Hallelujah: Leonard Cohen, a Journey, a Song

Cut 20 minutes and you've got a pretty good music doc.

The director clearly wanted to include all of the celebrity interviews, but they seemed kind of unnecessary and when stacked together, repetitive. Those are probably most of what you could cut.

Otherwise it's an enjoyable film with really cool archival footage.

This captivating documentary shows the origins and evolution of the iconic song "Hallelujah," written by poet, author, singer/songwriter and musician Leonard Cohen. A song that transcends generations, "Hallelujah" is more than music; it is a work of art and this film is an immersive exploration of this iconic song.

The documentary narrates how Cohen started his music career back in the '60's. Disappointed by his lack of success in the literary world, Cohen decided to explore a career in music, despite not intending to sing or play an instrument. In fact, Cohen didn't start writing songs until age 30. The narration in the film explores his early success in music and other aspects of his life, including his Jewish roots, politics, relationships and more. He was a spiritual seeker and his oeuvre constantly gravitated around spirituality. "Hallelujah," his most renowned song, was released in 1984. The song is a moment of realization-a revelation-about love and loss, and it touches the listener in so many different ways. The song is so larger-than-life it's almost its own person, and we see how it has become an anthem.

As of today, there are over 300 cover versions of "Hallelujah." Originally 150-180 verses were written for "Hallelujah" until the perfect edition of the song was written. More popular versions have come from artists Eric Church, Jeff Buckley and John Cale. Through many different interviews, the documentary shows how most people know the song through Jeff Buckley and many thought he wrote it. It was really interesting to me to see how a lot of the film is devoted to Leonard's spirituality. One of my favorite clips was the 2009 Coachella concert where Cohen sang "Hallelujah," and you could really feel how moved and captivated the audience was. The visuals, the archived interviews and footage are all nicely arranged. I particularly enjoyed listening to the interviews with various artists, reporters and people that were close to Cohen and to witness the warmth that emanated from him. One I found very interesting was with Vicky Jenson, where she talks about how "Hallelujah" was used in the movie Shrek. Another was how singer Judy Collins remembers when she first met him how he didn't believe in his own music. Cohen's work was not always praised as some music labels rejected his albums, but his talent has proved to be immortal.

The message of the film is that music is cross-generational, and it establishes an emotional connection that unites people in a powerful way.

I give Hallelujah, Leonard Cohen, A Journey, A Song 5 out of 5 stars and recommend it for audiences 12 to 18, plus adults. Hallelujah, Leonard Cohen, A Journey, A Song opens in select theaters July 15, 2022.

It's a documentary on the creative life of Leonard Cohen with particular emphasis on his signature song, "Hallelujah."

The film takes a mostly chronological approach beginning with Cohen's early musical career and follows through to his death. Many people who worked with Cohen, including various producers, are interviewed about Cohen. Some interviews with Cohen, especially by Larry Sloman, and with clips of Cohen in performance are included. A block in the third quarter of the film deals with the many performers who covered "Hallelujah."

This was a nagging disappointment, especially since I've like Leonard Cohen for a long time and included one of his songs in our 1969 wedding. This is really two incomplete documentaries mashed into one. The one that would have interested me the most would have been the spiritual journey of Leonard Cohen. The first half is mostly that, but then it obsesses over "Hallelujah" to the extent of including American Idol performers. The other documentary could have been on "Hallelujah" the song, which wouldn't have needed all of Cohen's background and could have better explored the sacred/secular/sexual aspects of that song.

Still, if you like Leonard Cohen and his music, you will gain some insight in seeing this film. I did, but wished it could have been so much better.

When Leonard Cohen passed away in 2016, the first song that inevitably was mentioned about his career was "Hallelujah". Daniel Geller and Dayna Goldfine's documentary uses that famous hymnal to trace not only the history of that particular song, but Cohen's entire life and career.

The song was first recorded in 1984 but he had been in the process of writing it for at least five years, including, by his own count, going through some 150 verses (Cohen continued to re-write phrases and verses ever after)! "Hallelujah" made little impact upon release and it wasn't until first John Cale, and later, Jeff Buckley covered the tune got major attention.

The movie documents Buckley's version in such detail, that it sidetracks the main discussion for quite a spell. The digression is, unfortunately, a bit emblematic of the Doc as a whole. While the basics of Cohen's life (and this particular song) are adequately delved into, Geller and Goldfine never find a consistent narrative. Fortunately, there is enough quality archive footage along with contemporary interviews with those who knew him including long-time friend Larry Ratso Soloman and producer John Lissauer to flesh out some semblance of a story-line.

The concert footage allows Cohen to be seen and heard in his element over the decades. It's an irony that Cohen only had a Billboard charted single -- after he passed away. It, of course, was "Hallelujah."

Hallelujah: Leonard Cohen, a Journey, a Song left me in its spell, and Cohen's. The film has so may layers, it is uplifting and thought provoking. A beautifully crafted film.