PUNTUACIÓN EN IMDb
7,5/10
12 mil
TU PUNTUACIÓN
Un joven aristócrata español debe disfrazarse de petimetre para mantener su identidad secreta de Zorro mientras restaura la justicia en la California primitiva.Un joven aristócrata español debe disfrazarse de petimetre para mantener su identidad secreta de Zorro mientras restaura la justicia en la California primitiva.Un joven aristócrata español debe disfrazarse de petimetre para mantener su identidad secreta de Zorro mientras restaura la justicia en la California primitiva.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 4 premios y 1 nominación en total
Ed Agresti
- Caballero
- (sin acreditar)
Reseñas destacadas
altho Tyrone Power's no slouch. His looks are perfect for he role and he plays the fop wonderfully well:
"Alcalde, I ask for your niece's hand in marriage. A refusal would crush me."
Basil, aside from playing the villain in "The Adventures of Robin Hood" and the famous detective in 14 Sherlock Holmes movies, was a master swordsman, and the final duel is breathtakingly fast and furious. He was so good in the role I hated to see him killed!
The theme music by Alfred Newman is appropriately stirring. And Gale Sondergaard is wonderful as the woman you love to hate. 18-year old Linda Darnell is beautiful but quite stiff in the role.
Note: Eugene Pallette, a Robert Newton look & sound-alike, who played the Padre in this, also played a priest, Friar Tuck, in "Robin Hood," also starring Basil. Also, the 1974 TV version with Frank Langella, Ricardo Montalban & Anne Archer, the first Zorro version I ever saw, uses the same theme soundtrack, and the script and dialogue are very similar to the 1940 version. I recommend this TV version as well.
"Alcalde, I ask for your niece's hand in marriage. A refusal would crush me."
Basil, aside from playing the villain in "The Adventures of Robin Hood" and the famous detective in 14 Sherlock Holmes movies, was a master swordsman, and the final duel is breathtakingly fast and furious. He was so good in the role I hated to see him killed!
The theme music by Alfred Newman is appropriately stirring. And Gale Sondergaard is wonderful as the woman you love to hate. 18-year old Linda Darnell is beautiful but quite stiff in the role.
Note: Eugene Pallette, a Robert Newton look & sound-alike, who played the Padre in this, also played a priest, Friar Tuck, in "Robin Hood," also starring Basil. Also, the 1974 TV version with Frank Langella, Ricardo Montalban & Anne Archer, the first Zorro version I ever saw, uses the same theme soundtrack, and the script and dialogue are very similar to the 1940 version. I recommend this TV version as well.
Tyrone Power - the swashbuckling answer to Errol Flynn - is cast as the agile masked avenger who decides to take up the people's cause in disguise leaving his 'mark' "Z" everywhere, on walls, coach, wooden barrels and human chest...
Power - in a double leading role - is at his best as Zorro, climbing, jumping, riding and fencing, determined to finish with tyranny and oppression by terrorizing, and retrieving taxation funds and by challenging a cunning officer, proving in public his indifference, his ostentation and irony as a perfect pacifist fop in 19th-Century Spanish California, confusing and deceiving his aristocratic father Don Alejandro Vega (Montagu Love), the deposed Alcalde...
The inspired casting (in supporting roles) recalls "The Adventures of Robin Hood."
Linda Darnell is the pretty Lolita, Quintero's charming niece, who loves the mysterious hero and can't tolerate the fop until she is told that they are the image of the same person...
Basil Rathbone, one of the most durable of screen villains who has mastered stage fencing but never won a Swordfight, plays the cruel captain Esteban Pasquale, the Alcalde's military adviser... He is a second-rate soldier of fortune who leads the campaign of frustrating taxation, who considered Diego "a fancy clown" but who suggests a practical plan, an alliance for the good of the state...
J. Edward Bromberg is the cowardly Alcalde, Don Luis Quintero, a corrupted thief, enemy of the people, whose tyranny and avarice are always enforced by the treachery of his iron hand, the rigorous captain Esteban...
Eugene Palette plays the mission 'fat' priest (Father Felipe) who ignores that Diego is the opposing force...
The high point of the picture is the fantastic duel between Power and Rathbone, a masterpiece of screen Swordplay...
