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Corrientes ocultas

Título original: Undercurrent
  • 1946
  • Approved
  • 1h 56min
PUNTUACIÓN EN IMDb
6,5/10
3,8 mil
TU PUNTUACIÓN
Katharine Hepburn and Robert Taylor in Corrientes ocultas (1946)
Trailer for this noir thriller
Reproducir trailer2:33
1 vídeo
35 imágenes
Film NoirPsychological DramaPsychological ThrillerDramaThriller

La novia de mediana edad Ann Hamilton pronto comienza a sospechar que su encantador esposo es realmente un psicótico que planea asesinarla.La novia de mediana edad Ann Hamilton pronto comienza a sospechar que su encantador esposo es realmente un psicótico que planea asesinarla.La novia de mediana edad Ann Hamilton pronto comienza a sospechar que su encantador esposo es realmente un psicótico que planea asesinarla.

  • Dirección
    • Vincente Minnelli
  • Guión
    • Edward Chodorov
    • Thelma Strabel
    • George Oppenheimer
  • Reparto principal
    • Katharine Hepburn
    • Robert Taylor
    • Robert Mitchum
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,5/10
    3,8 mil
    TU PUNTUACIÓN
    • Dirección
      • Vincente Minnelli
    • Guión
      • Edward Chodorov
      • Thelma Strabel
      • George Oppenheimer
    • Reparto principal
      • Katharine Hepburn
      • Robert Taylor
      • Robert Mitchum
    • 90Reseñas de usuarios
    • 27Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    Undercurrent
    Trailer 2:33
    Undercurrent

    Imágenes35

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    + 28
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    Reparto principal70

    Editar
    Katharine Hepburn
    Katharine Hepburn
    • Ann Hamilton
    Robert Taylor
    Robert Taylor
    • Alan Garroway
    Robert Mitchum
    Robert Mitchum
    • Michael Garroway
    Edmund Gwenn
    Edmund Gwenn
    • Prof. David 'Dink' Hamilton
    Marjorie Main
    Marjorie Main
    • Lucy
    Jayne Meadows
    Jayne Meadows
    • Sylvia Lea Burton
    Clinton Sundberg
    Clinton Sundberg
    • Mr. Warmsley
    Dan Tobin
    Dan Tobin
    • Prof. Joseph Bangs
    Kathryn Card
    Kathryn Card
    • Mrs. Foster
    Leigh Whipper
    • George
    Charles Trowbridge
    Charles Trowbridge
    • Justice Putnam
    James Westerfield
    James Westerfield
    • Henry Gilson
    Billy McClain
    • Uncle Ben
    • (as Billy McLain)
    Jean Adren
    • Mrs. Davenport
    • (sin acreditar)
    Don Anderson
    Don Anderson
    • Warmsley's Assistant
    • (sin acreditar)
    Monya Andre
    • Saleswoman
    • (sin acreditar)
    Sylvia Andrew
    • Nora
    • (sin acreditar)
    William Bailey
    William Bailey
    • Party Guest
    • (sin acreditar)
    • Dirección
      • Vincente Minnelli
    • Guión
      • Edward Chodorov
      • Thelma Strabel
      • George Oppenheimer
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios90

    6,53.7K
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    Reseñas destacadas

    7jesusfreak-00881

    The Movie that Started it All...

    I can't be unbiased. This is the film that brought me into classic film - the first full film I ever saw on TCM. It means more to me than the favored classics. It gave me the greatest gift.
    7moviemik-3

    Hepburn in a Noir - Sugn me up

    #265moviereview

    Interesting film noir starring Katherine Hepburn and directed by Vincente Minelli, two names not associated with Noir. Kate plays a middle aged spinster who is swept off her feet by Robert Taylor who makes her into a society wife. She wants to know about his family but becomes enraged every time she mentions his brother, Mike. She knows he has secrets but doesn't know what they are. And she is afraid for her life.

    Hepburn gives a tremendous performance, intelligent and appealing but also shows hurt. She also shows fear as she doesn't know her husband's true intentions. Robert Taylor - just back from serving in WWII- was cowed by the relationship between Hepburn and Minnelli, thinking that this would be another Hepburn showcase. But his performance is absolutely riveting and there's no doubt that Minnelli brought out Taylor's best.

    Robert Mitchum also stars and his non-entrance entrance is really a thing of mastery by Minnelli. Young Mitchum in a low-key, genteel role is just great to watch. As is Edmund Gwenn as Kate's father. And there is a terrific film debut from Jayne Meadows. She really tears up the screen in the couple of scenes in which she appears.

    The movie also looks great. Karl Freund's cinematography is absolutely stunning.

    The script, though, is fairly generic and doesn't trod new ground. But it gives Minnelli and Company a base from which to work and produce this nice watchable film noir.

    WATCH IT

    3.5/5.
    10Enrique-Sanchez-56

    Deftly, Deliberately Creeps Up on You...

    All of the criticisms of this movie might well be flushed down the loo. This is one powerhouse of an interesting movie.

    Call it Film-Noir. Call it Mystery/Suspense. Call it Psychological Thriller. Call it what you may...I call it: absorbing drama.

    It moves very deliberately...and the facts are revealed one by one, in true mystery fashion, until the fantastic, thrilling ending.

    Those who say that Hepburn and Mitchum were miscast are just so wrong. Hepburn wasn't playing Hepburn here...she wasn't Tracy Lord here. She wasn't a know-it-all New England uppity snob here. Not a worldly character at all. She played a different character than I've ever seen her do. Hepburn doesn't rely on her stable of clichés to capture our imagination here. She does it with imagination and as few of the Hepburn cornerstone mannerisms as possible. Good result!

