PUNTUACIÓN EN IMDb
7,5/10
9 mil
TU PUNTUACIÓN
La reina Cristina de Suecia es una monarca popular y leal a su país. Sin embargo, cuando se enamora de un enviado español, debe elegir entre el trono y el hombre al que ama.La reina Cristina de Suecia es una monarca popular y leal a su país. Sin embargo, cuando se enamora de un enviado español, debe elegir entre el trono y el hombre al que ama.La reina Cristina de Suecia es una monarca popular y leal a su país. Sin embargo, cuando se enamora de un enviado español, debe elegir entre el trono y el hombre al que ama.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios y 1 nominación en total
Gustav von Seyffertitz
- General
- (as Gustav Von Seyffertitz)
Richard Alexander
- Peasant in Crowd
- (sin acreditar)
Hooper Atchley
- Antonio's Companion in Coach
- (sin acreditar)
Barbara Barondess
- Elsa
- (sin acreditar)
Wade Boteler
- Magnus' Rabble Rouser
- (sin acreditar)
James Burke
- Blacksmith - 4th Rabble Rouser
- (sin acreditar)
Cora Sue Collins
- Christina as a Child
- (sin acreditar)
Reseñas destacadas
I recently purchased the Greta Garbo DVD collection and the first film I watched was "Queen Christina". It's the first time I've seen it from beginning to end and it's a beautiful and haunting film. I'm surprised by how old it is. It was made in 1933! And yet the film, aside from the usual dated aspects seen in every movie made then, is remarkably ahead of its time, certainly in the way it views of a female nobility, androgyny and homosexuality. It surprising this movie was made, in the light of the nefarious Hays Code which came into existence just a couple of years before this film was made.
The cinematography is beautiful. The script, though simplistic in its portrayal of Queen Christina's life (the reason I gave this film one star short of a perfect 10), is full of interesting dialogue, which is endlessly quotable. But the one thing that makes the movie so great is Greta herself. Remove Greta from the movie and not much is left. She makes the movie and what an amazing and haunting performance she gives. Some might find her way of acting a bit much but personally, I think it's something to behold. There's no other actor in the world of cinema like Greta Garbo and this film proves it in spades. Her performance is pitch perfect: she's towering, impossibly beautiful and yet vulnerable and warm as well, which is amazing feat. There are several unforgettable and iconic scenes in "Queen Christina" but the biggest icon is Greta herself. Her overwhelming presence in the movie makes it a thoroughly haunting experience. It's amazing that the folks behind the camera knew what amazing person they were working with and "Queen Christina" is the perfect showcase for this legendary star.
As for the quality of the DVD transfer, it's a shame there isn't a better looking version than this one. The film was filled with scratches and sound problems. Like Lawrence of Arabia or Vertigo, "Queen Christina" needs to be restored to its former glory and re-released on the big screen, so a new generation can discover and appreciate this underrated movie.
The cinematography is beautiful. The script, though simplistic in its portrayal of Queen Christina's life (the reason I gave this film one star short of a perfect 10), is full of interesting dialogue, which is endlessly quotable. But the one thing that makes the movie so great is Greta herself. Remove Greta from the movie and not much is left. She makes the movie and what an amazing and haunting performance she gives. Some might find her way of acting a bit much but personally, I think it's something to behold. There's no other actor in the world of cinema like Greta Garbo and this film proves it in spades. Her performance is pitch perfect: she's towering, impossibly beautiful and yet vulnerable and warm as well, which is amazing feat. There are several unforgettable and iconic scenes in "Queen Christina" but the biggest icon is Greta herself. Her overwhelming presence in the movie makes it a thoroughly haunting experience. It's amazing that the folks behind the camera knew what amazing person they were working with and "Queen Christina" is the perfect showcase for this legendary star.
As for the quality of the DVD transfer, it's a shame there isn't a better looking version than this one. The film was filled with scratches and sound problems. Like Lawrence of Arabia or Vertigo, "Queen Christina" needs to be restored to its former glory and re-released on the big screen, so a new generation can discover and appreciate this underrated movie.