Rouben Mamoulian succeeds in making two great stars dance to an unheard music... With a touch of a great filmmaker, Mamoulian mixes harmoniously movement and action, decor and lightning with rage and turmoil, heroism and romance...
Under Alfred Newman's Oscar-Nominated score and despite the unusual absence of Technicolor, the film (the first of the great Tyrone Power swashbucklers ) is great fun, full of vitality and suspense, an exciting, deliciously ironic swashbuckler...
Power - in a double leading role - is at his best as Zorro, climbing, jumping, riding and fencing, determined to finish with tyranny and oppression by terrorizing, and retrieving taxation funds and by challenging a cunning officer, proving in public his indifference, his ostentation and irony as a perfect pacifist fop in 19th-Century Spanish California, confusing and deceiving his aristocratic father Don Alejandro Vega (Montagu Love), the deposed Alcalde...
The inspired casting (in supporting roles) recalls "The Adventures of Robin Hood."
Linda Darnell is the pretty Lolita, Quintero's charming niece, who loves the mysterious hero and can't tolerate the fop until she is told that they are the image of the same person...
Basil Rathbone, one of the most durable of screen villains who has mastered stage fencing but never won a Swordfight, plays the cruel captain Esteban Pasquale, the Alcalde's military adviser... He is a second-rate soldier of fortune who leads the campaign of frustrating taxation, who considered Diego "a fancy clown" but who suggests a practical plan, an alliance for the good of the state...
J. Edward Bromberg is the cowardly Alcalde, Don Luis Quintero, a corrupted thief, enemy of the people, whose tyranny and avarice are always enforced by the treachery of his iron hand, the rigorous captain Esteban...
Eugene Palette plays the mission 'fat' priest (Father Felipe) who ignores that Diego is the opposing force...
The high point of the picture is the fantastic duel between Power and Rathbone, a masterpiece of screen Swordplay...
Rouben Mamoulian succeeds in making two great stars dance to an unheard music... With a touch of a great filmmaker, Mamoulian mixes harmoniously movement and action, decor and lightning with rage and turmoil, heroism and romance...
Under Alfred Newman's Oscar-Nominated score and despite the unusual absence of Technicolor, the film (the first of the great Tyrone Power swashbucklers ) is great fun, full of vitality and suspense, an exciting, deliciously ironic swashbuckler...
What fun! This film has not aged a day in 63 years.....it is still a great tale of old California and the masked caballero, Zorro. Tyrone Power plays it to the hilt, and is especially good in his alter ego of the effeminate fop, Don Diego. He may not be quite as acrobatic as Fairbanks was in the original silent version but it doesn't detract from the performance. And Power was a fencer, so his sword fighting scenes certainly rang true. Put him with that elegant gentleman, Basil Rathbone, also an excellent swordsman, and you get one of the best sword fights in film history. Rathbone is the other shining star of this film. He oozes evil and was the master of the condescending sneer. The supporting cast is impeccable.....Palette, Sondergaard, Bromberg, Love, and the young, extremely beautiful Linda Darnell. It is curious to note that both Gale Sondergaard and J. Edward Bromberg were caught up in the Red Scare in Hollywood in the late 40'3, early 50's and their careers were basically destroyed by it.
This is a rousing, fun film with great dialogue and should be on everyone's "must see" list. One curious thing.......how did those very revealing tight pants worn by Power and Rathbone get by the Hays Office? These were the days when you could not even show a married couple sharing the same bed and those pants didn't leave much to the imagination!
This is a rousing, fun film with great dialogue and should be on everyone's "must see" list. One curious thing.......how did those very revealing tight pants worn by Power and Rathbone get by the Hays Office? These were the days when you could not even show a married couple sharing the same bed and those pants didn't leave much to the imagination!
This movie was directed by Rouben Mamoulian and this was basically the only action movie he directed and probably his best film, he made one more movie with Tyrone Power a year later called Blood And Sand and that was pretty bad. This is also one of Power's best movies and much better than Jesse James the year before. Their isn't much to the plot that you need to know like Power coming back from Spain and finding his father thrown out of power by a dictator and the people are starving. His father can't or won't do anything so Power decides to become Zorro. Basil Rathbone is the dictator's top bodyguard and a top swordsman. Linda Darnell is the dictator's daughter who winds up getting married to Power through an arranged marriage. This is much better then the remake in 98 called The Mask Of Zorro and a great movie.
