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Variety Girl

  • 1947
  • Approved
  • 1h 33min
PUNTUACIÓN EN IMDb
6,3/10
536
TU PUNTUACIÓN
Gary Cooper, William Holden, Alan Ladd, Veronica Lake, Burt Lancaster, Bing Crosby, Bob Hope, Ray Milland, Barbara Stanwyck, Paulette Goddard, Joan Caulfield, Cass Daley, Billy De Wolfe, Barry Fitzgerald, Mary Hatcher, Dorothy Lamour, Gail Russell, Olga San Juan, Lizabeth Scott, and Sonny Tufts in Variety Girl (1947)
ParodySlapstickComedyMusical

Añade un argumento en tu idiomaAlmost everyone under contract to Paramount Pictures at the time make cameos or perform songs, with particularly large amounts of screen time featuring Bob Hope and Bing Crosby.Almost everyone under contract to Paramount Pictures at the time make cameos or perform songs, with particularly large amounts of screen time featuring Bob Hope and Bing Crosby.Almost everyone under contract to Paramount Pictures at the time make cameos or perform songs, with particularly large amounts of screen time featuring Bob Hope and Bing Crosby.

  • Dirección
    • George Marshall
  • Guión
    • Monte Brice
    • William Cottrell
    • Edmund L. Hartmann
  • Reparto principal
    • Mary Hatcher
    • Olga San Juan
    • DeForest Kelley
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,3/10
    536
    TU PUNTUACIÓN
    • Dirección
      • George Marshall
    • Guión
      • Monte Brice
      • William Cottrell
      • Edmund L. Hartmann
    • Reparto principal
      • Mary Hatcher
      • Olga San Juan
      • DeForest Kelley
    • 11Reseñas de usuarios
    • 2Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes13

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    Reparto principal99+

    Editar
    Mary Hatcher
    Mary Hatcher
    • Catherine Brown…
    Olga San Juan
    Olga San Juan
    • Amber La Vonne
    DeForest Kelley
    DeForest Kelley
    • Bob Kirby
    Frank Ferguson
    Frank Ferguson
    • R.J. O'Connell
    Glenn Tryon
    Glenn Tryon
    • Bill Farris
    Nella Walker
    Nella Walker
    • Mrs. Webster
    Torben Meyer
    Torben Meyer
    • Andre - Brown Derby Headwaiter
    Jack Norton
    Jack Norton
    • Busboy at Brown Derby
    Elaine Riley
    Elaine Riley
    • Cashier (Brown Derby)
    Charles Victor
    • Mr. O'Connell's Assistant
    Gus Taute
    • O'Connell's Assistant's Assistant
    Harry Hayden
    • Manager - Grauman's Chinese Theatre
    Bing Crosby
    Bing Crosby
    • Bing Crosby
    Bob Hope
    Bob Hope
    • Bob Hope
    Gary Cooper
    Gary Cooper
    • Gary Cooper
    Ray Milland
    Ray Milland
    • Ray Milland
    Alan Ladd
    Alan Ladd
    • Alan Ladd
    Barbara Stanwyck
    Barbara Stanwyck
    • Barbara Stanwyck
    • Dirección
      • George Marshall
    • Guión
      • Monte Brice
      • William Cottrell
      • Edmund L. Hartmann
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios11

    6,3536
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    Reseñas destacadas

    8bkoganbing

    All Hail the Variety Clubs

    I've said this often enough. There is no way I will ever give a film like this a bad review. Just an unregenerate stargazer I guess.

    The demise of the studio system makes this kind of film impossible now. You couldn't possibly afford to pay all the talented people here what they would be worth on the open market. But when they're all working at Paramount studios at the time, such films are possible.

    The thin plot of this film is that young Mary Hatcher who back as an infant was left in a movie theater and adopted by the managers of several theaters. She became a project for them and the cause of why they founded the Variety Club Charitable Foundation.

    Mary's grown up now and has aspirations to be an actress. She goes to Paramount where Frank Ferguson is now a big wig. She and a goofy friend Olga San Juan get everyone confused as to who is who. Especially young DeForest Kelley who is a Paramount talent scout.

    Both Hatcher and Kelley were pretty unknown at the time. Hatcher had in fact come from Broadway and the original production of Oklahoma where she had replaced Joan Roberts in the lead. This was DeForest Kelley and it was only his second film. But I seem to remember he got a big break a little less than 20 years later playing a futuristic doctor on some science fiction show.