...She looks so weak and so frail That's why she tried to be so hard , But they turned her into a princess And they sat her on a throne, But she turned her back on stardom Because she wanted to be alone.
(Ray Davies,"Celluloid heroes" ,1972)
"Queen Christina" is my favorite Garbo movie and I must not be the only one to be fond of it."Queen Christina" is the story of the actress herself ;the queen abdicates as the star would do eight years later.Like the queen leaves her people weeping they cried a river over the star.
Christina is a modern character,ahead of her time,tired of war and who takes love over marriage of convenience ,who protects arts ,notably literature (funny how she loves Molière and his "Précieuses Ridicules" ).One should note that,even if it's not mentioned in the movie,she did come to France where she visited courtesan Ninon de Lenclos ,then imprisoned in a convent because of her "scandalous" life .
Like Garbo herself,she was a legend in her lifetime and
she would die an enigma to the word,like king of Bavaria ,Ludwig der Zweite ,who lived three centuries after her and who was a bit like her.
The scene at the inn has been plagiarized many times since.Garbo's androgynous beauty works wonders ."A handsome young lord such as you cannot sleep alone tonight,can he?" .Definitely not.
(Ray Davies,"Celluloid heroes" ,1972)
"Queen Christina" is my favorite Garbo movie and I must not be the only one to be fond of it."Queen Christina" is the story of the actress herself ;the queen abdicates as the star would do eight years later.Like the queen leaves her people weeping they cried a river over the star.
Christina is a modern character,ahead of her time,tired of war and who takes love over marriage of convenience ,who protects arts ,notably literature (funny how she loves Molière and his "Précieuses Ridicules" ).One should note that,even if it's not mentioned in the movie,she did come to France where she visited courtesan Ninon de Lenclos ,then imprisoned in a convent because of her "scandalous" life .
Like Garbo herself,she was a legend in her lifetime and
she would die an enigma to the word,like king of Bavaria ,Ludwig der Zweite ,who lived three centuries after her and who was a bit like her.
The scene at the inn has been plagiarized many times since.Garbo's androgynous beauty works wonders ."A handsome young lord such as you cannot sleep alone tonight,can he?" .Definitely not.
Period dramas made in the past often fall foul of reflecting the time which they were made in, not when they were set. This one however is timeless and ageless evoking a feel of the seventeenth century whilst still being very much a grand MGM epic from the golden age of Hollywood. It's beautifully and imaginatively crafted by maestro director Rouben Mamoulian to perfection and acted with complete believability and passion evoking some very real emotion.
It is set during the truly horrific (and complicated) Thirty Years War and begins with the death of the Protestant leader, Swedish king, Gustav Adolf. He leaves behind his seven year old daughter to take over as 'king' to continue leading Sweden in the terrible war. Greta Garbo's particular acting style and strong Swedish accent which can sometimes feel a little too theatrical at times is for once absolutely perfectly suited to playing this person who in reality had to be the greatest actress in Sweden. The role Christina had to play was to convince her subjects that their suffering, their sacrifices were God's will and unquestionably necessary. Her act was to instil such hatred of the enemy, such detestation of Catholicism that the mass slaughter of literally millions of people could be justified but it was all just an act. Although this state of perpetual war was all she had ever known, Christina herself could not convince herself that this was indeed God's will and Garbo brilliantly with incredible subtlety conveys this inner mental turmoil. Her other role was produce an heir and that is what this film uses as its hook to get into her mind.
Greta Garbo was personally involved with the making of this film, it was her own pet project and she insisted that her co-star would be her old flame, John Gilbert. He too is excellent as Christina's Spanish love interest. Fuelled with the memories of their past passionate affair, the chemistry between the two of them seems very real and is genuinely touching. Before you start to complain that the love story between Christina and Alfonso is completely made up you should know that the writer used this very clever device to symbolise her inner struggles, the epic battles going on inside her head between her feelings as a compassionate and sensitive, intelligent woman and her feelings as a king. John Gilbert's allegorical character represents Christina's aspirations, her desire for independence and her desire for freedom which she knows can never be. The famous tragic last scene (which is honestly quite emotional) is inevitable.
