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La carroza de oro

Título original: Le carrosse d'or
  • 1952
  • TP
  • 1h 43min
PUNTUACIÓN EN IMDb
7,0/10
3,6 mil
TU PUNTUACIÓN
La carroza de oro (1952)
Costume DramaPeriod DramaComedyDramaHistoryRomance

En el Perú del siglo XVIII, un virrey, un torero y un soldado se enfrentan por las atenciones de una actriz.En el Perú del siglo XVIII, un virrey, un torero y un soldado se enfrentan por las atenciones de una actriz.En el Perú del siglo XVIII, un virrey, un torero y un soldado se enfrentan por las atenciones de una actriz.

  • Dirección
    • Jean Renoir
  • Guión
    • Jean Renoir
    • Jack Kirkland
    • Renzo Avanzo
  • Reparto principal
    • Anna Magnani
    • Odoardo Spadaro
    • Nada Fiorelli
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,0/10
    3,6 mil
    TU PUNTUACIÓN
    • Dirección
      • Jean Renoir
    • Guión
      • Jean Renoir
      • Jack Kirkland
      • Renzo Avanzo
    • Reparto principal
      • Anna Magnani
      • Odoardo Spadaro
      • Nada Fiorelli
    • 28Reseñas de usuarios
    • 25Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 premio en total

    Imágenes73

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    Reparto principal27

    Editar
    Anna Magnani
    Anna Magnani
    • Camilla
    Odoardo Spadaro
    • Don Antonio
    Nada Fiorelli
    • Isabella
    Duncan Lamont
    Duncan Lamont
    • Ferdinand, Le Viceroy
    Paul Campbell
    • Felipe
    Riccardo Rioli
    • Ramon, le Toreador
    Ralph Truman
    Ralph Truman
    • Duc de Castro
    George Higgins
    • Martinez
    Raf De La Torre
    • Le Procureur
    Gisella Mathews
    • Marquise Irene Altamirano
    Elena Altieri
    Elena Altieri
    • Duchesse de Castro
    Jean Debucourt
    Jean Debucourt
    • Eveque de Carmol (de Comédie-Française)
    Dante
    Dante
    • Arlequin
    William Tubbs
    • Aubergiste
    • (as William C. Tubbs)
    Renato Chiantoni
    • Capitaine Fracasse
    • (sin acreditar)
    Fedo Keeling
    • Vicomte
    • (sin acreditar)
    Edward Febo Kelleng
    • Viscount
    • (sin acreditar)
    Alfredo Kolner
    • Florindo
    • (sin acreditar)
    • Dirección
      • Jean Renoir
    • Guión
      • Jean Renoir
      • Jack Kirkland
      • Renzo Avanzo
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios28

    7,03.6K
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    Reseñas destacadas

    10citykid

    Namesake of François Truffaut's film company

    This film is really a masterpiece. This was also French director François Truffaut's opinion, and he named his film company "Les Films du Carrosse" as a tribute to it. I once read a review in which the critic expressed the opinion that Anna Magnani's looks couldn't make it likely that the male characters of the plot fell in love with her. But this is a complete misunderstanding of the story, it is not because of her beauty they love her, but because she makes them laugh, she brings them to that other world which theater creates. For aren't we all made of the same stuff dreams are made of, as the great Will once wrote?... If you haven't seen this film, don't wait if you get a chance to watch it. In France, where I live, it's not available in DVD yet, but since it recently came out in the US, and in Japan, I am looking forward to soon finding it here.
    6mjneu59

    an entertaining novelty

    Jean Renoir's colorful English language comedy is not the masterpiece prevailing critical opinion would have you believe ("riotously textural!" raved the Village Voice), but it is a pleasant and entertaining novelty. A spirited Anna Magnani leads a troupe of Italian actors to a Spanish colony in 18th century Peru, where the appreciative Viceroy rewards her talent (and beauty) with the gift of a golden coach, setting off a small political and romantic scandal. It plays for the most part not unlike a literate stage farce, and Renoir emphasizes the theatricality of the story by directing (and shooting) it like theatre, with deliberate, flat compositions and distracting color costumes; the action even begins on a legitimate stage, the walls of which 'disappear' as soon as Renoir's camera dollies into it. The (at the time) newly struck 1992 print, presented by Martin Scorsese, shows obvious evidence of restoration only in the curious epilogue, which brings the story back to its original stage setting, and appears to have been poorly reconstructed on video.
    8psteier

    A wonderful film but not for everyone

    A small and poor Italian Commedia dell'Arte troupe has gone to colonial South America. Its leading lady Anna Magnani (Camilla) has three admirers: poor Spanish nobleman Odoardo Spadaro (Don Antonio), the Colonial Viceroy Duncan Lamont (Ferdinand), and the leading toreador Riccardo Rioli (Ramon), who struggle for her attention.

