent work as the bachelor mother) and then-husband Eddie Fisher (leering at the camera while playing a singing junior-executive). Supporting roles are colorfully filled, production and song numbers are decent, though the script lands us smack in the middle of Risqué 101, with misunderstandings "Three's Company" would envy (She has a baby but not a husband?! And who's the father?). Worth-seeing for Debbie, who sings and dances--and rolls her eyes with expert exaggeration when it's time to change a diaper. **1/2 from ****
Poor Debbie should've realized Eddie was a jerk and their marriage was doomed, when his ego demanded top billing ahead of her... in his very first movie. (And it's no surprise that Eddie's only other movie appearances were in Liz Taylor films, once they got together.) If this non-actor couldn't concede his then-wife was a bigger movie star and deserved to be billed before him, clearly the guy didn't respect or love her as much as he loved himself.
The only reason to see "Bundle Of Joy", is as a Debbie Reynolds fan and completist. She's pretty much always fun to watch. But, even though I like Debbie more than Ginger Rogers (who stars in the original movie), "Bachelor Mother" is vastly superior to this remake. The original is laugh-out-loud funny. David Niven is, needless to say, a much better actor and infinitely more charming than Eddie Fisher. I notice they cut some of Niven's best scenes, I assume because Fisher couldn't deliver the witty dialogue.
Even as a fan of musicals, there's not much point watching this. The songs are pretty forgettable. I don't mind musical remakes when you get quality numbers, such as in High Society, the musical version of The Philadelphia Story. Not the case here. I don't see anything very special about Eddie's singing. And that insufferable smirk on his face! His expression never changes.
I guess there are other reasons to watch this movie. Morbid curiosity to witness the lack of chemistry between Debbie and Eddie, and his total non-charisma. Or a need to watch a baby-centric storyline played by two people who were about to become parents (of Carrie) in real life. Behind-the-scenes film-buff stuff may provide some small entertainment. But certainly no joy.
The only reason to see "Bundle Of Joy", is as a Debbie Reynolds fan and completist. She's pretty much always fun to watch. But, even though I like Debbie more than Ginger Rogers (who stars in the original movie), "Bachelor Mother" is vastly superior to this remake. The original is laugh-out-loud funny. David Niven is, needless to say, a much better actor and infinitely more charming than Eddie Fisher. I notice they cut some of Niven's best scenes, I assume because Fisher couldn't deliver the witty dialogue.
Even as a fan of musicals, there's not much point watching this. The songs are pretty forgettable. I don't mind musical remakes when you get quality numbers, such as in High Society, the musical version of The Philadelphia Story. Not the case here. I don't see anything very special about Eddie's singing. And that insufferable smirk on his face! His expression never changes.
I guess there are other reasons to watch this movie. Morbid curiosity to witness the lack of chemistry between Debbie and Eddie, and his total non-charisma. Or a need to watch a baby-centric storyline played by two people who were about to become parents (of Carrie) in real life. Behind-the-scenes film-buff stuff may provide some small entertainment. But certainly no joy.
¿Sabías que...?
- CuriosidadesIn her autobiography, Carrie Fisher says that her mother, Debbie Reynolds, was pregnant with her whilst making this film. This accounts for several shots where Reynolds is hidden behind a shop display or wearing a cloak-style coat.
- PifiasDuring the number 'Lullaby In Blue', Eddie Fisher and Debbie Reynolds seem unable to synchronize their mouths to the pace and vocalization of the playback. In the two-shots, they appear to mumble whilst singing out loudly on the recording.
- Citas
J.B. Merlin: Wait. I don't care who the father is. I'm the grandfather!
- ConexionesFeatured in Hollywood the Golden Years: The RKO Story: Howard's Way (1987)
- Banda sonoraWorry About Tomorrow
(uncredited)
Music by Josef Myrow
Lyrics by Mack Gordon
Sung by Eddie Fisher
Also sung by Debbie Reynolds and Nita Talbot
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- How long is Bundle of Joy?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Un regalo de Navidad
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 38 minutos
- Relación de aspecto
- 1.85 : 1
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By what name was Los líos de Susana (1956) officially released in India in English?
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