The story is tragically sad and so is the story of poor John Gilbert. His ill-advised monumental fall out with Louis Mayer, the most powerful man in Hollywood completely destroyed his career resulting in his death from alcoholism just three years after making this. Such tragedies seemed to be all too common back in the days of the 'studio system' with stars such as John Gilbert, John Barrymore and Clara Bow. A guy driving a truck driver or girl from the typing pool were virtually overnight given a new life, earning literally millions of dollars and then maybe a year later, at the whim of a studio head were unemployed, that life was over. In some ways John Gilbert's character in this film which can logically only have one ending reflects the actor's own trajectory.
It is set during the truly horrific (and complicated) Thirty Years War and begins with the death of the Protestant leader, Swedish king, Gustav Adolf. He leaves behind his seven year old daughter to take over as 'king' to continue leading Sweden in the terrible war. Greta Garbo's particular acting style and strong Swedish accent which can sometimes feel a little too theatrical at times is for once absolutely perfectly suited to playing this person who in reality had to be the greatest actress in Sweden. The role Christina had to play was to convince her subjects that their suffering, their sacrifices were God's will and unquestionably necessary. Her act was to instil such hatred of the enemy, such detestation of Catholicism that the mass slaughter of literally millions of people could be justified but it was all just an act. Although this state of perpetual war was all she had ever known, Christina herself could not convince herself that this was indeed God's will and Garbo brilliantly with incredible subtlety conveys this inner mental turmoil. Her other role was produce an heir and that is what this film uses as its hook to get into her mind.
Greta Garbo was personally involved with the making of this film, it was her own pet project and she insisted that her co-star would be her old flame, John Gilbert. He too is excellent as Christina's Spanish love interest. Fuelled with the memories of their past passionate affair, the chemistry between the two of them seems very real and is genuinely touching. Before you start to complain that the love story between Christina and Alfonso is completely made up you should know that the writer used this very clever device to symbolise her inner struggles, the epic battles going on inside her head between her feelings as a compassionate and sensitive, intelligent woman and her feelings as a king. John Gilbert's allegorical character represents Christina's aspirations, her desire for independence and her desire for freedom which she knows can never be. The famous tragic last scene (which is honestly quite emotional) is inevitable.
The story is tragically sad and so is the story of poor John Gilbert. His ill-advised monumental fall out with Louis Mayer, the most powerful man in Hollywood completely destroyed his career resulting in his death from alcoholism just three years after making this. Such tragedies seemed to be all too common back in the days of the 'studio system' with stars such as John Gilbert, John Barrymore and Clara Bow. A guy driving a truck driver or girl from the typing pool were virtually overnight given a new life, earning literally millions of dollars and then maybe a year later, at the whim of a studio head were unemployed, that life was over. In some ways John Gilbert's character in this film which can logically only have one ending reflects the actor's own trajectory.
"I,m tired of being a symbol, Chancellor, I long to be a human being! This longing I cannot suppress!" (Greta Garbo as queen Christina)
On December, the 26th, 1933 Rouben Mamoulian's great production about the Swedish queen was released. Greta Garbo (1905-1990), a Swedish actress already famous for her roles in silent movies and some sound films, like Anna Christie (1930), was cast to play the main role by Rouben Mamoulian for the first time in her new contract. Perhaps, the producers with the director expected some success, but certainly nobody could think of the movie being watched and admired in the 21st century...
The story of Christina is changed; however, it does not make a serious distortion. The movie shows a lot of true facts from her life (her coronation in 1632 and her desire for peace) as well as some additional events (she did not abdicate for love). But, like with most other films, history had to be interpreted to the need of the audience of the 1930s.