    Robert Taylor is fascinating to watch. He has so many secrets in this role. And they reside behind his facade for us to watch and enjoy. He slowly swirls into controlled mania and desperate determination. Very fine, indeed. He should have been nominated for this one.

    And then there's Mitchum! What can one say about Mitchum without gushing foolishly. Gee whiz...the first time you see him...he shows us a side of him we have hardly ever seen! He seems at peace, mild in character, mellow in mood...pensive...other worldly. Likable even! Never gruff or abrasive like we've seen him so many times before.

    What is unique about this story is that we really do not know what is going to happen next. We spend most of the movie residing in Hepburn's character's mind. Her wondering, her confusion, her search for the truth -- at all costs.

    I was expecting not to like this movie. I was expecting it to be another formulaic Hepburn vehicle about high society. But this is where this movie takes a left turn into an underrated mystery.

    I enjoyed the use of the theme to the Third Movement of Johannes Brahms' Third Symphony throughout the movie. It lent a delicious air of mystery, love and luscious pastoral passion to the whole affair.

    And to say that Vincente Minnelli was WRONG for this movie? Gee whiz! He was perfect! Why compare him to Hitchcock? Minnelli has manufactured a mystery world all his own. Sure there are devices. All movies have devices. But they are handled so deftly...we don't rely on them to make us aware of the story -- they don't get in our way. They heighten our interest and this very absorbing plot.

    Well done. I wish it had been a longer movie...it was THAT kind of movie.

    I recommend this one...
    7Bob-45

    Surprisingly Good, For All Its Shortcomings

    "Undercurrent" is a surprisingly effective mystery/"chick flick," given elements that could have sunk a lesser effort. For example:

    o Dr. Bangs gives away one of the movie's secrets VERY early in the plot (Before Hepburn marries Taylor) o The behavior of some of the supporting players (for example, Mr. Warmly's first scene) aren't really consistent with the denouement o Katherine Hepburn, at 39, is not an altogether convincing object of desire for her younger costars o While Robert Taylor gives a great performance, the first hints of his instability come too early in the film o Third billed Robert Mitchum has about five minutes screen time and his character has no part of the physical action.

    Perhaps, if it were not for the tremendous skill with which "Undercurrent" has been acted and directed, these apparent shortcomings might have mattered more. Certainly, casting Taylor and Mitchum against type was a stroke of genius. Further, the more one watches Katherine Hepburn's brilliant performance, the more one realizes "Undercurrent" would have been far less successful using a more "age appropriate" actress, unless she were equally skilled (Olivia De Havilland? Joan Bennett?). However, in addition to brilliant acting, Hepburn carries a cool, self-assured demeanor as part of her persona; which makes her apparent helplessness later in the film much more suspenseful, if not downright terrifying. Given that Hepburn is in virtually every scene, it's really Hepburn's movie and she doesn't disappoint.

    I give "Undercurrent" a "7".
    8blanche-2

    gripping

    What a cast! Hepburn, Robert Taylor and Robert Mitchum! Hepburn here is paired with Robert Taylor, a scientist, who seems to have some very nervous employees and some sensitive areas, one concerning an absent brother, Michael. When Hepburn meets one of Taylor's old girlfriends, a very well cast Jayne Meadows, she becomes suspicious of Taylor's motives for marrying her - and suspicious about what happened to Taylor's brother.

    Hepburn gives her usual intelligent performance, showing a vulnerable, feminine side that is very appealing. There is a scene in a fitting room where she is absolutely stunning. The scenes between her and her father, played by Edmund Gwenn, are delightful and realistic, as she complains that Taylor could not be attracted to her. "Look at me," she demands, "what do you see? " Her father smiles and says "Beautiful" and kisses her. It's this type of gentleness coupled with good acting, underlying suspense and excitement that makes Undercurrent a very good -- and very underrated -'40s film. Taylor is handsome and enigmatic in his role. Somewhere along the way, he stumbled into playing bad boys, as he does later on in "Conspirator" as well, and these roles suit him. Hepburn once said that Spencer Tracy made her seem very feminine; Taylor does too.

    I have to add that I did find the casting quite odd but inspired, with Hepburn and Mitchum cast against type, and Hepburn paired with Taylor. I wish we had seen more of this in Hollywood.

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      In Vincente Minnelli's autobiography, he says that Robert Mitchum was very uncomfortable in the role of the sensitive Michael.
    • Pifias
      The aircraft shown flying mid-air with Ann and Alan going to Washington, D.C. and the one landing are different planes. The one flying is NC16001, the one landing is NC33651. Note the different tail on the one landing that says "Buy War Bonds".
    • Citas

      Lucy: Roses don't show respect. Roses show intentions.

    • Conexiones
      Featured in Forecast (1945)
    • Banda sonora
      Symphony Nr. 3
      • III. Poco allegretto (transcribed for piano)

      Written by Johannes Brahms

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    Preguntas frecuentes16

    • How long is Undercurrent?Con tecnología de Alexa
    • Is it true that Katharine Hepburn and Robert Mitchum didn't get along?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de noviembre de 1946 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Alemán
    • Títulos en diferentes países
      • Undercurrent
    • Localizaciones del rodaje
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, Estados Unidos(Studio)
    • Empresa productora
      • Loew's
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 1.644.000 US$ (estimación)
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 56 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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    Katharine Hepburn and Robert Taylor in Corrientes ocultas (1946)
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