Infierno en la frontera

Seemed more like a made for TV western. Obviously not a high grade production. It is a story of Bass Reeves and the outlaws are real. Glad I watched, but probably not again.

The script is so poorly written the actors talents are wasted. All the actors are seem as if they are in a high school play. The Entire production is poor quality. The music is ridiculous

Of course this could have been better, but I enjoyed the story and it inspired me to research Bass Reeves

Despite the obvious b-grade quality, Ron Perlman, Frank Grillo and the genre of western was enough for me to give it a try - I do occasionally enjoy the little movies with good ol' actors just having a fun time. Well, "Hell on the Border" is probably the lousiest western I've seen so far, but, thankfully, not entirely without a heart.

In the most aspects of filmmaking, "Hell on the Border" is weak and painfully cliché. The plot, based on the true story of Bass Reeves, the first black U.S. marshall, is stitched together from arcs that we've seen a hundred times before & in a hundred better movies. I mean, there's literally not one hint of originality in "Hell on the Border". Same applies to the characters, though the duo of David Gyasi and Ron Perlman was at least mildly entertaining to watch. Frank Grillo, the villain, did a fine job. In portraying a mostly boring character. A pacing that drags constantly & a high predictability factor - these are a few additional "qualities" this movie possesses. Most frustratingly, "Hell on the Border" is also a mess regarding all technical and aesthetical means - the cinematography is boring, even sketchy, the lighting & color grading's effortless and way too amateur, the whole movie has a drab, grey-ish, even ugly look. Some random shots are extra grainy. To make it all worse, the original score was massively overused & it was as cheap as everything else in this flick. Most of the action sequences were wack and unrealistic. For a 2019 movie with such actors, even for the usual b-movie, "Hell on the Border" is technically embarrassing.

When I said it has a heart, I meant only the aforementioned acting duo of David Gyasi and Ron Perlman, plus the extremely conventional story line - yes, conventional, not entirely useless. Nevertheless, I recommend "Hell on the Water" to absolutely no one, except if you're sold on the same things I was. You have been warned though. My rating: 3/10.

The background score completely screwed this film up, I couldn't hear dialogues in parts cause the music overpowers it, QC there Netflix???