The movie is mostly famous for dealing with Christina's desire for personal happiness and love affair between Christina and the Spanish ambassador Don Antonio De Pimentel (John Gilbert). The most memorable scene, for me personally, is their first meeting in an inn. The way Mr Mamoulian showed it is really extraordinary: nothing vulgar or open without taboo. Grapes which are a reference either to Ancient Greece and god Bachus or to Spain, Antonio's homeland. Christina is showed walking through the room and touching all objects in order to memorize them. Greta Garbo gives one of her finest performances in this memorable scene. REALLY SENSIBLE SCENE THAT VERY FEW PEOPLE WOULD BE ABLE TO SHOOT NOWADAYS! What is more, her lesbianism is hidden. There is only one moment when Christina kisses one of her servant girls in the mouth.
Another significant aspect of the movie is Christina's long for being a human, not a symbol. Her famous words that I contained at the beginning of my review reflect her personality. Everything she does is for happiness. She falls in love with Antonio and plans a happy life with him. However, Antonio dies in her arms and their love cannot be fulfilled. The final shot of Christina standing at the bow of the ship as it sets sail is another impressive, magnificent moment. Before shooting this scene, Mr Mamoulian said to Greta: "I want your face to be a blank sheet of paper. I want the writing to be done by every member of the audience..."
The cast are excellent. Greta Garbo performed in many movies, including ANNA KARENINA (1935), LOVE (1927), MATA HARI (1931), CAMILLE (1936), and in all of them, she was perfect; but this role is her ultimate masterpiece. Undoubtedly incredible! Even if you don't like anything about this movie, Greta's performance is something you will never forget. Consider how she played a man while meeting Antonio in an inn; or her speech where she calls for the end of Thirty Years War: "Spoils, glory, flags, and trumpets! What is behind these high sounding words? Death and destruction!"
John Gilbert also does a good job as Antonio but he, like everyone else, is in the shadow of Greta. I do not know if there were other such good actors or actresses in cinema's history. Perhaps, Romy Schneider... but, indeed, very few people could leave such an unfading trace in cinema.
Queen Christina is my beloved, favorite movie, a piece of high art at multiple levels. More than 70 years have passed since it was released and the movie is still a pleasure to see. It has been a must-have in my family from the time my Grandma was young in the 1930s. The movie really deserves to be released on DVD.
There are movies that you watch and quickly forget.
There are movies that you may like and see them more than once to remember for longer.
Queen Christina is a movie that, having seen once, you will never forget.
With no hesitation 10/10
On December, the 26th, 1933 Rouben Mamoulian's great production about the Swedish queen was released. Greta Garbo (1905-1990), a Swedish actress already famous for her roles in silent movies and some sound films, like Anna Christie (1930), was cast to play the main role by Rouben Mamoulian for the first time in her new contract. Perhaps, the producers with the director expected some success, but certainly nobody could think of the movie being watched and admired in the 21st century...
The story of Christina is changed; however, it does not make a serious distortion. The movie shows a lot of true facts from her life (her coronation in 1632 and her desire for peace) as well as some additional events (she did not abdicate for love). But, like with most other films, history had to be interpreted to the need of the audience of the 1930s.
The movie is mostly famous for dealing with Christina's desire for personal happiness and love affair between Christina and the Spanish ambassador Don Antonio De Pimentel (John Gilbert). The most memorable scene, for me personally, is their first meeting in an inn. The way Mr Mamoulian showed it is really extraordinary: nothing vulgar or open without taboo. Grapes which are a reference either to Ancient Greece and god Bachus or to Spain, Antonio's homeland. Christina is showed walking through the room and touching all objects in order to memorize them. Greta Garbo gives one of her finest performances in this memorable scene. REALLY SENSIBLE SCENE THAT VERY FEW PEOPLE WOULD BE ABLE TO SHOOT NOWADAYS! What is more, her lesbianism is hidden. There is only one moment when Christina kisses one of her servant girls in the mouth.
