Añade un argumento en tu idiomaAfter unwittingly selling a life insurance policy to a gangster who receives death threats, a naïve insurance salesman must keep him alive to avoid paying-up the benefits.After unwittingly selling a life insurance policy to a gangster who receives death threats, a naïve insurance salesman must keep him alive to avoid paying-up the benefits.After unwittingly selling a life insurance policy to a gangster who receives death threats, a naïve insurance salesman must keep him alive to avoid paying-up the benefits.
- Dirección
- Guión
- Reparto principal
- Clerk
- (sin acreditar)
- First Stenographer
- (sin acreditar)
- Taxi Driver
- (sin acreditar)
- Pedestrian
- (sin acreditar)
Reseñas destacadas
Lew Ayres plays Henry Twinkle, a very mild mannered insurance salesman who wants to make a sale in order to get a raise...and then he can afford to get married. Well, he thinks it's a shoe-in after making his latest sale. What he doesn't realize is that the guy who purchased the policy is a wanted criminal with a $25,000 reward on his head and fellow mobsters who want to silence him....meaning it's very likely SOMEONE will kill the guy and force the insurance company to pay. So, Henry gets the idea to look for the crook (Lloyd Nolan) and keep an eye on him....just to make sure he stays safe. Where this then goes is pretty crazy...but I'll say no more because I don't want to spoil it.
The film has a cute, clever script that kept my interest. Well written, but more importantly a lot of fun to watch.
Ayres plays Henry Twinkle, and there is an extended bit at the very beginning of the film that shows that Twinkle does not know how to assert himself as he has to brave a herd of pedestrians as well as cars almost hitting him as he runs down the street. He's in a hurry to get a client to sign a 50K life insurance policy, and he easily seals the deal as the client is in the elevator on his way out of town. Unfortunately, the client is Gus Fender, a mobster, who is about to be arrested on a slew of charges. He is wanted dead or alive for 25000 dollars as far as bounty hunters are concerned, and the other mobsters he is in league with figure he will talk to get a deal, so they want to get to him first and kill him.
But Twinkle knows none of this and runs back to his insurance agency to show the check to the boss and ask for a raise so he can marry the boss' secretary. But then his boss sees the newspapers talking about Fender and is furious that their chances of having to pay off on that policy in the next 24 hours is about 100%.
But Fender is in trouble too, as he has to get enough money to raise bail so he can turn himself in and then skip the country. He has half of the money he needs - 25K. Fender is holed up in the rural jail of a corrupt town the heads of which he has over a barrel for all of their misdeeds.
Eventually Twinkle and Fender meet again and find a way for them to solve each others problems, but of course it is not going to be that easy. Between misunderstandings, freak occurrences in the stock market, and the naivete of Twinkle, nothing goes according to plans.
This one is great fun and deserves to be better remembered. Virginia Bruce is practically unrecognizable as Fender's girlfriend. Nat Pendleton is quite believable as one of Fender's tough guys. And Leon Errol adds to the zaniness of the proceedings as the uncle of Twinkle's fiancée who hasn't had a real job in years (maybe never?) but is always trying new compositions on his oversized xylophone. Extra kudos to Lew Ayres as Twinkle, who is playing a part about 180 degrees out of what he normally plays - the thoughtful serious guy, usually a physician.
I'd recommend this one for the fun of it all.
The story is about an insurance clerk who arranges a policy for what is later discovered to be a crime boss with a reward on his head. The insurance company only discovers that fact later so Henry Twinkle,the clerk, needs to keep the insured alive and the movie is all about the 'keystone cops' type of adventures of Henry in trying to protect the double-crossing boss.
Lew Ayres plays a patsy and does it very well and the first 5 minutes of the movie is quite hilarious as is much of the rest of the film. Often the picture is slap stick but thats the nature of it.
Great supporting cast and all the players are presented with style and class in 1940's super smartly tailored suits and gowns and they are all beautifully groomed as well. Modern movies could learn a lot about elegance from this type of picture.
All in all, a thoroughly enjoyable comedy, worth at least:
7/10.
Henry Twinkle is pretty fun to start off with. The silly premise seems full of potential fun. I can see a fun buddy road comedy coming out of this where Henry finds Gus and spends the rest of the movie bumbling his way into saving Gus over and over again. The plot gets a little too complicated with the bounty and the deal with Gus, not in a good way. The sitcom writing is a little flat and Henry is too pathetic to be funny. Lew Ayres may not be the one to pull off this comedic role. He grows more and more annoying in his handwringing cluelessness. The acting is all very broad. In the end, Henry's hemming and hawing is too pathetic. He's not funny and the movie falls flat.
Lew Ayres was a slightly talented dramatic actor with no flair for comedy; his success in a supporting role in the comedy 'Holiday' was down to Ayres's willingness to give a passive performance for a firm-handed director while allowing much more talented actors to play off him. Here, in 'The Golden Fleecing', Ayres plays a schlub insurance salesman named Henry Twinkle: I guess that this name is meant to be funny, but somehow I'm not laughing. (When I said he was a schlub insurance salesman, I didn't mean he sells schlub insurance: I meant he's a schlub who has a job as an insurance salesman.) Henry is engaged to Lila (the attractive but untalented actress Virginia Grey), and they hope to get married if only Henry sells a few insurance policies.
Henry sells a life-insurance policy to a man named Gus Fender (played by Lloyd Nolan, whose face does indeed resemble a bashed fender). Henry is pleased with the sale ... until he learns that Fender is a gangster, and rival gangsters have put a price on Fender's head. If this were real life, Henry's boss could just cancel the insurance policy on a technicality. But this is a movie, so ... exit credibility, upstage left, while implausibility runs riot.
In order to keep Fender from getting killed, Henry gets involved in some criminal schemes which become increasingly felonious and decreasingly plausible. Meanwhile, Lila can't figure out why Henry is acting so weird, and of course he can't tell her. Listen, sister: when you decided to marry a guy named Twinkle, you should have been prepared.
Part of the problem with 'The Golden Fleecing' is that Fender is so unlikeable, we actually want him to get killed off ... even though this would mean ruination for Henry. Lloyd Nolan was a very talented actor (more so than Ayres) whose unpleasant physiognomy kept him typecast nearly always as crooks or unsympathetic heroes.
There are some good supporting performances here. The trim and muscular Nat Pendleton (a former Olympic athlete) plays a guy named Fatso. Leon Errol plays a character named Uncle Waldo: just the idea of Leon Errol playing somebody named Uncle Waldo is funny, but Errol has little to do in the role. Spencer Charters, Ralph Byrd and the great William Demarest are excellent in small roles. It's nice to see Ralph Byrd playing a role that isn't Dick Tracy. I'll rate this weak movie 4 out of 10.
¿Sabías que...?
- CuriosidadesMr. Sloan tells Henry to "bring 'em back alive", and to hire "Frank Buck" if necessary in relation to finding Gus before the mob gets to him. Sloan is referring to the real Frank Buck who was well-known at the time as a big-game hunter and a supplier of animals to circuses and zoos. The line "bring 'em back alive" was the title of his first best-selling book about his exploits.
- PifiasThe main and trip odometers on Lila's car read the same when she drives into Upper Tuxton and later when Henry drives the car there.
- Citas
Henry Twinkle: Mr. Sloan, about that raise...
Buckley Sloan: Yes, Twinkle?
Henry Twinkle: Well, under the circumstances, I don't think I'm exactly entitled to it.
Buckley Sloan: That's mighty white of you. Get out!
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Detalles
- Duración1 hora 8 minutos
- Color
- Relación de aspecto
- 1.37 : 1