Una mujer de mala fama

Mady Christians, Jean parker, Betty Furness star in "Wicked Woman" from MGM. Christians is "Naomi", pregnant when her abusive husband Ed decides to leave with one of the sons. Naomi tries to rebuild her life on her own, but of course the sheriff comes looking for the husband, who never seems to be found. Naomi teaches the kids right from wrong, and makes a go of things. opens her own shop. Sterling Holloway is in here as a minor part. he frequently did the voice for winnie the pooh! and one of Robert Taylor's early roles. Charles Bickford is their guardian angel. It's pretty good. almost too sugary sweet.... mom is teaching all the kids right from wrong, at any cost. moves pretty slowly. takes a long time to get going. all's well that ends well.. hopefully. Directed by Charles Brabin... this was the last one he directed!

Another good film performance by that GREAT actor, Charles Bickford, and also by Mady Christians. In fact, it is the performance of Miss Christians that this film hinges on, as without her, it would be a very dull film. It is too bad that Miss Christians never had a chance to become a big star in America as she had been in Europe, as she is a very good actress!! This film has one of the first performances of Robert Taylor and he does a very good job, as does all the supporting players in this film. I enjoyed this film and think you will too, if you get to see it on television.

It would seem that the "woman sacrifices everything for her children" storyline was rather popular back in the 1930's. This is yet another one out of that pipeline and it's a competent effort with fluid direction from a veteran of silents, Charles Brabin (he puts together a couple of striking montages and seems to handle actors well). Interestingly, it was his last film. I had never EVER heard of Mady Christians going in but she certainly comes across as an especially passionate and forceful actress. She over-does it a bit at times but no one will ever accuse her of lacking conviction. Film is also noteworthy in featuring a relatively young Charles Bickford (he was in his early 40's) in a romantic role. He seems a tad uncomfortable when required to swoon, so he says his lines as quickly as possible in an effort to get it over with. Guess he was just born crusty.

The real tragedy here is the pairing of beautiful young Betty Furness with that cartoon-voiced scarecrow Sterling Holloway. If Christians' plight doesn't put a lump in your throat, Holloway's charmless, bewilderingly successful pursuit of Furness definitely will.

While watching this film I kept trying to place Actress MADY CHRISTIANS. Then in a flash I remembered, ALL MY SONS (1948) with BURT LANCASTER, EDWARD G. ROBINSON, HOWARD DUFF, HARRY MORGAN, etc. Ms. CHRISTIANS spent most of her career making films in Europe or appearing on the Stage, so is not well remembered here (U.S.A.), but once she spoke I recognized her.

A WICKED WOMEN (1934) is the struggle of a Woman raising her four (4) Children after killing her 'Criminal' Husband in self defense. Disposing of the body, she moves her family from the prying eyes of her former community. Raising them and herself too Middle-Class respectability and finding love again. Of course being a 'code' film she has to be called out too justify her crime. How they found his remains and any evidence that would hold up after all those years strains credibility. After all we are not talking about DNA and 21st Century technology. In those days though you had to tidy everything up before the happy ending, which this films does.

This is a melodrama typical of the period. Most of the acting is credibly done and the 'middle-aged' romance between Naomi Trice/Stroud (CHRISTIANS) and Pat Naylor (CHARLE BICKFORD) is believable. The supporting Actors do their parts well also. A young ROBERT TAYLOR in only his fourth role is presented in a early romantic lead. Something he would do for practically his entire career. Like most 'production films' made by the 'factory system' it is well made and worth watching. M.G.M. had a knack for making these 'B' level melodrama's.