The only ingredient missing here is a Fox budget that would have provided Technicolor photography as a part of the film's lush production values. However, even without three-strip Technicolor, this B&W version of the famous legendary outlaw is acted to perfection by the entire cast.
Tyrone Power goes with great ease from the fop to the swashbuckler Zorro, all the while displaying a great deal of charm and good looks. The romantic role of "the girl" goes to Linda Darnell who is more than adequate in the looks department herself.
In the chapel scene and "The White Sombrero" dance routine they have a chance to show the kind of sparks that made them popular movie stars of the '40s. Linda was just about to break out of her virginal roles and about to play more tempestuous heroines, but she does an excellent job as Power's love interest.
Basil Rathbone is at his finest for the final dueling scene, surely even more robustly performed than the one he shared with Errol Flynn in THE ADVENTURES OF ROBIN HOOD--and that's really saying something. Power seems to be evenly matched with Rathbone in his skilled swordsmanship.
Alfred Newman's fitting pseudo-Spanish background music provides just the right amount of excitement to make this a most entertaining show. And the supporting cast--including Gale Sondergaard, J. Edgar Bromberg, Eugene Palette, Montagu Love, Janet Beecher and others is excellent.
By all means worth watching anytime for sheer entertainment.
Tyrone Power goes with great ease from the fop to the swashbuckler Zorro, all the while displaying a great deal of charm and good looks. The romantic role of "the girl" goes to Linda Darnell who is more than adequate in the looks department herself.
In the chapel scene and "The White Sombrero" dance routine they have a chance to show the kind of sparks that made them popular movie stars of the '40s. Linda was just about to break out of her virginal roles and about to play more tempestuous heroines, but she does an excellent job as Power's love interest.
Basil Rathbone is at his finest for the final dueling scene, surely even more robustly performed than the one he shared with Errol Flynn in THE ADVENTURES OF ROBIN HOOD--and that's really saying something. Power seems to be evenly matched with Rathbone in his skilled swordsmanship.
Alfred Newman's fitting pseudo-Spanish background music provides just the right amount of excitement to make this a most entertaining show. And the supporting cast--including Gale Sondergaard, J. Edgar Bromberg, Eugene Palette, Montagu Love, Janet Beecher and others is excellent.
By all means worth watching anytime for sheer entertainment.
¿Sabías que...?
- CuriosidadesThe famous duel was staged by Hollywood fencing master Fred Cavens. He specialized in staging duels that relied more on real swordplay rather than the jumping on furniture and leaping from balconies that many film duels incorporated up until that point. Cavens' son, Albert Cavens, doubled for Tyrone Power in the fancier parts of the duel (mostly with his back to camera), such as the extended exchange with Esteban ending with Don Diego's sword smashing into the bookcase. Basil Rathbone, a champion fencer in real life, did not care for the saber (the weapon of choice in this film), but nevertheless did all of his own fencing. Fast fencing shots were under-cranked to 18 or 20 frames per second (as opposed to the standard 24fps) and all the sound effects were post-synchronized.
- PifiasThe character "Captain Esteban Pasquale" uses the Italian spelling for his surname. The Spanish spelling is Pascual. While a subsequent addition to this entry has sought to attribute it to the presence of Italian mercenaries in the Spanish army of the period, the inescapable fact is that the screenwriter had more important things to attend to than inject such a trivial historical footnote. He misspelled Pascual's name in the script (made obvious by Basil Rathbone's pronouncing it in the two-syllable Spanish form, pas-KWAL), and that misspelling was then incorporated in the copy provided the department that drew up the film's end title.
- Citas
Captain Esteban Pasquale: His Excellency will never forgive me if I let you go without a word of welcome from him. I'm quite sure that you'll save me a reprimand.
Don Diego Vega: How could I refuse a man anything with a naked sword in his hand?
- Créditos adicionalesOpening credits prologue: MADRID - when the Spanish Empire encompassed the globe, and young blades were taught the fine and fashionable art of killing ...
- Versiones alternativasAlso available in a colorized version.
- ConexionesEdited into Myra Breckinridge (1970)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- La marca del Zorro
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 1.000.000 US$ (estimación)
- Recaudación en todo el mundo
- 10.248 US$
- Duración1 hora 34 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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What is the German language plot outline for El signo del Zorro (1940)?
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