    Very theatrical and obviously shot in a studio. Includes nice reconstructions of Commedia dell'Arte performances (though probably much better in the film than in reality). The troupe's children are charming.
    6bm-41395

    An exuberant homage to Italy's oldest theatrical tradition by one of the great masters of cinema

    ... or La Carrozza d'Oro, or Le Carrosse d'Or. Take your pick: the film has an early flavour of the "Euro-pudding", with a mixed (and sometimes mixed-up) Anglo-Italian cast. It was shot principally in English, which meant an extra layer of strain for La Magnani, whose manic, over-the-top performance can't quite hide the somewhat anaemic storyline.

    Luckily, her overacting fits well enough with the character's context and the decidedly light and bawdy mood of the whole piece: she's a professional Commedia del Arte 'actor' touring a 16th Century Latin America which decadent Spaniards hold in their venal grip. The great Italian star drags behind her a motley crew of fellow-Italians who match her quiver for quiver in the wild hand-gesturing repertoire and performs convincingly the stage stunts that were the Commedia's stock in trade. Magnani's antics also serve as a welcome distraction from leading man Paul Campbell's comatose acting. This American non-entity gives "wooden" a bad name. Whilst La Magnani keeps running through her vast back-catalogue of facial expressions, he only ever seems able to muster two, at best. Was Renoir asleep when this guy auditioned?

    Anyway, none of that matters, because this is a film that is as much art-directed as it is directed. Huge respect is owed to designers Mario Chiari and Gianni Poldori for sets that manage to be both lavishly theatrical and convincingly lived in. Maria de Matteïs and Ginevra Pasolini match their male colleagues' panache and inventiveness with a dazzling range of costumes that combine with the lush colour palette of the sets to deliver an exquisitely sensuous fantasia of this distant time and place. Rarely was the glorious three-strip Technicolor process used with such erotic abandon and sheer vitality.

    Thank God for this too, because it's not as if the lame script, with its flat-footed storyline and schematic comedy was anything to write home about. There is no doubting Renoir's genuine desire to pay tribute to the Commedia genre, and his loving attention to the detail of early theatrical craft draws you in. After all, wasn't this popular form of street theatre an early precursor to the great art perfected later on the big screen by the likes of Lubitsch or Renoir himself?

    In the end, I feel an indulgent love for this film, a late entry into the great French master's career and -like French Cancan - a little bit 'so what?'. Not only could I get drowned again and again in its sensuous celebration of Technicolor as life and drama, but there is also a core quality that has to do with how Renoir renders the spiritual essence of the Commedia company: throughout the film, these displaced paupers and underfed globe-trotters display total servitude and total freedom in equal measure. These are the two opposites of their fraught but impassioned lives and the source of the manic energy they need for the performance that will buy them the day's only meal. As a filmmaker who frequently struggled to achieve his vision against the strictures of the commercial film industry, Renoir seems to know intimately what those characters' lives were about.
    10wjfickling

    Masterpiece

    I saw this recently at a retrospective celebrating the 50th anniversary of the founding of Cahiers du Cinema, and I approached it with some trepidation. I didn't know if I would like it as much as Renoir's more famous films of the 30s, and I had previously found some of the color films he did in the 50s to be less accessible. I needn't have worried; this film is a masterpiece. The color is sumptuous and breathtaking; I have always like Technicolor, in which this film is shot, for the richness of its palette. The acting is brilliant and introduced me to some wonderful actors I have never heard of before. Well worth viewing.

    Argumento

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    • Curiosidades
      François Truffaut admired this film so much, he named his own production company (Les Films Du Carrosse) after it. He also reportedly referred to La carroza de oro (1952) as "the noblest and most refined film ever made."
    • Citas

      Aubergiste: How do you like the New World?

      Don Antonio: It will be nice when it's finished.

    • Conexiones
      Featured in Histoire(s) du cinéma: Toutes les histoires (1988)

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    Preguntas frecuentes19

    • How long is The Golden Coach?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 5 de diciembre de 1952 (Italia)
    • Países de origen
      • Francia
      • Italia
    • Idiomas
      • Inglés
      • Italiano
      • Francés
    • Títulos en diferentes países
      • The Golden Coach
    • Localizaciones del rodaje
      • Cinecittà Studios, Cinecittà, Roma, Lacio, Italia(Studio)
    • Empresas productoras
      • Delphinus
      • Hoche Productions
      • Panaria Film
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Recaudación en todo el mundo
      • 439 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 43 minutos
    • Relación de aspecto
      • 1.37 : 1

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