Les Miches de la boulangère

Michel Ricaud's "Les Miches de la Boulangère" is a tantalizing treat for fans of European adult entertainment. With a simple yet effective premise, this French flick serves up a hearty helping of erotic encounters that are sure to satisfy your cravings for explicit content.

The movie wastes no time in diving into the action, as we are introduced to the sultry Debbie Van Gils and the hunky Jean-Yves Le Castel. Their passionate tryst sets the tone for the rest of the film, as they explore each other's bodies with fervor, engaging in oral, vaginal, and anal pleasures, culminating in a facial climax.

Elodie Cherie and Eric Weiss take center stage in the next scene, delivering a steamy performance that showcases Elodie's versatility and Eric's stamina. Their passionate embraces and intense intercourse will have you on the edge of your seat.

Barbie Est and Tom O'Connors bring a touch of sweetness to their encounter, with Barbie's innocent looks belying her eagerness to please. Their sensual oral exchange and fervent vaginal coupling will leave you breathless.

The film then shifts gears, bringing us a tantalizing threesome featuring Debbie Van Gils, Vanessa d'Angely, and Eric Weiss. The ladies work in perfect harmony, taking turns pleasing each other and Eric, showcasing their skills in a symphony of sensuality.

Elodie Cherie and Tom O'Connors unite once more, this time exploring a more intimate side of their sexuality. Their scene is a beautiful blend of passion and tenderness, with Elodie's natural charm shining through as she surrenders to Tom's affections, their connection evident in every touch and kiss.

Vanessa d'Angely takes charge in her scene with Jean-Yves Le Castel, showcasing her insatiable appetite for pleasure. Their encounter is a wild ride, exploring anilingus and cunnilingus before culminating in a frenzied vaginal climax.

Barbie Est returns with Eric Weiss for a scorching hot scene that will leave you sweating. Their chemistry is undeniable as they explore each other once more, taking their passions to new heights with anal explorations.

The grand finale brings together Elodie Cherie, Jean-Yves Le Castel, and Tom O'Connors for a thrilling threesome. Elodie shines as the center of attention, embracing her partners with equal fervor. The scene builds to a breathtaking double penetration that will leave you breathless and wanting more.

Overall, "Les Miches de la Boulangère" delivers on its promise of explicit adult entertainment. While the film does not excel in terms of originality or production value, it makes up for it with raw, uninhibited performances and a diverse array of erotic encounters.

During the 1970s, "French fluff" was a favorite deogatory catch-phrase used by critics, to make fun of the very popular (on the art-theater circuit) imports of which "Cousin Cousine" and "Pardon Mon Affaire" were the most typical (and generated Hollywood remakes like clockwork). This Marc Dorcel production, directed by the talented Michel Ricaud, has similar content but for an Adult audience, and it hits the spot.

Title is untranslatable, with a literal stab yielding "The Loaves of the Baker's Wife", far removed from the Marcel Pagnol classic of the 1930s. Adding immeasurably to the entertainment is the juxtaposition of luscious food, in this case French pastries being created in the kitchen, and explicit sex, also in the kitchen. Closeups of the creme brulee being torched or other light desserts being baked are in context the forerunners of today's social media "food porn" photos.

Elodie stars as a young woman applying for a salesgirl position at Jean- Yves Le Castel's bakeshop, only to get the culinary world's version of casting couch treatment. This sets the tone for an upbeat farce, most typified by a delightful scene where a blonde named Vanessa is being humped from behind in the kitchen by Jean-Yves, sticking her head out through the transom to converse with J-Y's wife (luscious and buxom Debbie V. Jils) who is oblivious to her husband cheating on her just inches away.

The major difference between the classic Dorcel releases of roughly 20 years ago and today's glossier product from the label is that the earlier titles have a joie de vivre and upbeat aspect one might associate with yet another generation of French fluff: the advent of complicated romances and comedies like "Delicatessen" and "Amelie". Even the best of Dorcel's recent releases are heavy, studied, condom-laden ("Miches" is performed bareback) and needlessly misogynistic, even by porn standards.