Another significant aspect of the movie is Christina's long for being a human, not a symbol. Her famous words that I contained at the beginning of my review reflect her personality. Everything she does is for happiness. She falls in love with Antonio and plans a happy life with him. However, Antonio dies in her arms and their love cannot be fulfilled. The final shot of Christina standing at the bow of the ship as it sets sail is another impressive, magnificent moment. Before shooting this scene, Mr Mamoulian said to Greta: "I want your face to be a blank sheet of paper. I want the writing to be done by every member of the audience..."
The cast are excellent. Greta Garbo performed in many movies, including ANNA KARENINA (1935), LOVE (1927), MATA HARI (1931), CAMILLE (1936), and in all of them, she was perfect; but this role is her ultimate masterpiece. Undoubtedly incredible! Even if you don't like anything about this movie, Greta's performance is something you will never forget. Consider how she played a man while meeting Antonio in an inn; or her speech where she calls for the end of Thirty Years War: "Spoils, glory, flags, and trumpets! What is behind these high sounding words? Death and destruction!"
John Gilbert also does a good job as Antonio but he, like everyone else, is in the shadow of Greta. I do not know if there were other such good actors or actresses in cinema's history. Perhaps, Romy Schneider... but, indeed, very few people could leave such an unfading trace in cinema.
Queen Christina is my beloved, favorite movie, a piece of high art at multiple levels. More than 70 years have passed since it was released and the movie is still a pleasure to see. It has been a must-have in my family from the time my Grandma was young in the 1930s. The movie really deserves to be released on DVD.
There are movies that you watch and quickly forget.
There are movies that you may like and see them more than once to remember for longer.
Queen Christina is a movie that, having seen once, you will never forget.
With no hesitation 10/10
One of silent cinema's greatest pairings, Greta Garbo and John Gilbert starred together one last time in Queen Christina. Gilbert's career was in tatters by 1933 after a string on failures, and Laurence Olivier had already bailed from the role, but Garbo insisted on Gilbert. And he is wonderful as the Spanish envoy. He looks great and gives a sly performance with plenty of wit. This is also one of Garbo's best talkies. Together they light up the screen. This film also boasts some of the most gorgeous close ups of Garbo you've ever seen. Solid historical drama of Swedish queen who abdicates for love. Good supporting cast includes Lewis Stone, Reginald Owen, Akim Tamiroff, Ian Keith as the slimy Magnus, C. Aubrey Smith, Elizabeth Young, and David Torrence. Beautiful film with solid performances and, dare I say, very feminist in its view. Gilbert's performance in this film and Downstairs (1932) should have put him back on top. What a shame. Norma Desmond was right when she said, "They took the idols and they smashed them. The The Gilberts, the Fairbankses, the Valentinos."
¿Sabías que...?
- CuriosidadesFor the famous closing shot of Greta Garbo at the prow of the ship, director Rouben Mamoulian had wanted the camera to begin with a long shot, and then, in one unbroken take, gradually dolly in on a two-thirds closeup of Garbo's face, holding on her at the end of the shot. Unfortunately, with the camera's 48mm lens that close to the human face, pores tend to resemble craters on the surface of the moon. Borrowing on aspects of the magic lantern, Mamoulian devised a large, ruler-shaped, glass filter strip that was clear at one end, becoming increasingly more diffused along its length. With this glass filter mounted in front of the lens, as the camera moved in on Garbo, the glass strip was gradually drawn through the filter holder, beginning with the clear end, and ending with the diffused end (closeup), softening Garbo's facial features with more flattering results.
- PifiasChristina is depicted as loved by her people. The real Christina, however, was, by the end of her reign, unpopular due to her arbitrary and wasteful ways, and having her royal historian and his son executed for accusing her of serious misbehavior and being a Jezebel.
- ConexionesEdited into Spisok korabley (2008)
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Detalles
Taquilla
- Presupuesto
- 1.114.000 US$ (estimación)
- Duración1 hora 39 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was La reina Cristina de Suecia (1933) officially released in India in English?
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