    But this is really just an excuse to have all the Paramount name talent strut their stuff. One interesting sequence was one where Alan Ladd hijacks an airliner and in the midst of a dramatic scene bursts into song with Dorothy Lamour about the capital city of Florida, Tallahassee. Ladd had a pleasant, if not great singing voice and I'm sure he loved the opportunity to spoof his own hardboiled image.

    Gary Cooper made an obligatory appearance and this turned out to be his farewell appearance with Paramount, the studio that discovered and developed him.

    Of course heading the cast were the two that really kept Paramount in the black in those days, Bing Crosby and Bob Hope. Bing was in the midst of a five year run as the nation's number one box office attraction. And in 1949 he would be succeeded by one Bob Hope. They have a duet called Harmony in which the rest of the cast joins in at the finale.

    Curiously enough Bing only recorded Tallahassee and with the Andrews Sisters. Why he and Hope didn't do Harmony on record is a mystery to me.

    Just about everyone on the lot but Betty Hutton got into this one. I wonder where she was?
    4Varlaam

    An all-star tribute to the philanthropic Variety Clubs International

    ... and that's as flimsy an excuse for a parade of stars as there ever was. This one seems more forced and artificial than such films normally do.

    Many of the stars have little or nothing to do in their cameos: Barbara Stanwyck, Burt Lancaster, Diana Lynn, and especially Robert Preston. Perhaps they're the lucky ones, given the limp nature of the script. They might have wound up like Spike Jones -- he and his City Slickers are far more obnoxious here than they were in "Thank Your Lucky Stars" (1943). Or the pitiable Alan Ladd, singing about that greatest of cities, Tallahassee, Florida. Seriously.

    The occasional bright spots include Paulette Goddard wearing soapsuds, and Ray Milland hiding his telephone in an overhead light fixture, à la "The Lost Weekend".

    I was also keen to see the rarely glimpsed, grey-haired Glenn Tryon, the male lead in 1928's magnificent "Lonesome", one of the final great achievements of the American silent film. "Lonesome" is comparable in some ways to King Vidor's "The Crowd", but is much less frequently discussed.

    I think few would argue if I were to say that "Variety Girl" is for completists only.

    Caveat emptor: This film's recent video release in the Bob Hope Collection has the George Pal Technicolor sequence in black and white.
    3planktonrules

    A supposedly behind the scenes look at Paramount....and a limp story to tie it all together.

    "Variety Girl" is one of those films that was popular in the 1930s and 40s which supposedly gives audiences a behind the scenes look at a Hollywood Studio. In each, the various big-time contract players are seen as a VERY scripted version of themselves...and most of the major studios made films like this. Some examples include "The Hollywood Revue of 1929", "The Goldwyn Follies" as well as "Paramount on Parade". For the most part, these films were pure hooey and they are more self-promotion than entertaining when you see them today.

    In "Variety Girl", it the story of a very talented young woman and her new, and VERY obnoxious friend....and the women's road to discovery by Paramount. As far as the cast goes, some are actors pretending to be Paramount executives (such as DeForrest Kelley playing a publicity agent) and many are real actors, writers and directors playing a version of themselves. This would include Bing Crosby, Bob Hope, Barbara Stanwyck, Paulette Goddard, Gary Cooper, Ray MIlland, Dorothy Lamour, Alan Ladd and quite a few other actors. Non-actors playing themselves include Cecil B. DeMille, George Marshall, Spike Jones and Mitchell Leissen.

    I enjoyed seeing the various cameos, though many were simply too brief. What I didn't love was the character played by Olga San Juan. Like Mary Hatcher's character, both were supposedly newbies to Hollywood trying to break into films with Paramount but they simply made San Juan's character too despicable and obnoxious....to the point where it really hurt the film. It was supposed to be funny...but I found her character to be grating every second she was on the screen and her acting way beyond just broad! The 'joke' about all this is that the studio keeps mixing up the two ladies, and when one misbehaves, the other is blamed.

    So is this worth seeing? Well, it depends. If you are a fan of old films, you can look past the unlikable story and San Juan and just enjoy the many cameos, as practically everyone at Paramount seems to be in this movie. If you are not a fan of old films, the cameos won't mean much to you and the story itself is simply bad. None of this is very surprising, as most of these 'behind the scenes' films stink and are very short on actual plot. One of the few exceptions I can think of is "Thank Your Lucky Stars" from Warner Brothers. The rest are just more self-promotion than anything else and are tough to love...and this is definitely true of "Variety Girl".
    1Cajun-4

    Cheap looking tour of Paramount Studios.

    There's plenty of stars in this homage to Variety clubs international but precious little entertainment. A poor script and shoddy production values make this movie look as though it was shot over weekends on whatever sets happened to be available. Painful to sit through at times with dated comedy routines that were probably not very funny even at the time. Of the performers Pearl Bailey does a not bad musical number, and Bing Crosby and Bob Hope come the closest to being funny.
    8julisa

    All star fun, behind the scenes movie-making 1947 style & OK backstory

    This movie is a rollicking treat in so many ways.

    Firstly it is a wonderful nostalgic trip around Paramount studios in 1947. Bing's makeshift golf course, sound stages and administration buildings.

    It is also an insight into how pictures were made. In the Cecil B. DeMille scene set there is of course no blue/green screen. The projection light goes on, and suddenly you see the back projection of the river. And when the actress walks behind the screen you see her shadow looming prominently. Or in William Bendix's kitchen where you see the sink is simply a board with nothing underneath, and the actor runs out of a back door discretely hidden in the scenery.

    Even the backstory used as a link to the stars is entertaining. Frank Ferguson with his distinct gravelly voice, who generally plays small parts such as the townsman in westerns who gets shot after about 5 minutes, gives his all as the studio head, Olga San Juan's performance isn't too forced and De Forrest Kelley is a curiosity in a rare leading (sort of) nice guy role. But of course the crowd wants to see the stars. And boy do they shine. Hope & Crosby's golf skit, Alan Ladd in a singing role with Dorothy Lamour, even Pinto Colvig (best known as the voice of Grumpy & the first voice of Goofy) in performance doing voice over.

    Sadly the print I saw (Universal Vault DVD series)has the Puppetoon sequence in black and white (even though the credits say it's in color).

    Apart from that frustrating issue, in summing up, just relax and soak up the fun.

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    Argumento

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    ¿Sabías que...?

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    • Curiosidades
      Under contract to different record labels at the time - Bing Crosby at Decca and Bob Hope at Capitol - the duo could not produce for the marketplace a disc of their specialty number from the film, "Harmony" (music by Jimmy Van Heusen, lyrics by Johnny Burke). Decca, taking another tune from the score, united Bing with his frequent recording partners, The Andrews Sisters, for a best-selling single of the jaunty city song, "Tallahassee" (music and lyrics by Frank Loesser), a ditty introduced in the picture by Dorothy Lamour and the usually non-singing Alan Ladd. On a Capitol 78, Johnny Mercer teamed with The King Cole Trio for their take on "Harmony."
    • Citas

      Bing Crosby: Go away, or I'll beat you to a pulp with my Oscar.

    • Versiones alternativas
      Although the George Pal Puppetoon sequence was originally presented in Technicolor, most extant prints of "Variety Girl" now show this segment in black-and-white.
    • Conexiones
      Referenced in Flesh (1968)
    • Banda sonora
      Your Heart Calling Mine
      Written by Frank Loesser

      Sung by Mary Hatcher with Spike Jones and His Orchestra

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    Preguntas frecuentes14

    • How long is Variety Girl?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 29 de agosto de 1947 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Mädchen für Hollywood
    • Localizaciones del rodaje
      • Grauman's Chinese Theater - 6925 Hollywood Blvd., Hollywood, Los Ángeles, California, Estados Unidos
    • Empresa productora
      • Paramount Pictures
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 33 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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    Gary Cooper, William Holden, Alan Ladd, Veronica Lake, Burt Lancaster, Bing Crosby, Bob Hope, Ray Milland, Barbara Stanwyck, Paulette Goddard, Joan Caulfield, Cass Daley, Billy De Wolfe, Barry Fitzgerald, Mary Hatcher, Dorothy Lamour, Gail Russell, Olga San Juan, Lizabeth Scott, and Sonny Tufts in Variety Girl (1947)
    Principal laguna de datos
    By what name was Variety Girl (1947) officially released in India in English?
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